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341 - 350 of 388 results for: all courses

SINY 152: Film: The City as Muse

Has a film ever challenged your beliefs, transformed your understanding of an issue, left an emotional aftershock, or motivated you to act? Was that the intention of the filmmaker or an unanticipated consequence? Since the inception of the motion picture, the urban landscape and its inhabitants have served as a rich and diverse palette for filmmakers. This course will provide an overview of documentary, experimental, and hybrid films that proffer an unexpected and sometimes disturbing perspective on cities, both here and abroad. We will examine films that privilege artistic expression and expand the conventions of the film form, analyzing how filmmakers distill an issue, situation, or environment through a particular formal style and point-of-view.nnThrough a consideration of iconic historic films, the student will gain a rich understanding of how cities have inspired filmmakers who work outside the traditional fiction genre. In addition to written assignments, students will distill th more »
Has a film ever challenged your beliefs, transformed your understanding of an issue, left an emotional aftershock, or motivated you to act? Was that the intention of the filmmaker or an unanticipated consequence? Since the inception of the motion picture, the urban landscape and its inhabitants have served as a rich and diverse palette for filmmakers. This course will provide an overview of documentary, experimental, and hybrid films that proffer an unexpected and sometimes disturbing perspective on cities, both here and abroad. We will examine films that privilege artistic expression and expand the conventions of the film form, analyzing how filmmakers distill an issue, situation, or environment through a particular formal style and point-of-view.nnThrough a consideration of iconic historic films, the student will gain a rich understanding of how cities have inspired filmmakers who work outside the traditional fiction genre. In addition to written assignments, students will distill their own experience of the city through photo essays that explore the eclectic geographic, social, and cultural life of New York. Local ¿field trips¿ will include attendance at the annual Margaret Mead Film Festival in October and DocNYC in November. Course readings and discussion will provide an incisive inquiry into the artistic ¿voice¿ of the filmmaker in an analysis of both form and content.
Terms: Aut | Units: 4 | UG Reqs: WAY-A-II, WAY-CE | Grading: Letter or Credit/No Credit
Instructors: Krawitz, J. (PI)

TAPS 17N: Acting for Activists

Acting for Activists is designed for students who are interested in combining acting with activism, performance with politics. We will work with theatre that responds to specific political events and crisis such as hate crimes or war through the performance of activist texts. We will also explore works that challenge inequalities of income, race, gender and sexual orientation. By the end of the course students will cultivate a critical vocabulary for discussing and critiquing work within acting/activist contexts and develop new strategies for creating theatre in relation to issues they are passionate about. Acting for Activists encourages students to think about what they want to say and helps them craft how they want to say it.
Terms: not given this year, last offered Autumn 2017 | Units: 3 | UG Reqs: WAY-CE | Grading: Letter (ABCD/NP)

TAPS 20A: Acting for Non-Majors

A class designed for all interested students. Creative play, ensemble work in a supportive environment. Designed for the student to experience a range of new creative skills, from group improvisation to partner work. Introductory work on freeing the natural voice and physical relaxation. Emphasis on rediscovering imaginative and creative impulses. Movement improvisation, listening exercises, and theater games release the energy, playfulness and willingness to take risks that is the essence of free and powerful performance. Course culminates with work on dramatic text. This version of the class is offered in summer only. During the year, students should register for TAPS 124D.
Terms: Sum | Units: 2 | UG Reqs: WAY-CE | Grading: Satisfactory/No Credit
Instructors: Eacho, D. (PI)

TAPS 21: StoryCraft

StoryCraft is a hands-on, experiential workshop offering participants the opportunity, structure and guidance to craft compelling personal stories to be shared in front of a live audience. The class will focus on several areas of storytelling: Mining (how do you find your stories and extract the richest details?); Crafting (how do you structure the content and shape the language?); and Performing (how do you share your stories with presence, authenticity and connection?)
Terms: not given this year, last offered Spring 2018 | Units: 2 | UG Reqs: WAY-CE | Grading: Letter or Credit/No Credit

TAPS 21S: StoryCraft: On Relationships (FEMGEN 21S)

Do we need love? And if so, what does it look like? In this class, students will learn about relationships from the inside out: through an examination and telling of their lived experiences. We will explore various perspectives on intimacy and relationships that illuminate different aspects of our lives, and then dive into our own stories to discover the many facets of intimacy. Due to the personal nature of the topic, we will emphasize safety, trust, and confidentiality throughout. The class offers the structure and guidance to 1) mine your life for stories, 2) craft the structure and shape of your stories, and 3) perform with presence, authenticity, and connection.nnStudents will be selected from this class to tell their stories in Beyond Sex Ed: Intimacy & Relationships in Winter 2019. Before enrolling, ensure that you will be on campus Winter 2019 for the performance.
Terms: Aut | Units: 2 | UG Reqs: WAY-CE | Grading: Letter or Credit/No Credit
Instructors: Booth, B. (PI)

TAPS 21T: StoryCraft: On Sexuality (FEMGEN 21T)

What is "sexuality education", and what could it be? How do I tell a compelling story? In this class, students will learn about sexuality and storytelling from the inside out. We will explore various perspectives on sexuality that illuminate different aspects of our lives and then dive into our own stories to discover the richness and vibrancy of human sexuality. Due to the personal nature of the topic, we will emphasize safety, trust, and confidentiality throughout. The class offers the structure and guidance to 1) mine your life for stories, 2) craft the structure and shape of your stories, and 3) perform with presence, authenticity, and connection. Students will be selected from this class to tell their stories in Beyond Sex Ed: Consent & Sexuality at Stanford during NSO 2018. Before enrolling, ensure that you will be on campus Sept 20-22, 2018 for rehearsal and performance. Email the TA, Eisa, with any questions, eqalshamma@stanford.edu. Class will be held in KINGSCOTE Gardens First Floor Conference Room.
Terms: not given this year, last offered Spring 2018 | Units: 2 | UG Reqs: WAY-CE | Grading: Letter or Credit/No Credit

TAPS 30: Introduction to Theatrical Design

Introduction to Theatrical Design is aimed at students interested in exploring the fundamentals of design for the stage. Students are introduced to the practical and theoretical basics of design and are challenged to answer the question: What makes good design? Students should expect to try their hand at communicating their ideas visually through research, drawing, sketching and model making. Readings, field trips, guest lecturers and class discussion will complement these projects. This course is intended as a gateway to more specialized courses in set, costume and lighting design and is also an excellent primer for actors, directors and scholars who wish to know more about design. Collaboration will be emphasized. No prior experience in these areas is necessary.
Terms: Win | Units: 4 | UG Reqs: WAY-CE | Grading: Letter (ABCD/NP)

TAPS 41N: Inventing Modern Theatre: Georg B├╝chner and Frank Wedekind

The German writers Georg Büchner (1813-1837) and Frank Wedekind (1864-1918). Many of the most important theater and film directors of the last century, including Max Reinhardt, G. W. Pabst, Orson Welles, Robert Wilson, and Werner Herzog, have wrestled with their works, as have composers and writers from Alban Berg and Bertolt Brecht through Christa Wolf and Thalia Field. Rock artists as diverse as Tom Waits, Lou Reed, Duncan Sheik, and Metallica have recently rediscovered their urgency. Reading these works in translation and examining artistic creations they inspired. Classroom discussions and written responses; students also rehearse and present in-class performances of excerpts from the plays. The aim of these performances is not to produce polished stagings but to creatively engage with the texts and their interpretive traditions. No previous theatrical experience required.
Terms: not given this year, last offered Winter 2014 | Units: 3 | UG Reqs: WAY-A-II, WAY-CE | Grading: Letter or Credit/No Credit

TAPS 42: Costume Construction

Course will cover the basics of costume and garment construction. Includes hand and machine skills as well as basic patterning ideas that may be applied to more advanced projects. Lecture/Lab
Terms: not given this year, last offered Winter 2018 | Units: 2 | UG Reqs: WAY-CE | Grading: Satisfactory/No Credit

TAPS 101P: Theater and Performance Making (TAPS 371P)

A creative workshop offering a range of generative exercises and techniques in order to devise, compose and perform original works. Students will explore a variety of texts (plays, poems, short stories, paintings) and work with the body, object and site. nnStudents will be encouraged to think critically about various compositional themes and ideas including: the relationship between form and content, aesthetics, space, proximity, and audience. Students will work independently and collaboratively creating original performances.
Terms: Spr | Units: 4 | UG Reqs: WAY-CE | Grading: Letter or Credit/No Credit
Instructors: Rau, M. (PI)
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