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261 - 270 of 384 results for: MUSIC

MUSIC 192A: Foundations of Sound-Recording Technology

This course serves as an introduction to the recording facilities and technology at CCRMA. Through lectures and assignments students learn and practice various studio recording techniques. They also become familiarized with home and field recording practices. The course addresses various audio engineering topics: room acoustics, studio operation and maintenance, microphone selection and placement, analog and digital recording, audio editing and mixing, and audio effects processing (equalization, compression, convolution reverb, etc.). Prerequisite: MUSIC 101 or consent of instructor.
Terms: Aut | Units: 3 | UG Reqs: GER:DB-EngrAppSci, WAY-SMA
Instructors: Estakhrian, H. (PI) ; Han, A. (TA)

MUSIC 192C: Session Recording

Independent engineering of recording sessions combined with instruction in the use and maintenance of other CCRMA audio/studio facilities and equipment that is required for the realization of studio informed artistic projects. Students will explore how ideas such as acoustic phenomena, interactivity, or new instruments can augment their studio practice. May be repeated for credit a total of 14 times (1 unit per quarter throughout the year - recommended - or 3 units in Spring). Prerequisite: Consent of instructor.
Terms: Aut, Win, Spr | Units: 1-3 | Repeatable 15 times (up to 30 units total)
Instructors: Estakhrian, H. (PI)

MUSIC 192F: Sound Installation (ARTSTUDI 175)

This class will cover creative, historical and theoretical aspects of sited artworks based in sound. We will create, install and critique new works that use sound with special attention the ways that sound intersects with time, space and architecture. Attention will be given both to sound as immaterial signal and to sound in its relation to visual environments and objects. The class is intended for artists, composers and others who want to explore the spatial, social and aesthetic dimensions of sound. Assigned readings will cover sound practices in the contexts of art, music, sound studies and anthropology. Experience in sound recording or production, signal processing and spatialization, or installation are valuable but not required. Curiosity and attention to sounds are.
Last offered: Winter 2025 | Units: 4

MUSIC 197: Undergraduate Teaching Apprenticeship

Work in an apprentice-like relationship with faculty teaching a student-initiated course. Prerequisite: consent of instructor. (Staff)
Terms: Aut, Win, Spr | Units: 1-2
Instructors: Applebaum, M. (PI)

MUSIC 198: Concentrations Project

For concentration program participants only. Must be taken in senior year. Multiple concentrators may enroll in one section of 198 per concentration.
Terms: Aut, Win, Spr | Units: 2-4 | Repeatable 5 times (up to 20 units total)

MUSIC 198A: Capstone Project: Off Stage

For Composition concentration Music majors only. Must be taken in senior year, during the quarter immediately preceding the Capstone concert. Music majors with two concentrations may enroll in one section of MUSIC 198.
Terms: Aut, Win, Spr | Units: 1-3 | Repeatable 5 times (up to 15 units total)
Instructors: Rose, F. (PI)

MUSIC 198B: Capstone Project: On Stage

For Composition concentration program participants only. Must be taken in the senior year, during the same quarter as the Capstone concert. Multiple concentrators may enroll in one section of 198 per concentration.
Terms: Aut, Win, Spr | Units: 1 | Repeatable 5 times (up to 5 units total)
Instructors: Rose, F. (PI)

MUSIC 199: Independent Study

For advanced undergraduates and graduate students who wish to do work outside the regular curriculum. Before registering, student must present specific project and enlist a faculty sponsor. May be repeated for credit a total of 14 times.
Terms: Aut, Win, Spr, Sum | Units: 1-5 | Repeatable 15 times (up to 75 units total)

MUSIC 200A: Proseminar in Musicology and Music Bibliography

Introduction to research in music, bibliographical materials, major issues in the field, philosophy, and methods in music history. Guest lecturers and individual research topics.
Last offered: Autumn 2024 | Units: 3-4

MUSIC 200B: Proseminar in Ethnomusicology

A graduate-level introduction to the field of ethnomusicology. Issues and debates are traced through the history of the discipline, with emphasis on influences from anthropology, performance studies, linguistics, and cultural studies. Topics include music and: social organization, "culture," structure, practice, comparison, representation, globalization, identity, transcription, and embodiment.
Terms: Aut | Units: 3-5
Instructors: Gill, D. (PI)
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