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601 - 610 of 639 results for: all courses

RELIGST 271A: Dante's Spiritual Vision

Poetry, ethics, and theology in Dante's Divine Comedy. Supplementary readings from classical authors such as St. Thomas Aquinas, and from modern writers, such as Jorge Borges. Fulfills capstone seminar requirement for the Philosophy and Literature tracks. Students may take 271A without taking 271B. Consent of the instructor required.
Last offered: Autumn 2015 | UG Reqs: GER:DB-Hum, WAY-A-II

RELIGST 271B: Dante's Spiritual Vision

Poetry, ethics, and theology in Dante's Divine Comedy. Supplementary readings from classical authors such as St. Thomas, and from modern writers, such as Jorge Borges. Fulfills capstone seminar requirement for the Philosophy and Literature tracks. Prerequisite: 271A
Last offered: Winter 2016 | UG Reqs: GER:DB-Hum

RELIGST 273: Historicism and Its Problems: Ernst Troeltsch, the Study of Religion, and the Crisis of Historicism (RELIGST 373)

Examination of the early twentieth-century historian of religion, philosopher of culture, sociologist of religion, Christian theologian, and philosopher of history, Ernst Troeltsch, within the context of the late nineteenth-century "crisis of historicism," i.e., the historicization and relativization of religious, ethical, social, and political norms. Attention to seminal theorists of history (Herder, Kant, Ranke, Hegel, Nietzsche) in the post-Enlightenment German intellectual tradition and the attempts of Christian and Jewish thinkers in the Weimar era (Barth, Gogarten, Rosenzweig, L. Strauss) to "overcome" the crisis wrought by a radically historical approach to human culture.
Last offered: Autumn 2013 | UG Reqs: GER:DB-Hum, WAY-A-II

RELIGST 274: From Kant to Kierkegaard (RELIGST 374)

(Graduate students register for 374. Undergrads register for 274 for 5 units.) The philosophy of religion emerged from the European Enlightenment as a new genre of reflection on religion distinct from both dogmatic theology and rationalist dreams of a "natural" religion of reason. Neither beholden to pre-critical tradition, nor dismissive of what Thomas Nagel has termed "the religious attitude," this new, ostensibly secular, genre of religious thought sought to rethink the meaning of Christianity at a time of immense philosophical ferment. The main currents of religious thought in Germany from Kant's critical philosophy to Kierkegaard's revolt against Hegelianism. Emphasis on the theories of religion, the epistemological status of religious discourse, the role of history (especially the figure of Jesus), and the problem of alienation/reconciliation in seminal modern thinkers: Kant, Schleiermacher, Hegel, and Kierkegaard.
Last offered: Autumn 2014 | UG Reqs: GER:DB-Hum, WAY-A-II

RELIGST 275: Kierkegaard (RELIGST 375)

(Graduate students register for 375.) Close reading of Kierkegaard's magnum opus, Concluding Unscientific Postscript to Philosophical Fragments, in its early 19th-century context.
| UG Reqs: GER:DB-Hum

RELIGST 277: The Later Heidegger: Art, Poetry, Language (PHIL 234B, RELIGST 377)

Lectures and seminar discussions of the problematic of the later Heidegger (1930 - 1976) in the light of his entire project. Readings from "On the Origin of the Work of Art" and Elucidations of Holderlin's Poetry.
Last offered: Autumn 2012 | UG Reqs: GER:DB-Hum

RELIGST 280: Schleiermacher: Reconstructing Religion (RELIGST 380)

Idealist philosopher, Moravian pietist, early German Romantic, co-founder of the University of Berlin, head preacher at Trinity Church, translator of Plato's works, Hegel's opponent, pioneer in modern hermeneutics, father of modern theology. Schleiermacher's controversial reconception of religion and theology in its philosophical context.
Last offered: Autumn 2010 | UG Reqs: GER:DB-Hum

RELIGST 283A: Modern Notions of 'The Holy': Hölderlin, Heidegger, Celan (COMPLIT 283A, COMPLIT 383A, GERMAN 283A, GERMAN 383A, RELIGST 383A)

This course explores the question, "What may we call 'holy' in the modern era?" by focusing mostly on three key writers and thinkers, who "in various ways, and in different times" raised this question: Friedrich Hölderlin, Martin Heidegger, and Paul Celan. Given the scope of this question and its various reverberations and implications, we will also read "continental philosophy of religion" (Marion, Courtine, Caputo, and Vattimo, among others), as well as some of the work of Jacques Derrida.
Terms: Win | Units: 5 | UG Reqs: GER:DB-Hum

RELIGST 290: Majors' Seminar: Theories of Religion

Required of all majors and combined majors. The study of religion reflects upon itself. Representative modern and contemporary attempts to "theorize," and thereby understand, the phenomena of religion in anthropology, psychology, sociology, cultural studies, and philosophy. WIM.
Terms: Win | Units: 5 | UG Reqs: GER:DB-Hum, WAY-A-II
Instructors: Sockness, B. (PI)

SINY 124: New York and the Art World

In an influential essay of 1964 responding to the work of Andy Warhol and Jasper Johns, the philosopher Arthur Danto defined an "artworld" as "an atmosphere of artistic theory." More generally, the term art world has come to mean a social, cultural and economic network consisting of art professionals (artists, curators, collectors, gallerists/dealers, historians, educators and critics) and institutions (the media, museums, galleries, schools, auction houses and other markets, such as art fairs). Since the end of World War II and the migration of European artists associated with the School of Paris, New York has traditionally been considered the capital of the art world, a position it largely retains even as the contemporary art world is a global phenomenon. This course considers the definitions and practices associated with the New York art world through readings in history and theory and extensive on-the-ground engagement with its pivotal figures and sites. Field trips to museums, galleries and other cultural institutions showcase the wider implications and professional aspects of current art making, as well as the exhibition, distribution and reception of contemporary art. Some background in art history is helpful but not required.
Last offered: Autumn 2016 | UG Reqs: GER:DB-Hum, WAY-A-II
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