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1 - 10 of 26 results for: FILMPROD

FILMPROD 101: Screen Writing I: Visual Writing

A writing workshop that is an exploration of visual storytelling. Beginning with visual literacy, the class progresses from basic cinematic techniques through scene exercises to revisions and ultimately to connecting scenes in order to build sequences of script pages. Open to all majors; may substitute for ENGL 190F prerequisite for FP104.
Terms: Sum | Units: 5 | UG Reqs: WAY-CE
Instructors: Tobin, A. (PI)

FILMPROD 101T: Writing the Television Pilot

A writing workshop in which students are introduced to the basic structures and genre of television pilots and to writing within the screenwriting/television writing form. Students will develop, outline, and workshop their own original pilot episode and series bible. Serves as a prerequisite for FP104 Intermediate Screenwriting. Enrollment by decision of instructor. nnStudents interested in applying need to email Adam Tobin (adtobin@stanford.edu) by the end of fall quarter for a link to the course application.
Terms: Win | Units: 5 | UG Reqs: WAY-CE
Instructors: Tobin, A. (PI)

FILMPROD 103: Adaptation

A close analysis of film adaptation, using various source materials to examine the demands form makes on content and the creative choices made in adaptation to film. Source materials will include plays, fiction, biography, history, graphic novels, and reference to video games and amusement park rides. A weekly film screening is a requirement of the course.
Last offered: Winter 2018 | UG Reqs: WAY-CE

FILMPROD 104: Screenwriting II: Intermediate Screenwriting

Priority to Film and Media Studies majors and minors, and seniors. Craft, form, and approaches to writing for the screen. Students will write, workshop and rewrite the first act of a feature screenplay and create rough outline material for the rest of the film. Prerequisites: FP101, FP101T or ENGL190F and consent of the instructor.
Terms: Spr | Units: 5
Instructors: Tobin, A. (PI)

FILMPROD 105: Script Analysis (FILMPROD 305)

Analysis of screenplay, film, and television from the writer's perspective, with focus on ideation, structure, and dramatic tension in narrative features. Sources include screenplays and screenings.
Terms: Aut | Units: 4

FILMPROD 106: Image and Sound: Filmmaking for the Digital Age

Despite the rise of emerging forms like two-minute YouTube videos, six second Vines, or interactive storytelling modules, many core principles of visual storytelling remain unchanged. In this hands-on film production class students will learn a broad set of filmmaking fundamentals (basic history, theory, and practice) and will apply them creating film projects using tools such as iPhones, consumer cameras and FCPX.
Last offered: Summer 2020 | UG Reqs: WAY-CE

FILMPROD 106S: Image and Sound: Filmmaking for the Digital Age

Despite the rise of emerging forms like two-minute YouTube videos, six second Vines, or interactive storytelling modules, many core principles of visual storytelling remain unchanged. In this hands-on film production class students will learn a broad set of filmmaking fundamentals (basic history, theory, and practice) and will apply them creating film projects using tools such as iPhones, consumer cameras and FCPX.
Last offered: Summer 2019 | UG Reqs: WAY-CE

FILMPROD 110: Screen Writing III: Advanced Screenwriting

Advanced writing workshop in which students develop and complete a feature-length screenplay. Prerequisites: FP101 Screenwriting and approval of the instructor. Enrollment is limited.
Last offered: Winter 2017

FILMPROD 114: Introduction to Film and Video Production

Hands-on. Techniques of film and video making including conceptualization, visualization, story structure, cinematography, sound recording, and editing. Enrollment limited to 12 students. Priority to junior/senior Film & Media Studies majors.Admission determined on the first day of class.
Last offered: Spring 2020 | UG Reqs: WAY-CE

FILMPROD 115: Immersive Cinema: Experiments in Virtual Reality

In this exploratory workshop, students will use a variety of tools (360 video/ VR cameras and binaural sound design, digital video, and traditional sound recorders) to tell immersive "stories". Students will use the conceptual framework of experimental cinema and documentary film to inform their work, while also pushing toward a new artistic language in the still-emerging form of VR storytelling. Over the course of the quarter, students will work in teams to create a series of short immersive pieces with an emphasis on experimentation. The class has no prerequisites and is open to all students.
Terms: Win | Units: 4 | UG Reqs: WAY-CE
Instructors: Meltzer, J. (PI)
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