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261 - 270 of 337 results for: MUSIC

MUSIC 257: Neuroplasticity and Musical Gaming

What changes in a musician's brain after hours and years of daily practice? How do skills that make a great violinist transfer to other abilities? Can directed neuroplasticity be used to target skill learning? This course will include fundamentals of psychoacoustics and auditory neuroscience. Focus will be development of video games that use perceptually motivated tasks to drive neural change. Emphasis will be on music, linguistic, and acoustic based skills. Programming experience is highly recommended, but not required.
Terms: Spr | Units: 3-5

MUSIC 258: Orchestration and Timbral Analysis

Hands-on approach to orchestration and applied computational timbral analysis. For Music majors with a concentration or interest in composition or MST. Assignments in orchestration and timbre analysis, and computer-based timbre analysis. Final project involving either computer-based analysis or an advanced orchestration assignment. See http://ccrma.stanford.edu/courses/255/.

MUSIC 258A: Computational Music Theory & Analysis

Topics in music analysis, with emphasis on perception and cognition. Topics include engagement, expectation formulation and processing, timbre and time perception, with particular relevance to computer applications in music.
Terms: Aut | Units: 1-3 | Repeatable 3 times (up to 9 units total)

MUSIC 260: Transcultural Perspectives of South-East Asian Music and Arts (FRENCH 260A)

This course will explore South-East Asian (SEA) cultures and their influence on modern and contemporary Western art, particularly in France: for instance, Claude Debussy (Gamelan's music), Jacques Charpentier (Karnatak music), Auguste Rodin (Khmer art) and Antonin Artaud (Balinese theater). In the course of these interdisciplinary analyses - focusing particularly on music and dance - we will confront key notions in relation to transculturality: orientalism, appropriation, auto-ethnography, nostalgia and exoticism. We will also consider transculturality as interior to contemporary creation, through the study of contemporary SEA composers. Viewings of sculptures, marionette theater, ballet, opera and cinema will play in integral role. To be eligible for WAYS credit, this course must be taken for 3 units and a letter grade.
Terms: Spr | Units: 2-3 | UG Reqs: WAY-A-II
Instructors: Kretz, H. (PI)

MUSIC 264: Musical Engagement: Use correlation analysis and big data to identify and predict musical behaviors

The course will use data analysis to explore why people engage in music. The course will be one part lab, one part seminar, meeting once a week for two hours. Students will learn to apply correlation analysis to a vast corpus of actual performance data using the latest analytics and query tools, developing insights into what motivates the musical preferences and behaviors of both performers and listeners. A basic proficiency in Java, MatLab, and SQL query language will be developed along the way.
Last offered: Spring 2017 | Repeatable 4 times (up to 12 units total)

MUSIC 269: Research in Performance Practices

Directed reading and research. May be repeated for credit a total of 5 times.
Terms: Aut, Win, Spr, Sum | Units: 1-5 | Repeatable 6 times (up to 30 units total)

MUSIC 272A: Advanced Piano

Private lessons and group masterclass weekly. May be repeated for credit a total of 14 times. Admission is by audition only. There is a fee for this class. Please visit http://music.stanford.edu/Academics/LessonSignups.html for class fees and audition information. All participants must enroll. Zero unit enrollment option available with instructor permission. See website: ( http://music.stanford.edu) for policy and procedure.
Terms: Aut, Win, Spr | Units: 1-3 | Repeatable 15 times (up to 45 units total)

MUSIC 272B: Advanced Organ

May be repeated for credit a total of 14 times. Admission is by audition only. There is a fee for this class. Please visit http://music.stanford.edu/Academics/LessonSignups.html for class fees and audition information. All participants must enroll. Zero unit enrollment option available with instructor permission. See website: ( http://music.stanford.edu) for policy and procedure.
Terms: Aut, Win, Spr | Units: 1-3 | Repeatable 15 times (up to 45 units total)
Instructors: Morgan, R. (PI)

MUSIC 272C: Advanced Harpsichord

May be repeated for credit a total of 14 times. Admission is by audition only. There is a fee for this class. Please visit http://music.stanford.edu/Academics/LessonSignups.html for class fees and audition information. All participants must enroll. Zero unit enrollment option available with instructor permission. See website: ( http://music.stanford.edu) for policy and procedure.
Terms: Aut, Win, Spr | Units: 1-3 | Repeatable 15 times (up to 45 units total)

MUSIC 272D: Advanced Jazz Piano

By invitation only; priority to majors and jazz-ensemble participants. May be repeated for credit a total of 14 times. Admission is by audition only. There is a fee for this class. Please visit http://music.stanford.edu/Academics/LessonSignups.html for class fees and audition information. All participants must enroll. Zero unit enrollment option available with instructor permission. See website: ( http://music.stanford.edu) for policy and procedure.
Terms: Aut, Win, Spr | Units: 1-3 | Repeatable 15 times (up to 45 units total)
Instructors: Low, M. (PI)
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