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1 - 10 of 17 results for: AFRICAAM ; Currently searching autumn courses. You can expand your search to include all quarters

AFRICAAM 19: Studies in Music, Media, and Popular Culture: The Soul Tradition in African American Music (AMSTUD 147J, CSRE 147J, MUSIC 147J, MUSIC 247J)

The African American tradition of soul music from its origins in blues, gospel, and jazz to its influence on today's r&b, hip hop, and dance music. Style such as rhythm and blues, Motown, Southern soul, funk, Philadelphia soul, disco, Chicago house, Detroit techno, trip hop, and neo-soul. Soul's cultural influence and global reach; its interaction with politics, gender, place, technology, and the economy. Pre-/corequisite (for music majors): MUSIC 22. (WIM at 4 units only.)
Terms: Aut | Units: 3-4 | UG Reqs: GER:DB-Hum, GER:EC-AmerCul, WAY-A-II, WAY-ED

AFRICAAM 20A: Jazz Theory (MUSIC 20A)

Introduces the language and sounds of jazz through listening, analysis, and compositional exercises. Students apply the fundamentals of music theory to the study of jazz. Prerequisite: 19 or consent of instructor.
Terms: Aut | Units: 3 | UG Reqs: GER:DB-Hum, WAY-A-II, WAY-CE
Instructors: Nadel, J. (PI)

AFRICAAM 31: RealTalk: Intimate Discussions about the African Diaspora

Students to engage in an intellectual discussion about the African Diaspora with leading faculty at Stanford across departments including Education, Linguistics, Sociology, History, Political Science, English, and Theater & Performance Studies. Several lunches with guest speakers. This course will meet in the Program for African & African American Studies Office in Building 360 Room 362B (Main Quad). This course is limited to Freshman and Sophomore enrollment.
Terms: Aut, Win | Units: 1
Instructors: Brown, N. (PI)

AFRICAAM 37: Contemporary Choreography: Chocolate Heads Performance Project (DANCE 30)

Students from diverse dance styles (ballet to hip-hop to contemporary) participate in the dance-making/remix process and collaborate with musicians, visual artists, designers and spoken word artists, to co-create a multidisciplinary finished production and installation. Students of all dance or athletic backgrounds are welcome to audition on Wednesday (9/26) and Monday (10/1) during class time. Visual artists, musicians and dancers may also contact the instructor for further information at ahayes1@stanford.edu.
Terms: Aut | Units: 2 | UG Reqs: WAY-CE | Repeatable for credit
Instructors: Hayes, A. (PI)

AFRICAAM 49S: African Futures: Nationalism, Pan-Africanism, and Beyond (HISTORY 49S)

This course examines decolonization and its aftermath in sub-Saharan Africa. With a "wind of change" sweeping the continent, how did Africans imagine their futures together? From W.E.B. Du Bois to Black Panther, this course will engage in historical readings of political essays, speeches, film, and literature to consider how Africans envisioned their communities beyond empire. Topics will include a variety of projects for African unity, from experiments with Pan-Africanism, to religious revivalism, to Afrofuturist art and aesthetics.
Terms: Aut | Units: 5 | UG Reqs: WAY-ED, WAY-SI
Instructors: Jacob, E. (PI)

AFRICAAM 68D: American Prophet: The Inner Life and Global Vision of Martin Luther King, Jr. (AMSTUD 168D, CSRE 68, HISTORY 68D, HISTORY 168D)

Martin Luther King, Jr., was the 20th-century's best-known African-American leader, but the religious roots of his charismatic leadership are far less widely known. The documents assembled and published by Stanford's King Research and Education Institute provide the source materials for this exploration of King's swift rise to international prominence as an articulate advocate of global peace and justice.
Terms: Aut | Units: 3-5
Instructors: Carson, C. (PI)

AFRICAAM 80Q: Race and Gender in Silicon Valley (CS 80Q)

Join us as we go behind the scenes of some of the big headlines about trouble in Silicon Valley. We'll start with the basic questions like who decides who gets to see themselves as "a computer person," and how do early childhood and educational experiences shape our perceptions of our relationship to technology? Then we'll see how those questions are fundamental to a wide variety of recent events from #metoo in tech companies, to the ways the under-representation of women and people of color in tech companies impacts the kinds of products that Silicon Valley brings to market. We'll see how data and the coming age of AI raise the stakes on these questions of identity and technology. How can we ensure that AI technology will help reduce bias in human decision-making in areas from marketing to criminal justice, rather than amplify it?
Terms: Aut | Units: 3 | UG Reqs: WAY-ED
Instructors: Lee, C. (PI)

AFRICAAM 106: Race, Ethnicity, and Linguistic Diversity in Classrooms: Sociocultural Theory and Practices (CSRE 103B, EDUC 103B, EDUC 337)

Focus is on classrooms with students from diverse racial, ethnic and linguistic backgrounds. Studies, writing, and media representation of urban and diverse school settings; implications for transforming teaching and learning. Issues related to developing teachers with attitudes, dispositions, and skills necessary to teach diverse students.
Terms: Aut | Units: 3-5 | UG Reqs: WAY-ED
Instructors: Ball, A. (PI)

AFRICAAM 117: Maroon Freedom: Black Resistance, Autonomy, and Fugitivity in the U.S. South

Maroons and their communities, or communities of those some would call ¿runawaynslaves,¿ were an ever-present feature of slaveholding societies throughout the Americas. Everywhere they existed, they proved the indomitable spirit of African people and the inherent failure of the institution of slavery. This course examines the conditions and characteristics of marronage specific to the U.S. south ¿ a site that was far from impervious to this hemispheric tradition of enslaved resistance. We will look closely at the demographic, economic, and geographic opportunities for enslaved mobility and resistance that shaped marronage in U.S. contexts. Our analysis includes marronage as it occurred in the Spanish and French colonial territories of Louisiana and Florida. The central focus will be the historical impact of marronage on enslaved and enslaver communities in the south from 1700 to 1865. Moving across space and time, this course takes a chronological,nthematic, and interdisciplinary appro more »
Maroons and their communities, or communities of those some would call ¿runawaynslaves,¿ were an ever-present feature of slaveholding societies throughout the Americas. Everywhere they existed, they proved the indomitable spirit of African people and the inherent failure of the institution of slavery. This course examines the conditions and characteristics of marronage specific to the U.S. south ¿ a site that was far from impervious to this hemispheric tradition of enslaved resistance. We will look closely at the demographic, economic, and geographic opportunities for enslaved mobility and resistance that shaped marronage in U.S. contexts. Our analysis includes marronage as it occurred in the Spanish and French colonial territories of Louisiana and Florida. The central focus will be the historical impact of marronage on enslaved and enslaver communities in the south from 1700 to 1865. Moving across space and time, this course takes a chronological,nthematic, and interdisciplinary approach to investigating maroon survival, autonomy, gender, kinship, community, and the relationship between marronage and insurrection. We examine a wide range of evidence spanning periodicals, state mandates, archaeology, runaway slave advertisements, slave narratives, oral histories, and traveler¿s logs, in addition to secondary literature.
Terms: Aut | Units: 5

AFRICAAM 117J: Race, Gender, and Sexuality in Contemporary American Film (AMSTUD 117, ASNAMST 117D, CSRE 117D, FEMGEN 117F)

This course introduces students to the theoretical and analytical frameworks necessary to critically understand constructions of race, gender, and sexuality in contemporary American film. Through a sustained engagement with a range of independent and Hollywood films produced since 2000, students analyze the ways that cinematic representations have both reflected and constructed dominant notions of race, gender, and sexuality in the United States. Utilizing an intersectional framework that sees race, gender, and sexuality as always defined by one another, the course examines the ways that dominant notions of difference have been maintained and contested through film in the United States. Films to be discussed include Coco, Get Out, Moonlight, Mosquita y Mari, and The Grace Lee Project.
Terms: Aut | Units: 3-5 | UG Reqs: WAY-A-II, WAY-ED
Instructors: Gow, W. (PI)
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