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41 - 50 of 67 results for: ENGLISH

ENGLISH 194: Individual Research

See section above on Undergraduate Programs, Opportunities for Advanced Work, Individual Research.
Terms: Aut, Win, Spr, Sum | Units: 5 | Repeatable for credit | Grading: Letter or Credit/No Credit

ENGLISH 197: Seniors Honors Essay

In two quarters.
Terms: Aut, Win, Spr | Units: 1-10 | Repeatable for credit | Grading: Letter (ABCD/NP)
Instructors: Staveley, A. (PI)

ENGLISH 198: Individual Work

Undergraduates who wish to study a subject or area not covered by regular courses may, with consent, enroll for individual work under the supervision of a member of the department. 198 may not be used to fulfill departmental area or elective requirements without consent. Group seminars are not appropriate for 198.
Terms: Aut, Win, Spr, Sum | Units: 1-5 | Repeatable for credit | Grading: Letter or Credit/No Credit

ENGLISH 198L: Individual Work: Levinthal Tutorial

Undergraduate writers work individually with visiting Stegner Fellows in poetry, fiction, and if available, nonfiction. Students design their own curriculum; Stegner Fellows act as writing mentors and advisers. Prerequisites: 90, 91, or 92; submitted manuscript in October.
Terms: Win | Units: 5 | Grading: Letter or Credit/No Credit

ENGLISH 199: Senior Independent Essay

Open, with department approval, to seniors majoring in non-Honors English who wish to work throughout the year on a 10,000 word critical or scholarly essay. Applicants submit a sample of their expository prose, proposed topic, and bibliography to the Director of Undergraduate Studies before preregistration in May of the junior year. Each student accepted is responsible for finding a department faculty adviser. May be repeated for credit.
Terms: Aut, Win, Spr | Units: 1-10 | Repeatable for credit | Grading: Letter (ABCD/NP)

ENGLISH 204: Digital Humanities Across Borders (COMPLIT 204A, DLCL 204)

English-language resources have dominated the discourse of digital humanities across the globe. This course takes a broader view, focusing on the methods, tools, and discourse of digital humanities as applied to textual materials in languages other than English. Students will develop practical skills in applying digital humanities research methodologies to texts in any language of their choosing. In addition, students will become familiar with major digital humanities scholarly organizations, movements, and debates that have their origins in different linguistic and cultural identities. No prior technical or digital humanities experience required, but students must have a reading knowledge of at least one non-English language (modern or historical).
Terms: Win | Units: 1-5 | Grading: Letter or Credit/No Credit

ENGLISH 215C: Hamlet and the Critics (ENGLISH 115C, TAPS 151C, TAPS 251C)

Focus is on Shakespeare's Hamlet as a site of rich critical controversy from the eighteenth century to the present. Aim is to read, discuss, and evaluate different approaches to the play, from biographical, theatrical, and psychological to formalist, materialist, feminist, new historicist, and, most recently, quantitative. The ambition is to see whether there can be great literature without (a) great (deal of) criticism. The challenge is to understand the theory of literature through the study of its criticism.
Terms: Win | Units: 3-5 | Grading: Letter or Credit/No Credit
Instructors: Lupic, I. (PI)

ENGLISH 280: Eighteenth-Century British Literature

The course will survey some of the major texts and authors of eighteenth-century British literature. No previous knowledge of the period is required. Particular topics we will address will include: the social and historical backgrounds of eighteenth-century literature, satire and the rise of the novel, the relationship between "elite" art and popular culture, literature and the visual arts (Hogarth), the rise of new critical approaches to works of the period.
Terms: Win | Units: 3-5 | Grading: Letter or Credit/No Credit
Instructors: Castle, T. (PI)

ENGLISH 290: Advanced Fiction Writing

Workshop critique of original short stories or novel. Prerequisites: manuscript, consent of instructor, and 190-level fiction workshop. nNOTE: First priority to undergrads. Students must attend the first class meeting to retain their roster spot.
Terms: Win, Spr | Units: 5 | UG Reqs: WAY-CE | Repeatable for credit | Grading: Letter or Credit/No Credit

ENGLISH 303D: Thinking in Fiction (COMPLIT 303D)

Is there a boundary between fact and fiction? Is fiction a stable category at all? Should we be thinking instead about description, factual reference, the place of history, and the methods of science? This course will examine the ways in which fictions figure in the workings of the human mind and human institutions, as well as in literature. Readings will include work by philosophers and critics stretching from Locke, Hume, and Adam Smith, to twentieth-century figures such as Vaihinger (the philosophy of "as if"), to "possible worlds" theory. Bruno Latour, Marie-Laure Ryan, and Ann Banfield will be joined by Catherine Gallagher and narratologists. In reaching back to the eighteenth century, we also can have in mind important essays or prefaces by such writers as Horace Walpole, Anna Laetitia Barbauld, and Anne Radcliffe. Novels, of course, raise large questions about fictionality. Works for study include: The Female Quixote, The Castle of Otranto, Tristram Shandy, and Sense and Sensibility.
Terms: Win | Units: 5 | Grading: Letter (ABCD/NP)
Instructors: Bender, J. (PI)
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