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1 - 10 of 42 results for: GERMAN ; Currently searching offered courses. You can also include unoffered courses

GERMAN 57N: Nietzsche and the Search for Meaning

Many of us have heard his declarations of the death of God, the arrival of the Superman, and the need to live beyond good and evil. But what, beyond such sound bites, did Nietzsche actually teach? How can his writings be understood in the context of their own time? And what significance might they hold for us today?
Terms: Aut | Units: 3
Instructors: Smith, M. (PI)

GERMAN 68N: Franz Kafka: Literature and the Modern Human Condition

This class will address major works by Franz Kafka and consider Kafka as a modernist writer whose work reflects on modernity. We will also examine the role of Kafka's themes and poetics in the work of contemporary writers.
Terms: Win | Units: 3
Instructors: Eshel, A. (PI)

GERMAN 97: 10 Poems That Will Change Your Life

This course is for anyone who has ever been afraid of poetry, anyone who has ever thought that poems are too difficult to understand, a course for anyone who has fallen in love with poetry before, and for anyone who has used a poem to make a difference in someone's life. You will learn how to read, understand, and if you don't already like poetry. We will read poems from different centuries, different kinds of writers, and different media (paper, computer screens, and even DNA); they will be about loss and love and war and loyalty and bacteria. Some of them will be about you. You will develop interpretive skills that come with this range of poetic forms and structures and will learn how to think about what it means for something to be poetic, whether it is a poem, a Leonard Cohen song, a last minute field goal, or a toilet. Can the poems in this class really change your life? (What would that even mean? We'll discuss.) Maybe; maybe not. But they're certainly going to try.
Terms: Aut | Units: 3-5 | UG Reqs: WAY-A-II
Instructors: Pao, L. (PI)

GERMAN 101: Germany in 5 Words

This course explores German history, culture and politics by tracing five (largely untranslatable) words and exploring the debates they have engendered in Germany over the past 200 years. This course is intended as preparation for students wishing to spend a quarter at the Bing Overseas Studies campus in Berlin, but is open to everyone. Taught in English.
Terms: Spr | Units: 3-5 | UG Reqs: WAY-A-II, WAY-ED
Instructors: Daub, A. (PI)

GERMAN 112: History of Surveillance (GERMAN 312, HISTORY 209J, HISTORY 309J)

The question of surveillance (and its limits) is increasingly becoming a concern for individuals, organizations, and states around the globe. Indeed, from NSA databases to Alexa recordings, surveillance seems to be an unavoidable aspect of modern life. But how did surveillance become an everyday experience? This course explores the technological advancements, political aims, ideological commitments, and military goals that have fueled the rise of surveillance, especially throughout the past century. We will examine the ways in which states and organizations have developed surveillance programs and the consequences that these programs have had on both the watchers and the watched.
Terms: Aut | Units: 3-5 | UG Reqs: WAY-SI
Instructors: Anderson, C. (PI)

GERMAN 116: Writing About Germany: New Topics, New Genres

Writing about various topics in German Studies. Topics based on student interests: current politics, economics, European affairs, start-ups in Germany. Intensive focus on writing. Students may write on their experience at Stanford in Berlin or their internship. Fulfills the WIM requirement for German Studies majors.
Terms: Aut, Spr | Units: 3-5
Instructors: Pao, L. (PI)

GERMAN 120A: Berlin: Literature and Culture in the 20th Century and Beyond

Few cities have witnessed as many political and social changes, and inspired as much cultural production, as Berlin. This course will explore the way authors of all stripes have depicted the last 125 years of this complicated city in forms as diverse as vignettes, novels, poems, and films. We will look at historical moments such as the Golden Era of Weimar Berlin, the National Socialist period, and the Cold War, as well as artistic and literary movements including Expressionism and Neue Sachlichkeit. Reading and discussing the works of authors including Walter Benjamin, Vicki Baum, Alfred Döblin, Hans Fallada, and Durs Grünbein, we will explore the relationship between art and history, artist and city. Taught in German. Prerequisite: GERLANG 3 or permission of instructor.
Terms: Win | Units: 3-5
Instructors: Hodrick, C. (PI)

GERMAN 120B: Fairy Tales

In this course, we will explore the fairy tale genre both from a systematic and historical perspective. We will start by asking how fairy tales differ from other short prose texts like legends and fables. We will then focus on bigger themes allowing us to discern differences within this literary form, namely: the fantastic and the real, motif constancy and variation, narration and orality, animality and the human. Over the course of the seminar, we will not only delve into the world-famous folk tale collection of the Grimm brothers, but also the more stylized Romantic `Kunstmärchen¿ tradition (Goethe, Brentano, Hoffmann). Examples from the later 19th-century (Keller, Storm) and the 20th century (Hofmannsthal, Kafka, Döblin, Bachmann) demonstrate attempts to reformulate the fairy tale tradition by transgressing its boundaries. Taught in German. Prerequisite: GERLANG3 or permission of instructor.
Terms: Win | Units: 3-5
Instructors: Starkey, K. (PI)

GERMAN 120C: German in Public: 99 German Songs

Explore Germany in 99 songs -- Marlene Dietrich to Kraftwerk, Schubert to Nena. A class to hum along to! Taught in German.
Terms: Spr | Units: 3-5
Instructors: Deniz, M. (PI)

GERMAN 120D: The German Graphic Novel

This course is an introduction to the history, theory, and social life of German graphic novels. We will look at early examples of text-and-image (Sebastian Brant¿s "Ship of Fools," a satire published in 1497, Heinrich Hoffmann¿s "Der Struwwelpeter," an 1845 children¿s book detailing various forms of misbehavior in spine-chilling visual detail, or Wilhelm Busch¿s 1895 tale of the mischievous brothers "Max und Moritz") and modern and contemporary comics, political caricatures, and graphic novels from Swiss, German, and Austrian artists (Nicolas Mahler, Gerhard Haderer, Manfred Deix, Ulli Lust, Max Goldt, or Anke Feuchtenberger). This course is in German; no prior knowledge of the topic is required. You will develop your German reading, speaking, and writing skills through a variety of short creative assignments and in-class discussions, develop critical reading skills as they attend to specific formal features, and improve your abilities to think historically about the emergence and development of aesthetic forms.
Terms: Aut | Units: 3-5
Instructors: Pao, L. (PI)
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