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101 - 110 of 135 results for: AMSTUD

AMSTUD 186A: American Hauntings

Cultural, psychological, social, and political dynamics of haunting in American literature, from the early national period to the late 20th century. Sources include ghost stories and other instances of supernatural, emotional, or mental intervention. Authors include Charles Brockden Brown, Washington Irving, Edgar Allan Poe, Nathaniel Hawthorne, Louisa May Alcott, Charlotte Perkins Gilman, Charles Chesnutt, Henry James, Edith Wharton, Toni Morrison, and Stephen King.
Terms: not given this year | Units: 5 | UG Reqs: GER:DB-Hum | Grading: Letter or Credit/No Credit

AMSTUD 186B: American Song in the 20th Century and after (MUSIC 186B, MUSIC 286B)

Critical and creative exploration of song in the Americas. About twenty-five key examples will guide discussion of the interactions between words, music, performance and culture. Weekly listening, reading and assignments will be organized around central themes: love, sex and romance; war and politics; labor and money; place; identity; society and everyday life. Genres include art song; blues, gospel, jazz and country; pop, soul, rock and hip-hop; bossa nova, nueva canción and salsa; electronic and experimental. Takehome and in-class assignments will include critical and creative writing, and music composition, production and performance; final projects may emphasize any of the above.
Terms: not given this year | Units: 3-4 | UG Reqs: WAY-A-II, WAY-CE | Grading: Letter or Credit/No Credit

AMSTUD 187S: Literature, Film, and Adaptation (ENGLISH 187S)

This course studies many aspects of translating fiction into film, written media into visual and written. Topics include short story into feature film: Alice Munro's The Bear Came Over the Mountain, into Sarah Polly's Away from Her ; conventional police procedural into post-WWII Japanese hybrid of procedural and film noir: Ed McBain's King's Ransom into Kurosawa's High and Low which deals with changing standards of Japanese business, class issues, the effects of the American atomic bomb; classic southern gothic horror novel (Davis Grubb's Night of the Hunter) into Charles Laughton's American expressionist masterpiece; complete revision of Dorothy B. Hughes novel into Nicholas Ray's In a Lonely Place (Humphrey Bogart); Philip K. Dick and the various interpretations of Blade Runner.
Terms: Aut | Units: 5 | Grading: Letter or Credit/No Credit

AMSTUD 195: Individual Work

Terms: Aut, Win, Spr, Sum | Units: 1-5 | Repeatable for credit | Grading: Letter or Credit/No Credit

AMSTUD 197: Dance in Prison: The Arts, Juvenile Justice, and Rehabilitation in America (DANCE 197, TAPS 197)

This class works collaboratively with a local juvenile hall to use civic engagement and performance to explore the aesthetic, cultural and legal issues in the lives of incarcerated youth. In the process students gain an understanding of incarceration on an immediate and personal scale. Taught jointly by a Dance Studies scholar and a lawyer specializing in Juvenile Justice, we will consider what unique understandings are possible if we position the arts as central to an exploration of punishment, rehabilitation and recidivism in America. The course will examine case studies, historical and contemporary narratives about the social, imaginative and behavioral change possible through arts programs in prison.Half of the class meetings will be in Hillcrest Juvenile Hall in San Mateo, where our class will join with a group of 13-18 year old youths currently detained there. Dance will be used to help shape their individual expressive voices, and ours, through collaborative hip hop dance classes. Books to be read are Just Mercy: A Story of Justice and Redemption by Bryan Stevenson, and Last Chance in Texas by John Hubner.
Terms: Spr | Units: 3 | UG Reqs: GER:DB-Hum, GER:EC-AmerCul, WAY-ED | Grading: Letter or Credit/No Credit

AMSTUD 201: History of Education in the United States (EDUC 201, HISTORY 258B)

How education came to its current forms and functions, from the colonial experience to the present. Focus is on the 19th-century invention of the common school system, 20th-century emergence of progressive education reform, and the developments since WW II. The role of gender and race, the development of the high school and university, and school organization, curriculum, and teaching.
Terms: Spr | Units: 3-5 | Grading: Letter or Credit/No Credit
Instructors: Gordon, L. (PI)

AMSTUD 214: The American 1960s: Thought, Protest, and Culture

The meaning of the American 60s emphasizing ideas, culture, protest, and the new sensibility that emerged. Topics: black protest, the new left, the counterculture, feminism, the new literature and journalism of the 60s, the role of the media in shaping dissent, and the legacy of 60s protest. Interpretive materials from film, music, articles, and books.
Terms: not given this year | Units: 5 | UG Reqs: GER:DB-Hum, GER:EC-AmerCul, WAY-ED, WAY-SI | Grading: Letter (ABCD/NP)

AMSTUD 216: Education, Race, and Inequality in African American History, 1880-1990 (AFRICAAM 116, CSRE 216X, EDUC 216, HISTORY 255E)

Seminar. The relationship among race, power, inequality, and education from the 1880s to the 1990s. How schools have constructed race, the politics of school desegregation, and ties between education and the late 20th-century urban crisis.
Terms: Win | Units: 3-5 | UG Reqs: GER:EC-AmerCul | Grading: Letter or Credit/No Credit
Instructors: Gordon, L. (PI)

AMSTUD 220B: Being John Wayne (FILMSTUD 220, TAPS 220A)

John Wayne's imposing corporeality and easy comportment combined to create an icon of masculinity, the American West, and America itself. Focus is on the films that contributed most to the establishment, maturation, and deconstruction of the iconography and mythology of the John Wayne character. The western and war film as genres; the crisis of and performance of masculinity in postwar culture; gender and sexuality in American national identity; relations among individualism, community, and the state; the Western and national memory; and patriotism and the Vietnam War.
Terms: Win | Units: 5 | Grading: Letter (ABCD/NP)
Instructors: Bukatman, S. (PI)

AMSTUD 226: Race and Racism in American Politics (CSRE 226, POLISCI 226, POLISCI 326)

Topics include the historical conceptualization of race; whether and how racial animus reveals itself and the forms it might take; its role in the creation and maintenance of economic stratification; its effect on contemporary U.S. partisan and electoral politics; and policy making consequences.
Terms: not given this year | Units: 5 | UG Reqs: WAY-ED, WAY-SI | Grading: Letter or Credit/No Credit
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