CSRE 250: Outcasts, Superheroes, and Rebels: Identity and Social Justice in Latin(x) American Cinema (CHILATST 248, FILMEDIA 248, ILAC 248)
In a deeply polarized world, identity has often been at the center of conflict - whether wars among nations, imposition of colonial violence, repression of different marginalized groups, and human rights violations, among other forms of inequality and oppression. Cinema, as a popular form of entertainment, has represented identity in myriad ways. How have race, gender, class, and other intersecting markers of identity and marginalization been constructed on screen in Latin America and its diaspora? And how have these representations (frequently converging around the figures of outcasts, superheroes, and rebels) advocated for social justice, liberation, and belonging? These are the central questions that will guide the course's exploration of popular film within Latin American cultures as students develop a portable methodology to "read" and analyze moving images in different sociohistorical contexts. Sources may include the films Bacurau, El secreto de sus ojos, Blue Beetle, and Real Women Have Curves as well as performances of stars such as Jennifer Lopez and Gael García Bernal.
Terms: Spr
| Units: 3
| UG Reqs: WAY-A-II, WAY-EDP
Instructors:
Alpert, J. (PI)
CSRE 250J: Baldwin and Hansberry: The Myriad Meanings of Love (AFRICAAM 250J, AMSTUD 250J, FEMGEN 250J, TAPS 250J)
This course looks at major dramatic works by James Baldwin and Lorraine Hansberry. Both of these queer black writers had prophetic things to say about the world-historical significance of major dramas on the 20th Century including civil rights, revolution, gender, colonialism, racism, sexism, war, nationalism and as well as aesthetics and politics.
Last offered: Winter 2024
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