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1 - 2 of 2 results for: FEMGEN151

FEMGEN 151: Feminist Life-Writing (LIFE 151)

This course explores life-writing as a form of feminist praxis. Feminist life-writing is an art form grounded in truth-telling, activism, and self-making that emerges from the long tradition of women writing private lives. Beginning with the politicized practices of second wave feminists up through contemporary trends in memoir and autofiction, we will confront an array of intersectional autobiographies that connect personal experience to broader movements, power structures, and oppressions. How has life-writing contributed to the articulation of feminist consciousness? How has feminism impacted the methods marginalized authors use to create forms for belonging and self-determination? As we think about the politics of life-writing, we will also consider feminist rhetorical and aesthetic strategies for confronting issues like trauma, disability, incarceration, motherhood, and friendship. Each student will conduct a large-scale research project focused on an author, genre, or theme of their choice. As we research the critical historical contexts for feminist memoir, we will simultaneously conduct our own creative experiments in life-writing.
Terms: Aut | Units: 4-5 | UG Reqs: WAY-A-II, WAY-EDP
Instructors: Goode, L. (PI)

FEMGEN 151Q: Everything You Do: The Dramatic Art of Ntozake Shange (TAPS 150Q)

This course introduces you to key issues in modern culture by reading works by Ntozake Shange (1948-2018). Shange was a black feminist playwright and author who wrote the classic, "choreopoem," to use Shange's neologism, for colored girls who have considered suicide/when the rainbow is enuf (1976) along with many more texts. During the quarter, we will meet with various contemporary actors, directors, scholars, and playwrights to discuss how Shange's works have been staged and adapted. We will vary our approach to her texts and debate key issues in black feminist art and politics. For example, we will discuss topics such as: sexuality, geography, memory, enslavement, embodiment, choreography, colonialism, activism, racism, violence, colorism, the myriad meanings of love, food, class, gender, language and dramatic form. We will read some of her fiction, much of her non-fiction and a selection of her poetry.
Terms: Aut | Units: 4
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