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361 - 370 of 477 results for: all courses

MUSIC 17Q: Perspectives in North American Taiko

Preference to sophomores. Taiko, or Japanese drum, is a newcomer to the American music scene. Emergence of the first N. American taiko groups coincided with increased Japanese American activism, and to some it is symbolic of Japanese American identity. N. American taiko is associated with Japanese American Buddhism. Musical, cultural, historical, and political perspectives of taiko. Hands-on drumming. Japanese music and Japanese American history, and relations among performance, cultural expression, community, and identity.
Terms: Spr | Units: 4 | UG Reqs: GER:DB-Hum, GER:EC-AmerCul, WAY-CE, WAY-ED

MUSIC 80T: Jewish Music in the Lands of Islam (JEWISHST 80T)

An Interdisciplinary study of Music, Society, and Culture in communities of the Jewish Diaspora in Islamic countries. The course examines the diverse and rich musical traditions of the Jews in North Africa and the Middle East. Based on the "Maqamat" system, the Arabic musical modes, Jewish music flourished under Islamic rule, encompassing the fields of sacred music, popular songs, and art music. Using musicological, historical, and anthropological tools, the course compares and contrasts these traditions from their original roots through their adaptation, appropriation, and re-synthesis in contemporary art music and popular songs.
Terms: Aut | Units: 4 | UG Reqs: GER:DB-Hum, WAY-A-II, WAY-ED
Instructors: Tchamni, A. (PI)

MUSIC 147J: Studies in Music, Media, and Popular Culture: The Soul Tradition in African American Music (AFRICAAM 19, AMSTUD 147J, CSRE 147J, MUSIC 247J)

The African American tradition of soul music from its origins in blues, gospel, and jazz to its influence on today's r&b, hip hop, and dance music. Style such as rhythm and blues, Motown, Southern soul, funk, Philadelphia soul, disco, Chicago house, Detroit techno, trip hop, and neo-soul. Soul's cultural influence and global reach; its interaction with politics, gender, place, technology, and the economy. Pre-/corequisite (for music majors): MUSIC 22. (WIM at 4 units only.)
Terms: Win | Units: 3-4 | UG Reqs: GER:DB-Hum, GER:EC-AmerCul, WAY-A-II, WAY-ED

MUSIC 147K: Studies in Music, Media, and Popular Culture: Music and Urban Film (MUSIC 247K)

How music and sound work in urban cinema. What happens when music's capacity to transform everyday reality combines with the realism of urban films? Provides an introduction to traditional theories of film music and film sound; considers how new technologies and practices have changed the roles of music in film. Readings discuss film music, realistic cinema, urban musical practices and urban culture. Viewing includes action/adventure, Hindi film, documentary, film noir, hip hop film, the musical, and borderline cases by Jean-Luc Godard, Spike Lee, Wong Kar-Wai and Tsai Ming-Liang. Pre- or corequisite (for music majors): MUSIC 22. (WIM at 4 unit level only.)
| UG Reqs: GER:DB-Hum, GER:EC-GlobalCom, WAY-A-II, WAY-ED

MUSIC 147L: Studies in Music, Media, and Popular Culture: Latin American Music and Globalization (MUSIC 247L)

Focuses on vernacular music of Latin America and the Caribbean, including Mexico, Cuba, Dominican Republic, Peru, Brazil, Colombia, and Argentina. Musical examples discussed in relation to: globalization, migration, colonialism, nationalism, diaspora, indigeneity, politics, religion, dance, ethnicity, and gender. How music reflects and shapes cultures, identities, and social structures. Genres addressed: bachata, bossa nova, cumbia, forro, ranchero, reggaeton, rock, salsa, tango, and others. Seminar, guest performances, reading, listening, and analysis. Pre-/corequisite (for music majors): MUSIC 22. (WIM at 4 units only.)
| UG Reqs: WAY-A-II, WAY-ED | Repeatable 2 times (up to 8 units total)

MUSIC 187: Music and Culture from the Land of Fire: Introduction to Azerbaijani Mugham

Nestled in the Caucasus, Azerbaijan is a crossroads between East and West; its rich musical heritage contains threads of Turkish, Central Asian, Persian, Caucasian, Russian, and Arabic traditions. In this course, master-musician Imamyar Hasanov teaches students to perform and appreciate Azeri music. Content includes classical mugham, Eastern theory, improvisation and microtonality. We¿ll discuss Azeri music culture, supplemented by guest lecturers and Skype¿ interviews with musicians in Azerbaijan. Open to students with any experience playing a musical instrument (including voice). No previous experience with Azeri music necessary. Supported by the SF World Music Festival.Questions? Email schultza@stanford.edu.
Terms: Aut | Units: 1-5 | UG Reqs: WAY-CE, WAY-ED
Instructors: Hasanov, I. (PI)

NATIVEAM 102: Indigenous Cultural Heritage: Protection, Practice, Repatriation (ANTHRO 102C, ARCHLGY 101, ARCHLGY 202, CSRE 102)

This interdisciplinary seminar explores challenges and avenues for furthering protection of the cultural heritage rights enshrined in the UN Declaration on the Rights of Indigenous Peoples. Using an innovative combination of online lectures by Stanford faculty and students, and recorded interviews with Indigenous leaders, artists, performers, scholars and museum professionals, the seminar will explore and problematize: historic and contemporary understandings of "Indigenous cultural heritage" and the impact of colonialism, urbanization and other forces on Indigenous identity and cultural heritage; current and potential domestic and international legal and non-legal frameworks for Indigenous cultural heritage protection and repatriation; past and present museum approaches to Indigenous peoples and their cultural material; and optimal methods of resolving repatriation disputes. While the seminar will cover primarily the situation of Indigenous peoples in North America, comparisons will be drawn with other regions of the globe. The on-campus component of the seminar will involve directed discussions of the online content, the online forum, assigned readings and short writing assignments. Students can choose between a final exam, paper or video project. Lunch is provided.
Terms: Win | Units: 3-5 | UG Reqs: WAY-ED
Instructors: Jessiman, S. (PI)

NATIVEAM 103S: Native American Women, Gender Roles, and Status (CSRE 103S, FEMGEN 103S)

Historical and cultural forces at work in traditional and contemporary Native American women's lives through life stories and literature. How women are fashioning gendered indigenous selves. Focus is on the diversity of Native American communities and cultures.
| UG Reqs: GER:EC-Gender, WAY-ED

NATIVEAM 115: Introduction to Native American History

This course surveys Native American history beginning with the forced removal of the Cherokee and other tribes from their eastern homelands to the geographic area of what is now the state of Oklahoma. This course will examine key issues including specific cases, i.e. the Marshall trilogy through a historic lens. The course material will cover Native American history to events leading up to the era of the civil rights movement in the twentieth century. The subject of sovereignty and self-determination will be discussed as part of the historic experience of Native Americans through assigned readings, short films, and other media.
Terms: Aut, Win, Spr | Units: 5 | UG Reqs: GER:EC-AmerCul, WAY-ED

NATIVEAM 143A: American Indian Mythology, Legend, and Lore (ENGLISH 43A, ENGLISH 143A)

(English majors and others taking 5 units, register for 143A.) Readings from American Indian literatures, old and new. Stories, songs, and rituals from the 19th century, including the Navajo Night Chant. Tricksters and trickster stories; war, healing, and hunting songs; Aztec songs from the 16th century. Readings from modern poets and novelists including N. Scott Momaday, Louise Erdrich, and Leslie Marmon Silko, and the classic autobiography, "Black Elk Speaks."
Terms: Aut | Units: 3-5 | UG Reqs: GER:DB-Hum, GER:EC-AmerCul, WAY-A-II, WAY-ED
Instructors: Fields, K. (PI)
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