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121 - 130 of 145 results for: ARTSTUDI

ARTSTUDI 277A: Video Art II

Video, criticism, and contemporary media theory investigating the time image. Students create experimental video works, addressing the integration of video with traditional art media such as sculpture and painting. Non-linearity made possible by Internet and DVD-based video. No prerequisite required.
Terms: Spr | Units: 4
Instructors: Jackson, G. (PI)

ARTSTUDI 278: Photography II: Black and White

Students are introduced to and provided with medium-format film cameras, which they learn to use with an ongoing emphasis on operating manual settings (focus, aperture, shutter speed). Students are introduced to metering for film using hand-held light meters in a further study of light. They hone their printing skills and learn finer printing techniques using fiber-based paper. They also explore the full range of black and film stocks and get to experiment with alternative techniques like pinhole photography, photograms and Holga cameras. Students gain a deeper insight into and stronger grasp of practices in contemporary black and white photography, with a continuing focus on the importance of photo editing/selection and sequencing, as well as questions around the conceptual and practical implications and limits of photographic images. Prerequisite: ARTSTUDI 170 or equivalent.
Terms: Aut, Spr | Units: 4 | Repeatable for credit
Instructors: Lee, D. (PI)

ARTSTUDI 279A: Digital Art II

Advanced. Interactive art works using multimedia scripting software. Experimental interfaces, computer installation work, and mobile technologies. Contemporary media art theory and practice. (upper level)
Last offered: Spring 2013

ARTSTUDI 284: Art and Biology

The relationship between biology and art. Rather than how art has assisted the biological sciences as in medical illustration, focus is on how biology has influenced art making practice. New technologies and experimental directions, historical shifts in artists' relationship to the living world, the effects of research methods on the development of theory, and changing conceptions of biology and life. Projects address these themes and others that emerge from class discussions and presentations. (upper level)
Last offered: Winter 2018

ARTSTUDI 285: Topics in Media Studies: Street Media

Literal and figurative meanings of street and how they provide potential to media technologies and invite innovative forms of artistic practice. Contemporary art as the juncture where street movements and new media collide. Small projects. May be repeated for credit.
Last offered: Spring 2014 | Repeatable for credit

ARTSTUDI 286: Portrait Photography

This course will trace the history and explore the contemporary practice of portrait photography. At a time when pictures are being produced and disseminated in unprecedented proliferation, and the 'selfie' has become a key part of popular photographic discourse, we will look at the complexities of portraiture in terms of skill sets and processes, aesthetics and styles, ideology and identity. The course will examine portraiture in relation to representations of race, gender, class, and sexuality, engaging with such dualities as private/public, professional/amateur, traditional/innovative in the pursuit of capturing the self through the looking glass, beyond pose and persona. Using their own cameras, students will develop individual photographic projects based on digital or analog shooting with digital print production.
Terms: Win | Units: 4 | UG Reqs: WAY-CE
Instructors: Hellu, J. (PI)

ARTSTUDI 288: Documentary Photography

The documentary image has constituted a keystone of photographic practice since the earliest days of the medium's history. In this class, we will examine the relevance and validity of this mode of expression and communication in contemporary photography. We will look at the rich history of documentary photography and examine the impetus behind the historical efforts that shaped its tradition. We will also discuss the differences between documentary photography and photojournalism as well as explore the distinction between photography as a personal document and as an examination of an external idea or issue. Prerequisite: ARTSTUDI 170, ARTSTUDI 171, or equivalent.
Last offered: Autumn 2016

ARTSTUDI 290: Curricular Practical Training

CPT course required for international students completing degree.
Terms: Aut, Win, Spr, Sum | Units: 1-3 | Repeatable for credit
Instructors: Wight, G. (PI)

ARTSTUDI 295: Visual Arts Internship

Professional experience in a field related to the Visual Arts for six to ten weeks. Internships may include work for galleries, museums, art centers, and art publications. Students arrange the internship, provide a confirmation letter from the hosting institution, and must receive consent from the faculty coordinator to enroll in units. To supplement the internship students maintain a journal. Evaluations from the student and the supervisor, together with the journal, are submitted at the end of the internship. Restricted to declared majors and minors. May be repeated for credit.
Terms: Win, Spr, Sum | Units: 1-4 | Repeatable for credit

ARTSTUDI 297: Honors Thesis Exhibition

May be repeated for credit.
Terms: Aut, Win, Spr | Units: 2-5 | Repeatable for credit
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