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251 - 260 of 360 results for: MUSIC

MUSIC 223: Composition for Electronic Musicians

Composition for any combination of acoustic and electroacoustic instrumentation, computer-generated sound, invented instruments, sound-sculptures, and multi-disciplinary elements including theater and visual media. Project-based laboratory to advance original student works, supported by lectures on the fundamentals of composition. Concert performance of final works. Taught at CCRMA with a focus on engendering deliberate conversation on the enrichment of a cultural context for new media. Open to undergraduates and graduates.
Last offered: Spring 2016 | UG Reqs: WAY-CE | Repeatable 3 times (up to 12 units total)

MUSIC 223T: Computer Music Improvisation and Algorithmic Performance

This seminar will investigate how to approach configuring a set of composition tools for real time composition. Composition programming, ensemble rehearsal, and performance. Determining algorithmic composition beginning by imagining a process or a structure, applying a mapping process to transform that structure (which resides in the conceptual domain), into sound (which may reveal the original conception). Investigation of gestural mapping that occurs when a sonic result is achieved by an act of interpretation, whether it be reading a score and/or improvising.
Last offered: Autumn 2012

MUSIC 230: Advanced Orchestral Conducting

May be repeated for credit a total of 8 times. Prerequisite: 130B.
Terms: Aut, Win, Spr | Units: 2-4 | Repeatable 9 times (up to 36 units total)

MUSIC 231: Advanced Choral Conducting

Individual instruction continuing trajectory of Music 130C. Focus on gestural technique and analysis of works by genre and historical period. May be repeated for credit a total of 8 times. Prerequisite: 130C.
Terms: Aut, Win, Spr | Units: 2-4 | Repeatable 9 times (up to 36 units total)
Instructors: Sano, S. (PI)

MUSIC 236: Future Media, Media Archaeologies (ARTSTUDI 236)

Hand-on. Media technologies from origins to the recent past. Students create artworks based on Victorian era discoveries and inventions, early developments in electronic media, and orphaned technologies. Research, rediscover, invent, and create devices of wonder and impossible objects. Readings in history and theory. How and what media technologies mediate.
Terms: Win | Units: 3-4

MUSIC 240J: Studies in Music of the Middle Ages: Music and Memory (MUSIC 140J)

Prerequisites: MUSIC 21, MUSIC 40. (WIM at 4-unit level only.)
Last offered: Winter 2015 | Repeatable for credit

MUSIC 241J: Studies in Music of the Renaissance (MUSIC 141J)

Prerequisites: MUSIC 21, MUSIC 40. (WIM at 4-unit level only.)
| Repeatable for credit

MUSIC 242J: Studies in Music of the Baroque: Monteverdi's Theater Music (MUSIC 142J)

Prerequisites: MUSIC 22, MUSIC 41. (WIM at 4-unit level only.)
Last offered: Winter 2016 | Repeatable for credit

MUSIC 242K: Studies in Music of the Baroque: Handel the Cosmopolitan (MUSIC 142K)

Music history seminar on the operatic, sacred, and instrumental works of G.F. Handel as examples of the diversity, cosmopolitanism, expression, formal and technical features, and social uses of music in the first half of eighteenth century. Traces Handel¿s career from his native Germany to an elite Roman circle of musical connoisseurs, and to the Italian opera company he founded in London and his transformation of Italian opera into a new genre of English oratorio. By analyzing Handel¿s works in context, we examine the aesthetic, harmonic, and dramatic principles of the major European Baroque art-music genres. Prerequisites: MUSIC 22, MUSIC 41. (WIM at 4-unit level only.)
Terms: Win | Units: 5
Instructors: Hadlock, H. (PI)

MUSIC 243J: Studies in Music of the Classical Period: Franz Joseph Haydn (MUSIC 143J)

Music and Musicians in the Age of EnlightenmentnPrerequisites: MUSIC 22, MUSIC 41. (WIM at 4-unit level only.)
Last offered: Autumn 2014 | Repeatable for credit
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