printer friendly pageMUSIC 76A: Tuba Class
Basic brass techniques as they apply to the tuba including warmups, breathing, and developing a daily routine. For beginning through intermediate players. There is a fee for this class. Please visit
http://music.stanford.edu/Academics/LessonSignups.html for class fees and audition information. All participants must enroll. Zero unit enrollment option available with instructor permission. See website: (
http://music.stanford.edu) for policy and procedure. May be repeated for credit
Terms: Aut, Win, Spr
| Units: 1
| UG Reqs: WAY-CE
| Repeatable for credit
Instructors:
Clements, T. (PI)
MUSIC 76AZ: Tuba Class
Basic brass techniques as they apply to the tuba including warmups, breathing, and developing a daily routine. For beginning through intermediate players. This course includes a fee of $175 for Music majors and minors, and $200 for non Music majors. Zero unit enrollment option available with instructor permission. See website: (
http://music.stanford.edu) for policy and procedure.May be repeated for credit for 0 unit.
Terms: Aut, Win, Spr
| Units: 0
| Repeatable for credit
Instructors:
Clements, T. (PI)
MUSIC 76Z: Brass Instruments Class
May be repeated for credit a total of 14 times. There is a fee for this class. Please visit
http://music.stanford.edu for class fees and signup information. Zero unit enrollment option available with instructor permission. See website: (
http://music.stanford.edu) for policy and procedure.
Terms: Aut, Win, Spr
| Units: 0
| Repeatable for credit
Instructors:
Kenley, M. (PI)
MUSIC 77: Percussion Class
May be repeated for credit a total of 14 times. There is a fee for this class. Please visit
http://music.stanford.edu for class fees and signup information. Zero unit enrollment option available with instructor permission. See website: (
http://music.stanford.edu) for policy and procedure.
Terms: Aut, Win, Spr
| Units: 1
| UG Reqs: WAY-CE
| Repeatable for credit
Instructors:
Mach, L. (PI)
;
Muncy, S. (PI)
MUSIC 77Z: Percussion Class
There is a fee for this class. Please visit
http://music.stanford.edu for class fees and signup information. Zero unit enrollment option available with instructor permission. See website: (
http://music.stanford.edu) for policy and procedure.
Terms: Aut, Win, Spr
| Units: 0
| Repeatable for credit
Instructors:
Mach, L. (PI)
;
Muncy, S. (PI)
MUSIC 101: Introduction to Creating Electronic Sounds
Students to explore their creative voices by learning the practical nuts and bolts of making sounds with computers and professional audio equipment. Basic concepts include mixing and production techniques used in podcasts, documentaries, live performance, electronic music, and sound art. Students will create a midterm soundscape project as well as a final class project that is focused on their particular creative interests.
Terms: Win, Spr
| Units: 3-4
| UG Reqs: WAY-CE
MUSIC 102: The Art of Music Video: Practice and Analysis (MUSIC 202)
Making and understanding music videos and other short audiovisual genres. This course is a critical and creative exploration of music and performing bodies in moving media. Listening/viewing includes music videos from the 1980s to today, along with musicals, dance, and opera on film, experimental film and video, and segments from feature film. We'll attend to both music and image, focusing on gesture, rhythm, and affect, and considering visual parameters like décor, lighting, texture, camera movement, and editing. Requirements include choosing and documenting a live performance; producing a short audiovisual work involving post-production; several short writing assignments; and weekly reading and viewing/listening assignments. No prerequisites; no previous videomaking experience required. This course must be taken for a minimum of 3 units for Ways-AII and a letter grade to be eligible for Ways-AII credit.
Terms: Spr
| Units: 2-4
| UG Reqs: WAY-A-II, WAY-CE
| Repeatable for credit
Instructors:
Vernallis, C. (PI)
MUSIC 103: Live Listening Lab (TAPS 130M)
The course is a one unit, discussion-based experience for non-musicians and musicians to explore live concerts, learn how to describe their listening experiences and reflect on their aesthetic preferences. In this course, we will attend live music concerts, some as a group and some individually, and reflect critically on those multi-modal sensory and cognitive experiences. Along the way, we will build our own listening toolkits and practice communicating our personal experiences. Students attend 5 course meetings and 5 concerts.
Terms: Spr
| Units: 1
Instructors:
Dauer, T. (PI)
;
Haag, K. (PI)
MUSIC 112: Film Scoring
Through analysis and technical exercises that involve click tracks, spotting, scoring under dialogue and picture, and the creative use of overlap cues, among others, students will learn how to develop and synchronize an engaging music score that supports visual events. Prerequisite: The students will be expected to: Know how to read and write music; Know how to create scores using a music editor such as Finale, Sibelius, among others; Be familiar with MIDI sequencing; and, Be familiar with DAW such as Logic Pro X, Pro Tools, among others.
Terms: Spr
| Units: 3
| UG Reqs: WAY-CE
Instructors:
Wineglass, J. (PI)
MUSIC 120D: Jazz Improvisation
This class will focus on developing a deeper understanding of, and capacity for, jazz improvisation -- as it relates to individual expression as well as group interaction, communication, and cohesion. In-class soloing and ensemble playing; guided listening; ear training; internalization; personalization; and an awareness of the historical evolution of the jazz improvisational language will all be emphasized. The coursework will be primarily based on actual instrumental performance and practice; with an extensive listening list; and possibly some complementary composition, transcribing, self-evaluation; reading and writing assignments. Limited enrollment: Audition required. Students auditioning for
Music 120D may submit the same audition material for consideration for
Music 120E and vice-versa, but they are asked to make clear that they are applying for both (or, alternatively, for just one of the two, and if so, which one.) This class will be closed to enrollment, so students wishing to enroll must join the Axess waiting list. You will then be contacted with audition instructions. By enrolling in this course you are giving consent for the video and audio recording and distribution of your image and performance for use by any entity at Stanford University.
Terms: Spr
| Units: 1-3
| UG Reqs: WAY-CE
| Repeatable for credit
Instructors:
Nadel, J. (PI)
;
Redman, J. (PI)
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