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31 - 37 of 37 results for: TAPS ; Currently searching winter courses. You can expand your search to include all quarters

TAPS 313: Performance and Performativity (ENGLISH 313, FEMGEN 313)

Performance theory through topics including: affect/trauma, embodiment, empathy, theatricality/performativity, specularity/visibility, liveness/disappearance, belonging/abjection, and utopias and dystopias. Readings from Schechner, Phelan, Austin, Butler, Conquergood, Roach, Schneider, Silverman, Caruth, Fanon, Moten, Anzaldúa, Agamben, Freud, and Lacan. May be repeated for credit.
Terms: Win | Units: 5 | Repeatable for credit | Grading: Letter (ABCD/NP)
Instructors: Menon, J. (PI)

TAPS 336: Comprehensive 1st Year Exam

Required course for first-year Ph.D. students in Theater & Performance Studies. Credits for work toward the Comprehensive 1st-year Exam taken in late February or Early March.
Terms: Win | Units: 2 | Grading: Satisfactory/No Credit
Instructors: Phelan, P. (PI)

TAPS 360: Greek Tragedy

The seminar explores the intellectual, political, and cultural background of 5th-century Athenian tragedy, with special focus on the theatrical dynamics of the major plays of Aeschylus, Sophocles, and Euripides. Although the seminar emphasizes a close reading of the tragedies themselves, secondary sources include selections from Homer, Thucydides, Aristophanes, Aristotle, Hegel, and Nietzsche, as well as modern and contemporary classical scholars (Jebb, Dodds, Segal, Taplin, Goldhill, Nussbaum, Easterling, Foley, Seidensticker, Griffiths, Rehm, Wiles, Hall, Budelmann, and others). The seminar assigns the plays in English translation, but students with ancient Greek are encouraged to enroll, and accommodations can be made to attend to their interests. Plays include Persians, Prometheus Bound, the Oresteia trilogy (Aeschylus); Antigone, Oedipus, Oedipus at Colonus, Electra, and Philoctetes (Sophocles); and Medea, Heracles, Electra, Ion, Helen, and Bacchae (Euripides).
Terms: Win | Units: 3-5 | Grading: Letter or Credit/No Credit
Instructors: Rehm, R. (PI)

TAPS 372: Directing Workshop: The Actor-Director Dialogue (TAPS 170B)

This course focuses on the actor-director dialogue. We will work with actors and directors developing approaches to collaboration that make the actor-director dialogue in theater.
Terms: Win | Units: 4 | Repeatable for credit | Grading: Letter (ABCD/NP)
Instructors: Rehm, R. (PI)

TAPS 376: Projects in Performance

Creative projects to be determined in consultation with Drama graduate faculty and production advisor
Terms: Win | Units: 4 | Repeatable for credit | Grading: Satisfactory/No Credit
Instructors: Rau, M. (PI)

TAPS 390: Directed Reading

Students may take directing reading only with the permission of their dissertation advisor. Might be repeatable for credit twice for 6 units total.
Terms: Aut, Win, Spr, Sum | Units: 1-6 | Repeatable for credit | Grading: Letter or Credit/No Credit

TAPS 802: TGR Dissertation

Terms: Aut, Win, Spr, Sum | Units: 0 | Repeatable for credit | Grading: TGR
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