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Due to recent announcements about Autumn Quarter (see the President's update), please expect ongoing changes to the class schedule.

81 - 90 of 140 results for: ARTSTUDI

ARTSTUDI 243: Anatomy for Artists (SURG 243)

Lectures highlight the intersections and influences between human anatomy and art. Studio sessions provide an opportunity for students to immerse in anatomically inspired studio projects. Drawing, mixed media, and some painting mediums will be used during the studio sessions. Plastic models, dry bones, cadaveric specimens, and live models will be used for the studio sessions. Class time includes art instruction, creation and feedback. May be repeated for credit. Honing individual style is encouraged; both beginning and advanced students are welcome.
Last offered: Spring 2020

ARTSTUDI 244: Advance Figure Drawing

Figurative depiction is explored across a wide range of media and techniques. Throughout the quarter, artist and figure are explored as subject/object, metaphor, player, and director. Beginning with traditional approaches across various media (graphite and charcoal, ink/brush, soft and oil pastels, mixed media), we move into various methods of distortion. Using both live models and our own bodies, performance and depictive strategies are employed to create work which examines identity and power relationships. In the final two weeks, we have two live models working together. Work will excise/reassemble found and staged images, juxtaposing figures, creating tension and implied narratives in space. Four outside projects push skills and concept, amplifying each artist¿s hand and voice.nnPrerequisite: Drawing 1 or instructor approval.
Last offered: Spring 2019

ARTSTUDI 245: Painting II

Symbolic, narrative, and representational self-portraits. Introduction to the pictorial strategies, painting methods, and psychological imperatives of Dürer, Rembrandt, Cézanne, Kahlo, Beckmann, Schiele, and Munch. Students paint from life, memory, reproductions, and objects of personal significance to create a world in which they describe themselves. May be repeated for credit. Prerequisites: 140, 145, or consent of instructor. (upper level)
Terms: Win, Spr | Units: 4 | Repeatable 4 times (up to 16 units total)

ARTSTUDI 246: Individual Work: Drawing and Painting

Prerequisite: student must have taken a course with the instructor and/or completed relevant introductory studio course(s). Instructor consent and completion of the Independent Study Form are required prior to enrollment. All necessary forms are required by the end of Week 2 of each quarter. Please contact the Student Services Specialist in McMurtry 108 for more information. May be repeated for credit.
Terms: Aut, Win, Spr | Units: 1-5 | Repeatable for credit

ARTSTUDI 247: Collage

Collage has influenced painting and drawing practices, as well as film and photography through juxtaposition, scale shifts, and reappropriation of the found image. Although many iconic works in this medium date to the 20th century, this course focuses on collage as a vibrant, contemporary form. nnLectures on artists using collage with new vigor. Studio component focused on experimentation and exploration. Student work is encouraged to speak to personal, aesthetic, or political concerns, using findings from magazines, advertisements, internet, and other sources. Working with Photoshop, scans and with print, we will use collage elements to create new and stunning compositions of contemporary life.nnPrerequisites: 140, 145, or consent of instructor. (upper level). May be repeated for credit
Terms: Sum | Units: 4 | UG Reqs: WAY-CE | Repeatable 2 times (up to 8 units total)
Instructors: Ebtekar, A. (PI)

ARTSTUDI 247A: Art Book Object (ARTSTUDI 147)

This mixed introductory and upper level studio course explores contemporary aesthetic interpretations of the book as an art object. Students learn to use both traditional and digital tools and techniques for creating artists' books, and integrate those into final works of art. The course familiarizes students with basic bookbinding processes and forms, as well as various modes of printing and production that facilitate limited artist editions. In addition to making books, we view numerous artists' books in the Bowes Art & Architecture Library collection as well as the collection of the instructor, and meet with practicing artists and book makers. Students create a number of small books, each focused on a particular process but using content of their choice. Upper level students propose and create a more fully evolved final project involving at least one bookbinding process independently researched in consultation with the instructor.
Terms: Win | Units: 4 | UG Reqs: WAY-CE
Instructors: Wight, G. (PI)

ARTSTUDI 248P: The Hybrid Print (ARTSTUDI 148P)

This class explores experimental printmaking methods where digital and traditional practices collide. It focuses on the interchange between conventional and new methods of printmaking, and possibilities for the print beyond paper and the flat picture plane in contemporary art. Techniques will be demonstrated in class, and students will pursue projects using these techniques, developing their own conceptual interests. We will explore digital processes using large format printers, as well as digitally augmented traditional printmaking methods such as monoprints, collographs, woodblock and linocut, aided by dye sublimation, vinyl cutting, and 3-d printing. Students will have access to a wide array of both digital and traditional tools, and will develop projects using a combination of methods, resulting in a body of work. Discussions will address the expansive nature of contemporary fine art printmaking.
| UG Reqs: WAY-CE

ARTSTUDI 249: Advanced Undergraduate Seminar

This course aims to prepare senior Art Practice majors for future artistic careers by developing rigorous practice and critical research and presentation skills. Class engagement includes informal discussions, written reflections, and critiques with professionals in the field. Students will create meaningful work for the Senior Art Exhibition and generate further opportunities for themselves in project funding, residencies, exhibitions, commissions, and graduate education.nnCourse for Art Practice majors only. Art Practice minors may interview for possible inclusion. (upper level)
Terms: Spr | Units: 3-4
Instructors: Calm, J. (PI)

ARTSTUDI 250: Individual Work: Sculpture

Prerequisite: student must have taken a course with the instructor and/or completed relevant introductory studio course(s). Instructor consent and completion of the Independent Study Form are required prior to enrollment. All necessary forms are required by the end of Week 2 of each quarter. Please contact the Student Services Specialist in McMurtry 108 for more information. May be repeated for credit.
Terms: Aut, Win, Spr | Units: 1-5 | Repeatable 3 times (up to 15 units total)
Instructors: Berlier, T. (PI)

ARTSTUDI 252: Sculpture II

Builds upon 151. Installation and non-studio pieces. Impact of material and technique upon form and content; the physical and expressive possibilities of diverse materials. Historical and contemporary forming methods provide a theoretical basis for the studio work. Field trips; guest lecturers. (upper level)
Terms: Aut, Win, Spr | Units: 4 | UG Reqs: WAY-CE | Repeatable 2 times (up to 8 units total)
Instructors: Hemenway, D. (PI)
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