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311 - 320 of 327 results for: all courses

TAPS 170B: Directing Workshop: The Actor-Director Dialogue (TAPS 372)

This course focuses on the actor-director dialogue. We will work with actors and directors developing approaches to collaboration that make the actor-director dialogue in theater.
Terms: not given this year | Units: 4 | UG Reqs: WAY-A-II, WAY-CE | Repeatable for credit | Grading: Letter (ABCD/NP)

TAPS 171: Performance Making (TAPS 371)

A studio course focused on creative processes and generating original material. Students will be encouraged to think critically about the relationship between form and content exploring the possibilities of site specific, gallery and theatre settings. Students will reflect throughout on the types of contact and communication uniquely possible in the live moment, such as interaction or the engagement of the senses. The emphasis is on weekly experimentation in the creation of short works rather than on a final production.
Terms: Aut | Units: 4 | UG Reqs: WAY-CE | Grading: Letter (ABCD/NP)
Instructors: Paris, H. (PI)

TAPS 172: Out of Place: (W)riting Home (CSRE 172, FEMGEN 172, TAPS 272)

A creative writing workshop; all genres. This course will introduce students to the fundamentals of a productive creative writing practice, including "the beginner's mind" (as founded in Eastern spiritual practices); and, an indigenous approach to "authenticity¿" in one's work and one's words. Through w(riting), one returns to the body of home-knowledges, languages, and geographies to uncover what is profoundly original in us as artists, writers and thinkers.
Terms: not given this year | Units: 4 | UG Reqs: WAY-CE | Grading: Letter or Credit/No Credit

TAPS 173D: Theater Production Lab: Dramaturgy and Development (TAPS 373)

173/373: In this course students will explore general dramaturgical history and methodology as well as engaging in applied dramaturgy from evaluating works for a productions seasons, to developing dramaturgical materials for specific productions. Students will agree the focus of their course-work with the instructor depending on their specific interests. The TAPS 2nd year grad students enrolled in this course will act as a dramaturgical team, supporting the TAPS winter production of The Tempest in Pigott Theater March 2-11 2017, directed by Amy Freed. Students will support the actors and the creative team through providing research materials and presentations and helping actors with guided research, write program essays for general audiences, attend rehearsals and provide constructive notes, and curate and/or present on a Preface panel prior to opening night.
Terms: Win | Units: 4 | UG Reqs: WAY-CE | Grading: Letter or Credit/No Credit
Instructors: Hill, L. (PI)

TAPS 177: Dramatic Writing: The Fundamentals (CSRE 177, FEMGEN 177, TAPS 277)

Course introduces students to the basic elements of playwriting and creative experimentation for the stage. Topics include: character development, conflict and plot construction, staging and setting, and play structure. Script analysis of works by contemporary playwrights may include: Marsha Norman, Patrick Shanley, August Wilson, Suzan-Lori Parks, Paula Vogel, Octavio Solis and others. Table readings of one-act length work required by quarter's end.
Terms: Aut, last offered Autumn 2016 | Units: 4 | UG Reqs: GER:DB-Hum, WAY-CE | Grading: Letter or Credit/No Credit
Instructors: Moraga, C. (PI)

TAPS 178B: Intensive Playwriting (CSRE 178B, TAPS 278)

Intermediate level study of fundamentals of playwriting through an intensive play development process. Course emphasizes visual scripting for the stage and play revision. Script analysis of works by contemporary playwrights may include: Suzan-Lori Parks, Tony Kushner, Adrienne Kennedy, Edward Albee, Maria Irene Fornes and others. Table readings of full length work required by quarter¿s end.
Terms: not given this year | Units: 4 | UG Reqs: WAY-CE | Grading: Letter or Credit/No Credit

TAPS 179F: Flor y Canto: Poetry Workshop (CHILATST 179F, CSRE 179F, NATIVEAM 179F, TAPS 279F)

Poetry reading and writing. The poet as philosopher and the poet as revolutionary. Texts: the philosophical meditations of pre-Columbian Aztec poetry known as "flor y canto," and reflections on the poetry of resistance born out of the nationalist and feminist struggles of Latin America and Aztlán. Required 20-page poetry manuscript.
Terms: Win | Units: 4 | UG Reqs: WAY-CE | Grading: Letter or Credit/No Credit

TAPS 180P: Color (ARTSTUDI 180)

Hands-on study of color to develop color sensitivity and the ability to manipulate color to exploit its expressive potential. Guided experimentation and observation. Topics include color relativity, color and light, color mixing, color harmony, and color and content. (lower level)
Terms: not given this year | Units: 3-4 | UG Reqs: WAY-CE | Grading: Letter or Credit/No Credit

TAPS 210V: Vocal Production and Audition

An introductory study of the vocal mechanism and the development of voice and articulation for the stage. Students will be introduced to the actor's tools of phonetics, verbal action and text analysis. Vocal technique will then be applied to the actor's process in preparation for audition. Actors will fully participate in the audition process, from beginning to end. Emphasis will be on relaxation, selection of appropriate material, and versatility to show contrast and range.
Terms: not given this year | Units: 1-3 | UG Reqs: WAY-CE | Repeatable for credit | Grading: Letter or Credit/No Credit

TAPS 272: Out of Place: (W)riting Home (CSRE 172, FEMGEN 172, TAPS 172)

A creative writing workshop; all genres. This course will introduce students to the fundamentals of a productive creative writing practice, including "the beginner's mind" (as founded in Eastern spiritual practices); and, an indigenous approach to "authenticity¿" in one's work and one's words. Through w(riting), one returns to the body of home-knowledges, languages, and geographies to uncover what is profoundly original in us as artists, writers and thinkers.
Terms: not given this year | Units: 4 | UG Reqs: WAY-CE | Grading: Letter or Credit/No Credit
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