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281 - 290 of 342 results for: all courses

MUSIC 223: Composition for Electronic Musicians

Composition for any combination of acoustic and electroacoustic instrumentation, computer-generated sound, invented instruments, sound-sculptures, and multi-disciplinary elements including theater and visual media. Project-based laboratory to advance original student works, supported by lectures on the fundamentals of composition. Concert performance of final works. Taught at CCRMA with a focus on engendering deliberate conversation on the enrichment of a cultural context for new media. Open to undergraduates and graduates.
Terms: not given this year | Units: 1-4 | UG Reqs: WAY-CE | Repeatable for credit | Grading: Letter or Credit/No Credit

NATIVEAM 134: Museum Cultures: Material Representation in the Past and Present (AMSTUD 134, ARCHLGY 134, ARCHLGY 234, ARTHIST 284B, CSRE 134, EDUC 214)

Students will open the "black box" of museums to consider the past and present roles of institutional collections, culminating in a student-curated exhibition. Today, museums assert their relevance as dynamic spaces for debate and learning. Colonialism and restitution, the politics of representation, human/object relationships, and changing frameworks of authority make museum work widely significant and consistently challenging. Through thinking-in-practice, this course reflexively explores "museum cultures": representations of self and other within museums and institutional cultures of the museum world itself.n3 credits (no final project) or 5 credits (final project). May be repeat for credit
Terms: Spr | Units: 3-5 | UG Reqs: WAY-A-II, WAY-CE | Repeatable for credit | Grading: Letter (ABCD/NP)
Instructors: Hodge, C. (PI)

NATIVEAM 179F: Flor y Canto: Poetry Workshop (CHILATST 179F, CSRE 179F, TAPS 179F, TAPS 279F)

Poetry reading and writing. The poet as philosopher and the poet as revolutionary. Texts: the philosophical meditations of pre-Columbian Aztec poetry known as "flor y canto," and reflections on the poetry of resistance born out of the nationalist and feminist struggles of Latin America and Aztlán. Required 20-page poetry manuscript.
Terms: Win | Units: 4 | UG Reqs: WAY-CE | Grading: Letter or Credit/No Credit

NENS 222: Dance, Movement and Medicine: Immersion in Dance for PD (DANCE 100)

Combining actual dancing with medical research, this Cardinal Course investigates the dynamic complementary relationship between two practices, medicine and dance, through the lens of Parkinson's disease (PD), a progressive neurological disease that manifests a range of movement disorders. "Dance for PD" is an innovative approach to dancing --and to teaching dance --for those challenged by PD. Course format consists of: 1. Weekly Lecture/Seminar Presentation: Partial list of instructors include Ms. Frank, Dr. Bronte-Stewart and other Stanford medical experts & research scientists, David Leventhal (Director, "Dance for PD") and Bay Area "Dance for PD" certified master teachers, film-maker Dave Iverson, Damara Ganley, and acclaimed choreographers Joe Goode, Alex Ketley, Judith Smith (AXIS Dance). 2. Weekly Dance Class: Stanford students will fully participate as dancers, and creative partners, in the Stanford Neuroscience Health Center's ongoing "Dance for Parkinson's" community dance class for people with PD. This Community Engaged Learning component provides opportunity to engage meaningfully with people in the PD community. Dancing together weekly, students will experience firsthand the embodied signature values of "Dance for PD" classes: full inclusion, embodied presence, aesthetic and expressive opportunity for creative engagement, and community-building in action. A weekly debriefing session within Friday's class time will allow students to integrate seminar material with their movement experiences.nnNO PRE-REQUISITES: No prior dance experience required. Beginners are welcome.
Terms: Spr | Units: 1-2 | Repeatable for credit | Grading: Satisfactory/No Credit

OSPFLOR 32: Critical Strategies in Contemporary Photographic Practice: Florence Through a Lens

Technical knowledge and the evolved analytical and conceptual skills required to begin producing complex, reflexive, innovative and challenging photographic work. Workings of the camera, classical rules of aesthetic creation and the nature of light. History of the medium and its relationship to society as a whole. Ethical issues at the heart of photographic practice; examination of the scientific and philosophical foundations of photography itself.
Terms: Win | Units: 4 | UG Reqs: WAY-CE | Grading: Letter or Credit/No Credit
Instructors: Bennet, N. (PI)

OSPFLOR 41: The Florentine Sketchbook: A Visual Arts Practicum

The ever-changing and multifaceted scene of contemporary art through visual and sensorial stimulation. How art is thought of and produced in Italy today. Hands-on experience. Sketching and exercises on-site at museums and exhibits, plus workshops on techniques. Limited enrollment.
Terms: Aut | Units: 4 | UG Reqs: WAY-CE | Grading: Letter or Credit/No Credit
Instructors: Rossi, F. (PI)

OSPFLOR 69: Abstract Art: Creativity, Self-Expression and Depicting the Unimaginable

Overview of the birth and evolution of abstract art with visual background necessary to produce works of art free of a realistic representation. Movements and trends in abstract art; experimentation with different media and techniques.
Terms: Win | Units: 4 | UG Reqs: WAY-CE | Grading: Letter or Credit/No Credit
Instructors: Rossi, F. (PI)

OSPFLOR 71: A Studio with a View: Drawing, Painting and Informing your Aesthetic in Florence

Recent trends in art, current Italian artistic production, differences and the dialogue among visual arts. Events, schools, and movements of the 20th century. Theoretical background and practical training in various media. Work at the Stanford Center and on site at museums, exhibits, and out in the city armed with a sketchbook and camera. Emphasis is on drawing as the key to the visual arts. Workshops to master the techniques introduced. Limited enrollment.
Terms: Spr | Units: 4 | UG Reqs: WAY-CE | Grading: Letter or Credit/No Credit
Instructors: Rossi, F. (PI)

OSPGEN 41: Worlds of Art: Art Scenes, Interventions & the Global Art Context

Students will visit the Venice Biennial art exhibitions as well as develop their own artworks and interventions while discussing the histories of the global art and Venice. Location: Venice, Italy
Terms: Sum | Units: 2 | UG Reqs: WAY-CE | Grading: Letter (ABCD/NP)
Instructors: Berlier, T. (PI)

OSPGEN 42: Crossroads of Arts and History in 20th Century Poland.

Interactions of Poland's artistic culture with its dramatic history explored in creative projects.
Terms: Sum | Units: 2 | UG Reqs: WAY-CE | Grading: Letter (ABCD/NP)
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