2016-2017 2017-2018 2018-2019 2019-2020 2020-2021
Browse
by subject...
    Schedule
view...
 
  COVID-19 Scheduling Updates!
See Stanford's HealthAlerts website for latest updates concerning COVID-19 and academic policies.

361 - 370 of 1095 results for: all courses

ENGLISH 5B: WISE: Mental Health and Literature, Mid-century to Present

Is there something wrong with us, or with our world? Rising rates of clinical depression and other conditions have rendered mental health a pressing cultural concern, especially for young adults, leading institutions of higher education to expand resources to support student needs. But we have not always thought about mental health the ways we do today. In this course we read landmark literary texts from midcentury to present that both reflect and shape cultural constructions of mental health. From Toni Morrison's The Bluest Eye (1970) to Elizabeth Wurtzel's Prozac Nation (1994)to Ottessa Moshfegh's My Year of Rest and Relaxation (2018), we examine how literature destabilizes would-be binaries between mental health and mental illness. How do intersectional identity factors such as gender, race, and class inform whose mental illness is deemed deserving of treatment and whose is instead criminalized? Honing our critical writing skills by learning to employ the tools of cultural criticism more »
Is there something wrong with us, or with our world? Rising rates of clinical depression and other conditions have rendered mental health a pressing cultural concern, especially for young adults, leading institutions of higher education to expand resources to support student needs. But we have not always thought about mental health the ways we do today. In this course we read landmark literary texts from midcentury to present that both reflect and shape cultural constructions of mental health. From Toni Morrison's The Bluest Eye (1970) to Elizabeth Wurtzel's Prozac Nation (1994)to Ottessa Moshfegh's My Year of Rest and Relaxation (2018), we examine how literature destabilizes would-be binaries between mental health and mental illness. How do intersectional identity factors such as gender, race, and class inform whose mental illness is deemed deserving of treatment and whose is instead criminalized? Honing our critical writing skills by learning to employ the tools of cultural criticism, feminist theory, and critical race studies, we also engage selections from Doris Lessing, Anne Sexton, Sylvia Plath, Ralph Ellison, Richard Wright, Esmé Weijun Wang, and others. Traversing short stories, essays, drama, poetry, memoir, and novels, this timely multi-genre course equips us to historically contextualize and meaningfully respond to the current mental health crisis.nNote: This Writing-Intensive Seminar in English (WISE) course fulfills WIM for English majors. Non-majors are welcome, space permitting. Enrollment is by permission (contact vbeebe@stanford.edu). For more information go to https://english.stanford.edu/writing-intensive-seminars-english-wise.
Terms: Aut | Units: 5 | UG Reqs: WAY-A-II, WAY-ED | Repeatable 2 times (up to 10 units total)
Instructors: Mukamal, A. (PI)

ENGLISH 5C: WISE: Revelation and Apocalypse: Literature at the End of the World 1300-2000

Apocalyptic thinking never goes out of fashion, nor does literature that deals with the end times. This course explores two major categories of apocalyptic thinking-- largely defined by religious and medical discourses--and the connection between the two. From Revelation, the last book of the New Testament, to early modern reckonings inspired by fire and plague, to Romantic-era sci-fi by Mary Shelley, to Station Eleven, a 2014 novel which takes place after an apocalyptic flu pandemic, we will read both millenarians and millennials, considering different visions of the end of the world, and what may come after. We'll also ask, what are the stakes--what historical concerns and cultural obsessions are revealed, after all--in these varied prophetic imaginings?nNote: This Writing-Intensive Seminar in English (WISE) course fulfills WIM for English majors. Non-majors are welcome, space permitting. Enrollment is by permission (contact vbeebe@stanford.edu). For more information go to https://english.stanford.edu/writing-intensive-seminars-english-wise.
Terms: Win | Units: 5 | UG Reqs: WAY-A-II | Repeatable 2 times (up to 10 units total)

ENGLISH 5D: WISE: Bad Reading: Pleasure and Politics in Literary Value

As students of literature, we aspire to be good readers of the texts we encounter. But to see ourselves as good readers is implicitly(perhaps even complicitly)to set ourselves against another form of literary consumption: bad reading, and, by association, bad readers. Yet what makes reading "bad" or "good"? And who decides? The more we look, the less self-evident or definitive the distinction becomes,our footing precipitously dropping away into questions about our own reading practices and how society values them. The precarious label "bad reading" comes into even sharper relief when we consider that the term has long been associated not just with certain modes of reading, but also with certain classes of readers and certain kinds of books, from gory gothic thrillers and racy romances to sci-fi and comics. In this course, we will trace the definitions and stakes of bad reading from the nineteenth century to the present day, through sources ranging from Jane Austen and Virginia Woolf to more »
As students of literature, we aspire to be good readers of the texts we encounter. But to see ourselves as good readers is implicitly(perhaps even complicitly)to set ourselves against another form of literary consumption: bad reading, and, by association, bad readers. Yet what makes reading "bad" or "good"? And who decides? The more we look, the less self-evident or definitive the distinction becomes,our footing precipitously dropping away into questions about our own reading practices and how society values them. The precarious label "bad reading" comes into even sharper relief when we consider that the term has long been associated not just with certain modes of reading, but also with certain classes of readers and certain kinds of books, from gory gothic thrillers and racy romances to sci-fi and comics. In this course, we will trace the definitions and stakes of bad reading from the nineteenth century to the present day, through sources ranging from Jane Austen and Virginia Woolf to contemporary think-pieces on young adult literature and race in publishing. Along the way, we will aim both to discover whether bad reading is really so bad after all, and to understand how ideologies of gender, class, and race have shaped our conceptions of literary value.nNote: This Writing-Intensive Seminar in English (WISE) course fulfills WIM for English majors. Non-majors are welcome, space permitting. Enrollment is by permission (contact vbeebe@stanford.edu). For more information go to https://english.stanford.edu/writing-intensive-seminars-english-wise.
Terms: Win | Units: 5 | UG Reqs: WAY-A-II | Repeatable 2 times (up to 10 units total)
Instructors: Jordan, J. (PI)

ENGLISH 5H: WISE: Dialogue in American Literature

What would literature be without conversations between characters? Dialogue is what brings fiction to life. In the words of literary critic Mikhail Bakhtin, 'the speaking person' is what 'makes a novel a novel.' In this course, we explore the crucial role dialogue plays in literature, treating every sentence of narrative fiction as a choice between characters, speech and some other mode of representation. We will pay close attention to both how fiction represents speaking persons and how dialogue interacts with the novel's other discourses. What can the dialogue scene as a formal unit tell us about narrative structure? How does dialogue shape plot? How does it animate character? Who gets to speak for themselves and which voices are passed over or suppressed? To explore these questions of form and politics, we'll read select works of fiction (by authors including Herman Melville, Zora Neale Hurston, and Margaret Millar) in conversation with major works of narrative theory.nNote: This Writing-Intensive Seminar in English (WISE) course fulfills WIM for English majors. Non-majors are welcome, space permitting. Enrollment is by permission (contact vbeebe@stanford.edu). For more information go to https://english.stanford.edu/writing-intensive-seminars-english-wise.
Terms: Spr | Units: 5 | UG Reqs: WAY-A-II | Repeatable 2 times (up to 10 units total)

ENGLISH 9CA: American Road Trip

From Whitman to Kerouac, Alec Soth to Georgia O'Keeffe, the lure of travel has inspired many American artists to pack up their bags and hit the open road. In this Creative Expressions course we will be exploring the art and literature of the great American road trip, including prose, poetry, films, and photography. We will be reading and writing in a variety of genres, workshopping our own stories, and considering the ways in which our personal journeys have come to inform and define our lives. The course includes a number of campus-wide field trips, and an end-of-quarter road trip down the California coast. NOTE: Students must attend the first class meeting to retain their roster spot.
Terms: Spr | Units: 3 | UG Reqs: WAY-A-II, WAY-CE

ENGLISH 9CI: Inspired By Science: A Writing Workshop

How can your interest in science and the environment be enriched by a regular creative practice? How do you begin to write a poem or essay about the wonders of the natural world or the nuances of climate change? What are the tools and strategies available to creative writers, and how can these techniques be used to communicate complex concepts and research to wide-audiences? We begin to answer these questions by drawing inspiration from the rich tradition of scientists who write and writers who integrate science. Emphasizing writing process over finished product, students maintain journals throughout the quarter, responding to daily prompts that encourage both practice and play. Through open-ended and exploratory writing, along with specific exercises to learn the writer¿s craft students develop a sense of their own style and voice. Note: First priority to undergrads. Students must attend the first class meeting to retain their roster spot.
Terms: Aut, Win, Spr | Units: 3 | UG Reqs: WAY-A-II, WAY-CE

ENGLISH 9CP: Poetry Off the Page

With recent blockbuster films like Patterson and major prizes being awarded to artists like Bob Dylan and Kendrick Lamar, the borders of what constitutes traditional literature are shifting. In this Creative Writing course we will be looking at literature `off the page,¿ in songwriting, spoken word, multi-media, and visual art. We will be workshopping our own creative projects and exploring the boundaries of contemporary literature. Artists we¿ll be looking at include Iron and Wine, Lil Wayne, Allen Ginsberg, Beyonce, David Lynch, Patti Smith, Mark Strand, Anne Carson, Danez Smith, Bon Iver, and Lou Reed.nNOTE: Students must attend the first class meeting to retain their roster spot.
Terms: Win | Units: 3 | UG Reqs: WAY-A-II, WAY-CE

ENGLISH 9SF: Fight the Future: Speculative Fiction and Social Justice

Imagining the future has been one of the most important ways humans have assessed their present. In this salon-style seminar we'll focus on modern speculative fiction as social critique, especially of regimes of patriarchy, racism, and capitalism. The first three weeks will be devoted to the work of Margaret Atwood, who will visit the class. The remaining seven weeks will explore other speculative fiction, broadly defined and across era and geography, that also engages with oppression and freedom, sex, love, and other dynamics of power. Guest lecturers will discuss the work of authors such as Octavia Butler, Samuel R. Delany, Franz Kafka, Philip K. Dick, Ursula LeGuin, and others.
Terms: Spr | Units: 3 | UG Reqs: WAY-A-II | Repeatable 2 times (up to 6 units total)

ENGLISH 11B: Introduction to English II: American Literature and Culture to 1855 (AMSTUD 150)

A survey of early American writings, including sermons, poetry, captivity and slave narratives, essays, autobiography, and fiction, from the colonial era to the eve of the Civil War.
Terms: Spr | Units: 5 | UG Reqs: GER:DB-Hum, GER:EC-AmerCul, WAY-A-II

ENGLISH 11Q: Art in the Metropolis (ARTSINST 11Q, MUSIC 11Q, TAPS 11Q)

This seminar is offered in conjunction with the annual "Arts Immersion" trip to New York that takes place over the spring break and is organized by the Stanford Arts Institute (SAI). Participation in the trip is a requirement for taking part in the seminar (and vice versa). The trip is designed to provide a group of students with the opportunity to immerse themselves in the cultural life of New York City guided by faculty and SAI staff. Students will experience a broad range and variety of art forms (visual arts, theater, opera, dance, etc.) and will meet with prominent arts administrators and practitioners, some of whom are Stanford alumni. For further details and updates about the trip, see https://arts.stanford.edu/for-students/academics/arts-immersion/new-york/.
Last offered: Spring 2020 | UG Reqs: WAY-A-II
Filter Results:
term offered
updating results...
teaching presence
updating results...
number of units
updating results...
time offered
updating results...
days
updating results...
UG Requirements (GERs)
updating results...
component
updating results...
career
updating results...
© Stanford University | Terms of Use | Copyright Complaints