## MUSIC 312B: Aesthetics and Criticism of Music, Contemporaries: Heidegger to Today

For graduate students. Primary texts focusing on the nature, purposes, and uses of music and other arts.

Terms: Win
| Units: 3-4

Instructors:
Berger, K. (PI)

## MUSIC 318: Advanced Acoustics

Current topics. May be repeated for credit.

Terms: Spr
| Units: 1-5
| Repeatable
for credit

Instructors:
Rossing, T. (PI)

## MUSIC 319: Research Seminar on Computational Models of Sound Perception

All aspects of auditory perception, often with emphasis on computational models. Topics: music perception, signal processing, auditory models, pitch perception, speech, binaural hearing, auditory scene analysis, basic psychoacoustics, and neurophysiology. See
http://ccrma.stanford.edu/courses/. May be repeated for credit a total of 14 times.

Terms: Aut, Win, Spr
| Units: 1-3
| Repeatable
15 times
(up to 45 units total)

Instructors:
Slaney, M. (PI)

## MUSIC 320A: Introduction to Audio Signal Processing Part I: Spectrum Analysis

Digital signal representations and transforms for music and audio research. Topics: complex numbers, sinusoids, spectrum representation, sampling and aliasing, the Discrete Fourier Transform (DFT), Fourier theorems, z transform, Laplace transform, and associated Matlab software. See
http://ccrma.stanford.edu/courses/320/.

Terms: Aut
| Units: 3-4

Instructors:
Roman, I. (PI)
;
Smith, J. (PI)

## MUSIC 320B: Introduction to Audio Signal Processing Part II: Digital Filters

Digital filters for music and audio research. Topics: digital filter structures, frequency response, z transforms, transfer-function analysis, and associated Matlab software. See
http://ccrma.stanford.edu/courses/320/.

Terms: Win
| Units: 3-4

Instructors:
Roman, I. (PI)
;
Smith, J. (PI)

## MUSIC 321: Readings in Music Theory

Directed reading and research. May be repeated for credit a total of 15 times.

Terms: Aut, Win, Spr, Sum
| Units: 1-5
| Repeatable
15 times
(up to 75 units total)

Instructors:
Applebaum, M. (PI)
;
Aquilanti, G. (PI)
;
Barth, G. (PI)
...
more instructors for MUSIC 321 »

Instructors:
Applebaum, M. (PI)
;
Aquilanti, G. (PI)
;
Barth, G. (PI)
;
Berger, J. (PI)
;
Berger, K. (PI)
;
Berger, T. (PI)
;
Chafe, C. (PI)
;
Ferneyhough, B. (PI)
;
Grey, T. (PI)
;
Hadlock, H. (PI)
;
Hinton, S. (PI)
;
Kronengold, C. (PI)
;
Mahrt, W. (PI)
;
Rodin, J. (PI)
;
Rossing, T. (PI)
;
Smith, J. (PI)
;
Ulman, E. (PI)
;
Wang, G. (PI)

## MUSIC 324: Graduate Composition Forum

Community forum for all graduate student composers. Discussion of completed and in-progress work by students, faculty, and visiting composers. Repertoire listening sessions. Planning of upcoming Department events. Special area exam topic presentations, final doctoral project presentations, and review of portfolios. Many sessions are open to the public.May be repeated for credit

Terms: Aut, Win, Spr
| Units: 1
| Repeatable
18 times
(up to 18 units total)

Instructors:
Applebaum, M. (PI)

## MUSIC 325: Individual Graduate Projects in Composition

May be repeated for credit.

Terms: Aut, Win, Spr, Sum
| Units: 1-5
| Repeatable
for credit

Instructors:
Applebaum, M. (PI)
;
Aquilanti, G. (PI)
;
Berger, J. (PI)
...
more instructors for MUSIC 325 »

Instructors:
Applebaum, M. (PI)
;
Aquilanti, G. (PI)
;
Berger, J. (PI)
;
Chafe, C. (PI)
;
DeMarinis, P. (PI)
;
Ferneyhough, B. (PI)
;
Kapuscinski, J. (PI)
;
Ulman, E. (PI)

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