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1 - 10 of 508 results for: film

AFRICAAM 45S: The Cold War and the Shaping of Modern Africa (HISTORY 45S)

This course considers the options and obstacles facing Africa during the Cold War, covering the period from the 1940s to the 2000s. Topics include the Cold War histories of Ghana, Algeria, Democratic Republic of the Congo (Zaire), Tanzania, and South Africa, among others. The legacies of the Cold War for contemporary Africa will also be discussed. This course will also focus on how to manage large source bases and ways to engage with diverse primary sources including film and literature.
Terms: Spr | Units: 5 | UG Reqs: GER:EC-GlobalCom, WAY-SI | Grading: Letter or Credit/No Credit
Instructors: Wall, R. (PI)

AFRICAAM 64C: From Freedom to Freedom Now!: African American History, 1865-1965

(Same as HISTORY 164C. History majors and others taking 5 units, register for 164C.) Explores the working lives, social worlds, political ideologies and cultural expressions of African Americans from emancipation to the early civil rights era. Topics include: the transition from slavery to freedom, family life, work, culture, leisure patterns, resistance, migration and social activism. Draws largely on primary sources including autobiographies, memoirs, letters, personal journals, newspaper articles, pamphlets, speeches, literature, film and music.
Terms: not given this year, last offered Spring 2011 | Units: 3 | UG Reqs: GER:DB-SocSci, GER:EC-AmerCul | Grading: Letter (ABCD/NP)

AFRICAAM 101: Black & White Race Relations in American Fiction & Film (AMSTUD 101, CSRE 41)

Movies and the fiction that inspires them; power dynamics behind production including historical events, artistic vision, politics, and racial stereotypes. What images of black and white does Hollywood produce to forge a national identity? How do films promote equality between the races? What is lost or gained in film adaptations of books? NOTE: Students must attend the first day; admission to the class will be determined based on an in class essay.
Terms: Spr | Units: 3-5 | UG Reqs: GER:DB-Hum, GER:EC-AmerCul, WAY-A-II, WAY-ED | Grading: Letter (ABCD/NP)
Instructors: Mesa, C. (PI)

AFRICAAM 158: Black Queer Theory (FEMGEN 158)

This course takes a multifaceted approach to black queer theory, not only taking up black theories of gender and queer sexuality, but queer theoretical interrogations of blackness and race. The course will also examine some of the important ways that black queer theory reads and is intersected with issues like affect, epistemology, space and geography, power and subjectivity, religion, economy, the body, and the law, asking questions like: How have scholars critiqued the very language of queer and the ways it works as a signifier of white marginality? What are the different spaces we can find queer black relationality, eroticism, and kinship? How do we negotiate issues like trans*misogyny or tensions around gender and sexuality in the context of race? Throughout the course, students will become versed in foundational and emerging black queer theory as we engage scholars like Sharon Holland, Cathy Cohen, Hortense Spillers, Marlon B. Ross, Aliyyah Abdur-Rahman, Barbara Smith, Roderick Ferguson, Robert Reid-Pharr, E. Patrick Johnson, and many others. Students will also gain practice applying black queer theory as an interpretive lens for contemporary social issues and cultural production including film, music, art, and performance.
Terms: not given this year, last offered Winter 2015 | Units: 5 | Grading: Letter or Credit/No Credit

AFRICAAM 165G: Afro-German Art Forms (CSRE 165I, GERMAN 165)

The past few years has seen a growth in scholars investigating the complex identities and histories of Black/Afro-Germans. While other groups in the African Diaspora have one common story (i.e. slavery in the context of the Americas), the same cannot be said for Afro-Germans. Their stories are varied and cannot be explained with one narrative. nnThis course seeks to introduce students to varied Afro-German voices and experiences through literature, film, and theory. Students in this course can expect to:n- develop skills in literary, art and performance analysisn- weigh the historical, political, social, cultural and ideological aspects of race in Germanyn- think about the way Afro-Germans complicate German national identityn- recognize contributions of Afro-GermansnThis course will be taught in English, but German-speaking students are encouraged to read in the original.
Terms: Spr | Units: 3-5 | Grading: Letter or Credit/No Credit
Instructors: Watkins, J. (PI)

AFRICAAM 181Q: Alternative Viewpoints: Black Independent Film (FILMSTUD 181Q)

Preference to sophomores. Do you want to learn more about independent film as it was practiced in major urban centers by young filmmakers? This class focuses on major movements by groups such as the Sankofa Film Collective and the L.A. Rebellion. Learn how to analyze film and to discuss the politics of production as you watch films by Spike Lee, Julie Dash, Melvin Van Peebles, Ngozi Onwurah and more. We will discuss representation, lighting, press material, and of course the films themselves. This course includes a workshop on production, trips to local film festivals and time to critique films frame-by-frame. It matters who makes film and how they do so. When you have completed this class you will be able to think critically about "alternative viewpoints" to Hollywood cinema. You will understand how independent films are made and you will be inspired to seek out and perhaps produce or promote new visions.
Terms: not given this year, last offered Spring 2015 | Units: 4 | UG Reqs: WAY-A-II, WAY-ED | Grading: Letter or Credit/No Credit

AFRICAAM 265G: African-American Independent Film- On Both Sides of the Camera (HISTORY 265G, HISTORY 365G)

From D. W. Griffith's controversial "Birth of A Nation" (1915) to Nate Parker's also controversial "Birth of a Nation" (2016), Black Americans have played roles in Hollywood movies while also seeking to define how they are depicted in these movies. This course will introduce students to this history by featuring works of pioneering black filmmakers who challenged Hollywood racial stereotypes and created alternative images of the African-American experience.
Terms: Win | Units: 4-5 | Grading: Letter or Credit/No Credit
Instructors: Carson, C. (PI)

AMELANG 126: Reflection on the Other: The Jew and the Arab in Literature (COMPLIT 145, JEWISHST 106)

How literary works outside the realm of Western culture struggle with questions such as identity, minority, and the issue of the Other. How the Arab is viewed in Hebrew literature, film and music and how the Jew is viewed in Palestinian works in Hebrew or Arabic (in translation to English). Historical, political, and sociological forces that have contributed to the shaping of these writers' views. Guest lectures about the Jew in Palestinian literature and music. Note: To be eligible for WAYS credit, you must take course for a Letter Grade.
Terms: Aut | Units: 3-5 | UG Reqs: GER:DB-Hum, GER:EC-GlobalCom, WAY-A-II, WAY-ED | Grading: Letter or Credit/No Credit

AMELANG 177: Middle Eastern Cities in Literature and Film

Sources include short stories, novels, and movies about Beirut, Tel Aviv, Jerusalem, Cairo, and Amman. Focus is on a cultural and intellectual history of each city. Issues such as the role that Middle Eastern cities play in the development of the modern Hebrew and Arabic novels, the city as a center of social and political life, and the city as a space of collective memory.
Terms: not given this year, last offered Spring 2009 | Units: 4-5 | UG Reqs: GER:EC-GlobalCom | Grading: Letter or Credit/No Credit

AMSTUD 1B: Media, Culture, and Society (COMM 1B)

The institutions and practices of mass media, including television, film, radio, and digital media, and their role in shaping culture and social life. The media's shifting relationships to politics, commerce, and identity.
Terms: Aut | Units: 5 | UG Reqs: GER:DB-SocSci, WAY-A-II, WAY-SI | Grading: Letter or Credit/No Credit
Instructors: Turner, F. (PI)
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