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1 - 10 of 21 results for: FILMSTUD ; Currently searching spring courses. You can expand your search to include all quarters

FILMSTUD 100C: History of World Cinema III, 1960-Present (FILMSTUD 300C)

This course will provide an overview of cinema from around the world since 1960, highlighting the cultural, political, and economic forces that have shaped various film movements over the last six decades. We will study some key film movements and national cinemas towards developing a historical appreciation of a variety of commercial and art film traditions. Through an exploration of films from Europe, Africa, Asia, and Latin America, we shall examine the industrial histories of non-Hollywood film production and exhibition practices that produce the particular cinematic cultures of each region.
Terms: Spr | Units: 3-5 | UG Reqs: GER:DB-Hum, WAY-A-II
Instructors: Iyer, U. (PI)

FILMSTUD 102: Theories of the Moving Image (FILMSTUD 302)

Major theoretical arguments and debates about cinema: realism,formalism, poststructuralism, feminism, postmodernism, and phenomenology. Prerequisites: FILMSTUD 4.
Terms: Spr | Units: 4 | UG Reqs: GER:DB-Hum, WAY-A-II
Instructors: Oeler, K. (PI)

FILMSTUD 152: Hollywood/Bollywood: The Musical Two Ways (FILMSTUD 352)

A comparative approach to the musical as Hollywood genre and as fundamental mode in Bollywood (where even horror movies have song-and-dance sequences!). The pleasurable interplay among song, dance, and screen directs us to the interplay of cultural identities (regional, racial, gendered, sexual). Through cinematic travels between America and India, we will examine how the utopian, liberatory energies of musical numbers - physical, emotional, aesthetic, and social - illuminate relations of narrative and spectacle, stardom and performance, gender and space, color and sound.
Terms: Spr | Units: 3-5 | UG Reqs: WAY-A-II

FILMSTUD 221: Out of Order

This course explores the rise of nonlinear approaches to storytelling in global narrative cinema in the second half of the twentieth century. We will begin with Rashomon and end somewhere around Inception, also considering examples from Hong Kong, Senegal, France, and Mexico. Readings will touch on film analysis, history and politics, and narrative theory.
Terms: Spr | Units: 4
Instructors: Ma, J. (PI)

FILMSTUD 224: Films of Stanley Kubrick (FILMSTUD 424)

This seminar will explore the cinema of Stanley Kubrick, a widely acclaimed film auteur known for works such as 2001: A Space Odyssey, A Clockwork Orange, and Barry Lyndon. The seminar will focus on close analysis of practically all of Kubrick's films, from a variety of methodological perspectives (authorship, formal/stylistic analysis, book-to-screen adaptation, and more.nnNOTE: Instructor's permission required before the first day of class.
Terms: Spr | Units: 4-5
Instructors: Levi, P. (PI)

FILMSTUD 280: Curricular Practical Training

CPT course required for international students completing degree.
Terms: Aut, Win, Spr, Sum | Units: 1-3 | Repeatable for credit
Instructors: Iyer, U. (PI)

FILMSTUD 290: Movies and Methods: The Films of Howard Hawks (FILMSTUD 490)

The Hollywood director Howard Hawks was taken up by European film critics in the 1950s as an early case study for auteurism, in which Hollywood directors were regarded as a film's primary author. While Hawks' work ranges across decades (1920s-70s), studios, and genres (comedy, western, war, musical, epic, adventure), his work is recognizable both stylistically and narratively. His collaborations with writers and performers, the impact of his minimalist style, and issues of heterosexual romance and homosocial groups will be emphasized.
Terms: Spr | Units: 5 | UG Reqs: WAY-A-II
Instructors: Bukatman, S. (PI)

FILMSTUD 295: Films & Media Studies Internship

Professional experience in a field related to the cinematic arts (film, television, media) for six to ten weeks. Internships may include work for production companies, producers, studios, networks, films, television series, directors, screenwriters, non-profit organizations, academic publications and related workplaces. Students arrange the internship, provide a confirmation letter from the hosting institution, and must receive consent from the faculty coordinator to enroll in units. Students submit weekly self-assessments, and evaluations from the student and the supervisor are submitted at the end of the internship. Summer internships may be credited in fall quarter. Restricted to declared majors and minors. May be repeated for credit.
Terms: Win, Spr, Sum | Units: 1-3 | Repeatable for credit

FILMSTUD 297: Honors Thesis Writing

May be repeated for credit.
Terms: Aut, Win, Spr | Units: 2-5 | Repeatable for credit

FILMSTUD 299: Independent Study: Film and Media Studies

Prerequisite: student must have taken a course with the instructor and/or completed relevant introductory course(s). Instructor consent and completion of the Independent Study Form are required prior to enrollment. All necessary forms and payment are required by the end of Week 2 of each quarter. Please contact the Undergraduate Coordinator in McMurtry 108 for more information. May be repeated for credit.
Terms: Aut, Win, Spr, Sum | Units: 1-5 | Repeatable for credit
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