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31 - 40 of 136 results for: ARTSTUDI

ARTSTUDI 143: Screen Print

TBA
Terms: not given this year | Units: 4 | Grading: Letter or Credit/No Credit

ARTSTUDI 144B: Eye for Color: Interaction of Color

This course will explore different types of color phenomenon through cutting and arranging colored paper and mixing paint. The goal of the course is to enhance sensitivity to color relationships. There is no such thing as a bad color or a good color, it is all relative to context. Students in this course will gain the ability to recognize and identify different types of color phenomena that exist in art and nature. The development of observation and articulation when dealing with color comes from experience, trial and error, and in doing so, one develops an individual eye for color.
Terms: Win | Units: 2 | Grading: Letter or Credit/No Credit
Instructors: Yin, L. (PI)

ARTSTUDI 145: Painting I

Introduction to techniques, materials, and vocabulary in oil painting. Still life, landscape, and figure used as subject matter. Emphasis is on painting and drawing from life. (lower level)
Terms: Aut, Win, Spr | Units: 4 | UG Reqs: WAY-CE | Grading: Letter or Credit/No Credit

ARTSTUDI 145B: Painting for Non-Majors: Painting With the Figure

This class will deal with the figure as it is represented in two dimensional form, within the general context of painting, accounting not only for the figure, but also the painting as a whole. A variety of historical and contemporary approaches to painting the figure will be introduced, and then explored through the application of acrylic paint. Students will work from a variety of sources including, but not limited to: digital media, occasional live and inanimate models, still life, and photographs. Emphasis will be laid on a comprehensive approach to composition that deals with the human figure, representationally, abstractly, and freely - without the requirement of prior experience in art.
Terms: not given this year, last offered Winter 2017 | Units: 2 | Grading: Letter or Credit/No Credit

ARTSTUDI 145C: Introduction to Abstraction

This studio course will provide an introduction to abstract and non-objective painting and sculpture. Through a series of prompts and exercises, students will strengthen their understanding of composition, color, line, form, and material. Studio-based projects will draw upon the history of abstraction, as well as incorporate found objects and imagery to ground exploration in the immediate environment. As a class, we will consider the contemporary relevance of abstract and non-objective artworks. What does it mean to create a work of art today that is not figuratively legible? How is such work otherwise legible? Through technical exercises developed by Walter Gropius and Joseph Albers of the Bauhaus, students will develop foundational skills in composition and color theory. Experimentation, intuitive decision making, and developing one's own approach will be encouraged throughout.
Terms: Aut | Units: 2 | Grading: Letter or Credit/No Credit
Instructors: Scopa, S. (PI)

ARTSTUDI 146B: Art of Reclamation

This course explores reclamation, the rich process of claiming something back or reasserting a right. Through the layering of different materials to create compositions of text and image, this course will explore what the art of reclamation means at an individual, group, and community level. Can mixed media art spark intersectional dialogue? How does combining disparate materials communicate radical messages to others? Through group discussions, readings, writing sessions, and critiques we will explore the topics of the body, race, gender, and land as they relate to art practice. Students will be encouraged to experiment with two and three-dimensional approaches to four main projects. Demonstrations will consist of collage, stenciling, and image making via paint, ink, and charcoal.
Terms: not given this year, last offered Winter 2018 | Units: 2 | Grading: Letter or Credit/No Credit

ARTSTUDI 147: Art Book Object

This course explores contemporary aesthetic interpretations of the book as an art object. Students will learn to use both traditional and digital tools and techniques for creating artists¿ books, and integrate those into final works of art. The course familiarizes students with basic forms and bookbinding processes, as well as various modes of printing and production that facilitate limited artist editions. In addition to making books, we¿ll view numerous artists¿ books in the Bowes Art & Architecture Library¿s collection, and meet with practicing artists and book makers.
Terms: Spr | Units: 4 | UG Reqs: WAY-CE | Grading: Letter or Credit/No Credit
Instructors: Wight, G. (PI)

ARTSTUDI 147S: DRAWING AND PAINTING INTENSIVE

The introductory course teaches the basic tools of drawing and oil painting. We will take advantage of Stanford's beautiful campus to draw and paint outside along with studio work and slide discussions in the classroom. Exercises begin with gestural mark-making, moving through linear perspective and tonal studies using a variety of media from graphite and charcoal to bamboo brush and ink. The introduction to oil painting explores the ways we build layers up to a finished work. Students will enter painting through color theory, strategies of abstract painting, and exposure to influential painters. Each student will acquire familiarity with foundational techniques and materials while developing their personal voice in assigned projects. No previous painting or drawing experience is necessary. Options will be provided for advanced students.
Terms: Sum | Units: 3 | UG Reqs: WAY-CE | Grading: Letter or Credit/No Credit
Instructors: Yin, L. (PI)

ARTSTUDI 148: Monotype

Introduction to printmaking using monotype, a graphic art medium used by such artists as Blake, Degas, Gauguin, and Pendergast. May be repeated for credit. Prerequisite: 140. (lower level). May be repeated 2 times for total of 8 units.
Terms: Win | Units: 4 | UG Reqs: WAY-CE | Repeatable for credit | Grading: Letter or Credit/No Credit
Instructors: Chagoya, E. (PI)

ARTSTUDI 148A: Lithography

The classic technique of printing from limestones. Techniques to draw an image on the stone, etch and fix the image on the stone, and print it in numbered editions. Students work on a variety of stone sizes. Field trips to local publishers of lithography or lithography exhibitions. (lower level)
Terms: Spr | Units: 4 | UG Reqs: WAY-CE | Grading: Letter or Credit/No Credit
Instructors: Kain, K. (PI)
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