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1 - 7 of 7 results for: KOREA ; Currently searching spring courses. You can expand your search to include all quarters

KOREA 24: Humanities Core: How to be Modern in East Asia (CHINA 24, HUMCORE 24, JAPAN 24)

This course considers the political, economic, social, cultural, and artistic effects of the introduction of new technologies and media to modern Japan. Our exploration will encompass printed books and images, language reform, communication technology, serialized fiction and commercial journalism, propaganda and censorship, cinema, comics, animation and television. Through examination of these topics we will investigate a wide range of issues including nationality, ethnic identity, class, cultural identification, gender, sexuality, literacy, imperialism, consumerism, materialism, and globalism, to name just a few. Throughout the course, we will be attentive not only to the ways that new technology and media are represented in cultural materials but also how they are materialized in these products through the acts of adaptation, translation, transliteration, and remediation. No knowledge of Japanese is necessary. All materials are in English. This class fulfills the Writing & Rhetoric 2 requirement. Prerequisite: PWR 1.
Terms: Spr | Units: 3-5 | UG Reqs: WAY-A-II, Writing 2
Instructors: Reichert, J. (PI)

KOREA 112: Asian Screen Cultures (CHINA 112A, CHINA 212A, JAPAN 112A, JAPAN 212A, KOREA 212)

Asian screen culture, ranging from cinema to online games, has (re)shaped the global and national/regional imaginings of Asia. The Post-Cold War intensification of intra-Asian interactions has precipitated the rise of a Pan-Asian regional identity wherein the nation-state is not yet obsolete. What role does screen culture plays in the border-crossing interplay among languages, ideologies, aesthetics, and affect? How does the converging media of screen culture capture local/global desires and propel the history of transformation of sign systems from the written words to visual moving images in a digital time? How do we understand the aesthetic, storytelling, and politics of Asian screen cultures vis-à-vis its historical and social context? While exploring these transnational and transdisciplinary questions, this course will deal with topical issues of Pan-Asian identity, (trans)nationalism, (un)translatability, commodity fetishism, locality and globality, technophobia, and politics of gender. Students will learn how to think and write about screen cultures of East Asia in particular and of our world of screens in general.
Terms: Spr | Units: 3-5

KOREA 118: Humanities Core: Everybody Eats: The Language, Culture, and Ethics of Food in East Asia (CHINA 118, HUMCORE 22, JAPAN 118)

Many of us have grown up eating "Asian" at home, with friends, on special occasions, or even without full awareness that Asian is what we were eating. This course situates the three major culinary traditions of East Asia--China, Japan, and Korea--in the histories and civilizations of the region, using food as an introduction to their rich repertoires of literature, art, language, philosophy, religion, and culture. It also situates these seemingly timeless gastronomies within local and global flows, social change, and ethical frameworks. Specifically, we will explore the traditional elements of Korean court food, and the transformation of this cuisine as a consequence of the Korean War and South Korea¿s subsequent globalizing economy; the intersection of traditional Japanese food with past and contemporary identities; and the evolution of Chinese cuisine that accompanies shifting attitudes about the environment, health, and well-being. Questions we will ask ourselves during the quarter include, what is "Asian" about Asian cuisine? How has the language of food changed? Is eating, and talking about eating, a gendered experience? How have changing views of the self and community shifted the conversation around the ethics and ecology of meat consumption?
Terms: Spr | Units: 3 | UG Reqs: WAY-A-II, Writing 2

KOREA 198C: Senior Research (Capstone Essay)

EALC students writing a Senior Capstone Essay who wish to conduct research with their adviser may enroll in this course for 1 unit, for 1 quarter.
Terms: Aut, Win, Spr | Units: 1-3
Instructors: Zur, D. (PI)

KOREA 198H: Senior Research (Honors Thesis)

EALC seniors or juniors pursuing honors research should sign up for this course under their faculty adviser for research credit.
Terms: Aut, Win, Spr | Units: 2-5 | Repeatable for credit
Instructors: Zur, D. (PI)

KOREA 200: Directed Readings in Korean

Directed Reading in Korean Studies, requires instructor consent before enrolling.
Terms: Aut, Win, Spr, Sum | Units: 1-12 | Repeatable for credit

KOREA 212: Asian Screen Cultures (CHINA 112A, CHINA 212A, JAPAN 112A, JAPAN 212A, KOREA 112)

Asian screen culture, ranging from cinema to online games, has (re)shaped the global and national/regional imaginings of Asia. The Post-Cold War intensification of intra-Asian interactions has precipitated the rise of a Pan-Asian regional identity wherein the nation-state is not yet obsolete. What role does screen culture plays in the border-crossing interplay among languages, ideologies, aesthetics, and affect? How does the converging media of screen culture capture local/global desires and propel the history of transformation of sign systems from the written words to visual moving images in a digital time? How do we understand the aesthetic, storytelling, and politics of Asian screen cultures vis-à-vis its historical and social context? While exploring these transnational and transdisciplinary questions, this course will deal with topical issues of Pan-Asian identity, (trans)nationalism, (un)translatability, commodity fetishism, locality and globality, technophobia, and politics of gender. Students will learn how to think and write about screen cultures of East Asia in particular and of our world of screens in general.
Terms: Spr | Units: 3-5
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