2016-2017 2017-2018 2018-2019 2019-2020 2020-2021
by subject...
  COVID-19 Scheduling Updates!
Due to recent announcements about Autumn Quarter (see the President's update), please expect ongoing changes to the class schedule.

101 - 110 of 196 results for: CLASSICS

CLASSICS 170: History of Archaeological Thought (ARCHLGY 103)

Introduction to the history of archaeology and the forms that the discipline takes today, emphasizing developments and debates over the past five decades. Historical overview of culture, historical, processual and post-processual archaeology, and topics that illustrate the differences and similarities in these theoretical approaches.
Terms: Spr | Units: 5 | UG Reqs: GER:DB-SocSci

CLASSICS 171: Byzantine Art and Architecture, 300-1453 C.E. (ARTHIST 106, ARTHIST 306)

This course explores the art and architecture of the Eastern Mediterranean: Constantinople, Jerusalem, Alexandria, Antioch, Damascus, Thessaloniki, and Palermo, 4th-15th centuries. Applying an innovative approach, we will probe questions of phenomenology and aesthetics, focusing our discussion on the performance and appearance of spaces and objects in the changing diurnal light, in the glitter of mosaics and in the mirror reflection and translucency of marble.
Terms: Spr | Units: 5 | UG Reqs: GER:DB-Hum, WAY-A-II

CLASSICS 173: Hagia Sophia (ARTHIST 208, ARTHIST 408, CLASSICS 273)

This seminar uncovers the aesthetic principles and spiritual operations at work in Hagia Sophia, the church dedicated to Holy Wisdom in Constantinople. Rather than a static and inert structure, the Great Church emerges as a material body that comes to life when the morning or evening light resurrects the glitter of its gold mosaics and when the singing of human voices activates the reverberant and enveloping sound of its vast interior. Drawing on art and architectural history, liturgy, musicology, and acoustics, this course explores the Byzantine paradigm of animation arguing that it is manifested in the visual and sonic mirroring, in the chiastic structure of the psalmody, and in the prosody of the sung poetry. Together these elements orchestrate a multi-sensory experience that has the potential to destabilize the divide between real and oneiric, placing the faithful in a space in between terrestrial and celestial. A short film on aesthetics and samples of Byzantine chant digitally imprinted with the acoustics of Hagia Sophia are developed as integral segments of this research; they offer a chance for the student to transcend the limits of textual analysis and experience the temporal dimension of this process of animation of the inert.
Last offered: Winter 2020 | UG Reqs: GER:DB-Hum, WAY-A-II

CLASSICS 177: Describing and Identifying Ancient Coins (CLASSICS 277)

In numismatics, as in all other disciplines dealing with documentary sources of the ancient world (like epigraphy and papyrology), it is essential to work hands-on with the primary material. This course, an optional accompaniment to the graduate seminar in ancient numismatics, will focus on practical work with ancient coins from the collection at the Cantor Arts Center: students will learn how to describe and identify ancient coins and how to properly catalogue and classify them. A special focus will be on the identification of fakes. Participants will be trained to use the main reference works on ancient coinages in the Frank L. Kovacs library, recently donated to Stanford University.
Last offered: Spring 2016

CLASSICS 178: Ancient Greek Political Thought

This class traces some of the intellectual roots of modern political thought to authors of classical antiquity, such as Herodotus, Thucydides, Plato, Xenophon, and Aristotle. We will read portions of their work, in translation, as well as discuss the historical background. Topics will include: political duty, citizenship, and leadership; the origins and rise of Athenian direct democracy; the development of Greek law, constitutional change, and responses to civic strife and civil war.
Last offered: Autumn 2015

CLASSICS 180: Introduction to Coptic I (CLASSICS 280)

For graduate students and advanced undergraduates. Introductory grammar of Sahidic Coptic. Recommended: knowledge of other ancient languages. Enrollment by permission of instructor.
Last offered: Winter 2020 | UG Reqs: GER:DB-Hum | Repeatable 3 times (up to 15 units total)

CLASSICS 181: Classical Seminar: Origins of Political Thought (CLASSICS 381, ETHICSOC 130A, PHIL 176A, PHIL 276A, POLISCI 230A, POLISCI 330A)

Political philosophy in classical antiquity, centered on reading canonical works of Thucydides, Plato, Aristotle against other texts and against the political and historical background. Topics include: interdependence, legitimacy, justice; political obligation, citizenship, and leadership; origins and development of democracy; law, civic strife, and constitutional change.
Terms: Win | Units: 3-5 | UG Reqs: GER:DB-Hum, WAY-A-II, WAY-ER

CLASSICS 184: Ancient and Modern Slavery

The ancient Greeks and Roman created the largest and most durable slave system in world history. It formed one of the foundations of classical civilization. While cruelty and exploitation were ever-present features, ancient slavery was not race-based and many slaves came to be freed and fully integrated into society. We will investigate this complex institution from a comparative perspective and in the context of the experience of modern colonial slavery.
Last offered: Spring 2015

CLASSICS 185: Reading the Archimedes Palimpsest

In this course we learn to read Medieval Greek manuscripts, concentrating on the most exciting of them all: the Archimedes Palimpsest. We begin by learning the Greek mathematical language, through a brief reading of Euclid. Following that, we learn how to read Euclid from manuscript and, following that, we proceed to read the Archimedes palimpsest itself. Course requires one year of Greek.
Terms: Win | Units: 3-5
Instructors: Netz, R. (PI)

CLASSICS 188: Greek Philosophy on Poetry and the Arts

Focus on Plato and Aristotle in English translations; detailed interpretation of both the well-known and the less-known works of the two philosophers on the topic. How their ideas about poetry and the arts were reinterpreted and sometimes misinterpreted by influential modern thinkers. Undergraduate course for juniors and seniors.
Terms: Win | Units: 3-5
Instructors: Peponi, A. (PI)
Filter Results:
term offered
updating results...
teaching presence
updating results...
number of units
updating results...
time offered
updating results...
updating results...
UG Requirements (GERs)
updating results...
updating results...
updating results...
© Stanford University | Terms of Use | Copyright Complaints