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Why art? Why choose art? What does art do for you and for the world? What can you do, say, feel, or know through art that might be difficult to accomplish by other means? How does art stimulate an engagement with the world and, in turn, how do we use that engagement to better understand ourselves? Whether you go on to be a practicing artist, a patron, an avid reader, or a weekend museum-goer, how can the principles of art help you reflect on the life you make for yourself?

ITALIC 92, Art Worlds: Conversations between Artists and Scholars. This course is built around a series of conversations between nine scholar/critic and artist pairs. We will be entering the conversation in media res, as it were, since all of these pairs have histories together; they've had studio visits, late-night phone calls, email and text conversations. Usually the scholar has written about the artist and maybe the artist has suggested reading and viewing lists to the scholar. They've helped each other feel seen, and often be seen in a more literal way.The conversations will concentrate on these questions: How do artists and scholars work across the divide between practice and theory? How should you build your art world and who will be in it? The pairs will discuss their respective practices (art-making, writing, researching, community-building) and engage in conversation about the artist's work. In advance of each conversation, students will read about something written by the scholar/critic about the artist. Each artist will also design a short art-making prompt for enrolled students to complete and share through the course website. Students will share their artworks weekly in small critique groups.

How does art move around the world? Most university courses in the history of the arts are divided either by geography or time period, as well as artistic discipline. But these simple distinctions are not natural to the production or reception of art itself. Although it might be easy to assume that art is made out of materials close at hand and seen or experienced chiefly by local makers, artists have often sought out distant materials and unfamiliar ideas, which are prized for their scarcity or their very distance from what is local and familiar. Historically these movements have revealed global power structures, as well as local interest and agency in ways that can be both far reaching and narrowly focused. Globalization is commonly equated with contemporary multinational corporations, from Apple to Amazon to AliExpress, but earlier periods of global exchange have also materially shaped what art is and can be. Art can reflect and reveal a global movement of peoples and ideas, as well as the raw materials that make art possible - whether words, woods, animals, minerals or melodies. We will focus in this class on a series of case studies that explore how art moves - and why these movements move artists and the people who are influenced by their work. Lectures will feature scholars and artists who address aspects of global exchange or movement in their work. In a series of workshops, students will work towards creating a genealogical project that similarly investigates how origins and movement have enabled and inspired art-making. We think of the class as an atlas for your own investigations into how art moves and how it may move you.

As a PWR 1 course, ITALIC's art-focused writing section develops your writing and research abilities by engaging with the theory and practice of rhetoric. The theme for ITALIC 91 was "creating," and in this writing course you'll be creating arguments through research, rhetoric, and writing. You can explore a topic of your choice for your research-based writing assignments, learning more about the critical, intellectual, and academic discourses around a specific artist, artwork, medium, genre, or art movement.

Student-led courses in the arts. Topics change quarterly. Open to ALL students but current ITALIC students and alumni will be given priority.