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1 - 6 of 6 results for: MUSIC123

MUSIC 123A: Undergraduate Seminar in Composition: Rhythmic Design

Students compose weekly exercises to develop creative fluency and personal style. The course focuses on listening to examples, analysis and emulation of diverse compositional techniques involving rhythm.
Terms: Aut | Units: 1-2 | UG Reqs: WAY-CE
Instructors: Rose, F. (PI)

MUSIC 123B: Undergraduate Seminar in Composition: Pitch Design

Students compose weekly exercises to develop creative fluency and personal style. The course focuses on listening to examples, analysis and emulation of diverse compositional techniques involving pitch.
Terms: Spr | Units: 1-2 | UG Reqs: WAY-CE
Instructors: Rose, F. (PI)

MUSIC 123C: Undergraduate Seminar in Composition: World Music

The course introduces composition techniques used in traditional music from Bali, Central African Republic, India, and Japan, that the students use as inspiration to explore and develop their own composition techniques. Prerequisite: Music 19A or Instructor's permission.
Terms: Spr | Units: 1-2 | UG Reqs: WAY-CE
Instructors: Rose, F. (PI)

MUSIC 123D: Undergraduate Seminar in Composition: Extended Performance Techniques

Extended performance techniques have become standard extension of composers' orchestration technique. The course introduces extended techniques for keyboard, string, woodwinds, brass and percussion instruments, and illustrate their potential with excerpts from the literature. Students get to explore these techniques with a quarter long research project. Prerequisite: Music 127A or Instructor's permission
Terms: Spr | Units: 1-2 | UG Reqs: WAY-CE
Instructors: Rose, F. (PI)

MUSIC 123G: Liberatory Practice Lab: Engaging Sounds in Community (FEMGEN 123G)

This course is an incubator for new musical practices grounded in the cultivation of community. Learning from live performances, workshops, and archival texts by Black and queer feminist, Indigenous, and disability-culture activists, participants will deepen their understandings of their personal musical practices and backgrounds and imagine new ways of relating through sound. The course will center on a series of gatherings shaped in partnership with guest artists and local community organizations. Each participant will develop original sound-based experiences (compositions, guided meditations, or other participatory happenings) for these gatherings, supporting their classmates' initiatives as collaborative listeners and soundmakers. Participants with backgrounds in any sound-based practices are welcome. No prior experience in composition is necessary. Students who wish to enroll are asked to fill out a brief questionnaire [[ https://forms.gle/hw8NVG6ksMdMGuak7].
Last offered: Spring 2023 | Repeatable 3 times (up to 12 units total)

MUSIC 123I: Undergraduate Seminar in Composition: Music, Art, and Intermedia (ARTSTUDI 123I)

How do music and art relate? How does one speak for, with, the other? In the past century, Western visual art turned towards abstraction and time-based works. Techniques and processes for interaction between image and sound expanded dramatically. What better place to learn about them than the Anderson Collection? Through students' own visual and aural creations, we will explore and share individual approaches to time, symbol, memory, and meaning. Previous experience in music composition is welcome but not required. This course must be taken for a minimum of 3 units and a letter grade to be eligible for Ways-AII credit.
Last offered: Winter 2023 | UG Reqs: WAY-A-II, WAY-CE
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