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11 - 20 of 68 results for: ENGLISH ; Currently searching winter courses. You can expand your search to include all quarters

ENGLISH 91: Creative Nonfiction

(Formerly 94A.) Historical and contemporary as a broad genre including travel and nature writing, memoir, biography, journalism, and the personal essay. Students use creative means to express factual content.
Terms: Aut, Win, Spr, Sum | Units: 5 | UG Reqs: WAY-A-II, WAY-CE | Grading: Letter or Credit/No Credit

ENGLISH 91Q: Twitter Fiction/Future Forms

Digital media--from Twitter to the Kindle--are roiling the literary marketplace. But could these new forms and content delivery methods also create new opportunities for creative work? Twitter is a hotbed of adopted personae and clearly false characters; sites from FiveChapters to Plympton are reviving the serial form; new apps feature inventive short fiction. Additionally, established writers, from Margaret Atwood to Jennifer Egan, are harnessing the forms offered by digital media to spur their own artistic invention. In this unsettled landscape, what does it even mean to write fiction? What does it mean to create stories without the assumption of the reader's undivided attention? And what do lessons from our literary history--from Gutenberg to the serial novels of the Victorian age--have to teach us about our current historical moment? These and many more questions will be our subject as we read the exciting work being done in this new world--and then become pioneers ourselves, by writing, workshopping, and publishing our own Twitter fiction and future forms.
Terms: Win | Units: 3 | UG Reqs: WAY-A-II, WAY-CE | Grading: Letter or Credit/No Credit
Instructors: Hutchins, S. (PI)

ENGLISH 92: Reading and Writing Poetry

Prerequisite: PWR 1. Issues of poetic craft. How elements of form, music, structure, and content work together to create meaning and experience in a poem. May be repeated for credit.
Terms: Aut, Win, Spr, Sum | Units: 5 | UG Reqs: WAY-A-II, WAY-CE | Repeatable for credit | Grading: Letter or Credit/No Credit

ENGLISH 105H: Medievalism

Course examines the ¿medievalism¿ of nineteenth-century British writers, that is, their adoption of medieval subjects and themes, within the context of medieval literature. Our leading questions cluster around three topics: the quest, Arthurian romance, and the dark side of fairyland. Readings include Marie de France¿s Lais, Sir Gawain and the Green Knight, Malory¿s Morte D¿Arthure, Spenser¿s Faerie Queene, Scott¿s Ivanhoe, Stoker¿s Dracula, poems by Morris, R. Browning, and Tennyson, and selections from Tennyson¿s Idylls of the Kings. Requirements include two papers and three short exams.
Terms: Win | Units: 5 | UG Reqs: GER:DB-Hum, WAY-A-II | Grading: Letter (ABCD/NP)

ENGLISH 113A: Desire, Identity, Modernity

While drawing on classic work in modern queer studies, the course will focus on the role which Renaissance discourses of desire continue to play in our negotiations of homo/erotic subjectivity, identity politics, and sexual and gender difference. We will study Renaissance queerness in relation to the classical tradition on the one hand and the contemporary discourses of religion, medicine, law, and politics on the other. nReadings include diverse genres, from plays and poems to essays, dialogues, letters, etc. Both major and minor authors will be represented"
Terms: Win | Units: 5 | UG Reqs: WAY-A-II | Grading: Letter or Credit/No Credit
Instructors: Lupic, I. (PI)

ENGLISH 134: The Marriage Plot (FEMGEN 134)

The centrality of the marriage plot in the development of the British novel beginning in the 18th century with Samuel Richardson's Pamela and ending with Woolf's modernist novel Mrs. Dalloway. The relationship between novelistic plotting and the development of female characters into marriageable women. What is the relationship between the novel and feminine subjectivity? What aspects of marriage make it work as a plotting device? What kinds of marriages do marriage plots allow? Is the development of women's political agency related to their prominence in the novel form?
Terms: Win | Units: 5 | UG Reqs: GER:DB-Hum, GER:EC-Gender, WAY-SI | Grading: Letter (ABCD/NP)
Instructors: Jarvis, C. (PI)

ENGLISH 144F: Female Modernists: Women Writers in Paris Between the Wars (FEMGEN 144F)

The course will focus on expatriate women writers - American and British - who lived and wrote in Paris between the wars. Among them: Edith Wharton, Gertrude Stein and Alice B. Toklas, H.D., Djuna Barnes, Margaret Anderson, Janet Flanner, Natalie Barney, Kay Boyle, Mina Loy, Romaine Brooks, Mary Butts, Radclyffe Hall, Colette, and Jean Rhys. A central theme will be Paris as a lure and inspiration for bohemian female modernists, and the various alternative and emancipatory literary communities they created.
Terms: Win | Units: 5 | UG Reqs: GER:DB-Hum, WAY-A-II | Grading: Letter or Credit/No Credit
Instructors: Castle, T. (PI)

ENGLISH 145G: American Fiction since 1945

An exploration of some of the main themes in post-WWII American fiction, including mass media and markets, race and ethnicity, technology and war. Authors to include Flannery O¿Connor, Sylvia Plath, Thomas Pynchon, Maxine Hong Kingston, Kurt Vonnegut, Philip Roth and Karen Yamashita and others.
Terms: Win | Units: 5 | UG Reqs: GER:DB-Hum, WAY-A-II, WAY-ED | Grading: Letter (ABCD/NP)
Instructors: McGurl, M. (PI)

ENGLISH 151F: Angelheaded Hipsters: Beat Writers of San Francisco and New York

Reading of central writers of the Beat movement (Ginsberg, Kerouac, di Prima, Snyder, Whalen) as well as some related writers (Creeley, Gunn, Levertov). Issues explored include NY and SF, Buddhism and leftist politics, poetry and jazz. Some exposure to reading poems to jazz accompaniment. Examination of some of the writers and performers growing out of the Beats: Bob Dylan, rock music, especially from San Francisco, and jazz.
Terms: Win | Units: 5 | UG Reqs: GER:DB-Hum, WAY-A-II, WAY-CE | Grading: Letter or Credit/No Credit
Instructors: Fields, K. (PI)

ENGLISH 154E: Twentieth-Century Irish Literature

Plays, poems, short stories, and novels. Writers include James Joyce, William Yeats, Mary Lavin, Kate O'Brien,William Trevor, Seamus Heaney, and Samuel Beckett. How the writer can sustain imaginative freedom and literary experiment in the face of a turbulent history.
Terms: Win | Units: 5 | UG Reqs: GER:DB-Hum | Grading: Letter or Credit/No Credit
Instructors: Boland, E. (PI)
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