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11 - 18 of 18 results for: GERMAN

GERMAN 244: Religious and Gender Identity in Postmigrant Theatre (GERMAN 344)

This course will center around three recent theatre plays associated under the auspices of what has been called Germany's postmigrant theatre: Günther Senkel and Feridun Zaimo¿lu's Black Virgins (Schwarze Jungfrauen), Nurkan Erpulat and Jens Hillje's Crazy Blood (Verrücktes Blut), and Sasha Marianna Salzmann's Mothertongue (Muttersprache Mameloschn). Postmigrant theatre has been ushered in as a theatre movement that has successfully established and institutionalized new aesthetics, narratives, and political tools for artists of color and of different linguistic backgrounds in Germany. As a space where diversity is both explored and affirmed, postmigrant theatre and the abovementioned plays in particular attend to the intersections and tensions of religion and gender. Engaging contemporary political and social debates about representations of gender and Islam and queer identity and Judaism in the West, we will examine how theatre and performance forge new spaces of encounter, community, and even identity. Together with these plays, we will read texts from theatre and performance theories, women of color feminisms, gender performativity, homonormativity, and queer and trans of color critique. This course is designed as an introduction to postmigrant theatre and its theatrical intervention in contemporary thinking on gender and religion.nNOTE: This course must be taken for a letter grade and a minimum of 3 units to be eligible for Ways credit.
Terms: Aut | Units: 1-5 | UG Reqs: WAY-ED
Instructors: Landry, O. (PI)

GERMAN 332: German Literature 3: Modernity and the Unspeakable (GERMAN 232)

Masterpieces of German literature, drama, and film from the first half of the 20th century. Particular focus on modernism and the crisis of language. What urgent truths (whether psychological, political, spiritual, or sexual) cannot be expressed, and how do art and dreams attempt to speak the unspeakable? Readings and viewings include works by Hofmannsthal, Schnitzler, Freud, Wedekind, Mann, Musil, Kafka, Toller, Höch, Rilke, Schoenberg, Riefensthal, Benjamin, and Brecht. Taught in English.
Terms: Aut | Units: 1-5 | Repeatable for credit
Instructors: Smith, M. (PI)

GERMAN 344: Religious and Gender Identity in Postmigrant Theatre (GERMAN 244)

This course will center around three recent theatre plays associated under the auspices of what has been called Germany's postmigrant theatre: Günther Senkel and Feridun Zaimo¿lu's Black Virgins (Schwarze Jungfrauen), Nurkan Erpulat and Jens Hillje's Crazy Blood (Verrücktes Blut), and Sasha Marianna Salzmann's Mothertongue (Muttersprache Mameloschn). Postmigrant theatre has been ushered in as a theatre movement that has successfully established and institutionalized new aesthetics, narratives, and political tools for artists of color and of different linguistic backgrounds in Germany. As a space where diversity is both explored and affirmed, postmigrant theatre and the abovementioned plays in particular attend to the intersections and tensions of religion and gender. Engaging contemporary political and social debates about representations of gender and Islam and queer identity and Judaism in the West, we will examine how theatre and performance forge new spaces of encounter, community, and even identity. Together with these plays, we will read texts from theatre and performance theories, women of color feminisms, gender performativity, homonormativity, and queer and trans of color critique. This course is designed as an introduction to postmigrant theatre and its theatrical intervention in contemporary thinking on gender and religion.nNOTE: This course must be taken for a letter grade and a minimum of 3 units to be eligible for Ways credit.
Terms: Aut | Units: 1-5
Instructors: Landry, O. (PI)

GERMAN 351: Social Market Economy: Facing Globalization and Digitization (GERMAN 151, PUBLPOL 161, PUBLPOL 261)

Examines the German political economic model in the face of current challenges. Topics include the legacy of Ordoliberalism, management of systemic risks, regulatory frameworks for a digital economy, new competition policies and the right to be forgotten on the internet. Required readings in English, optional supplementary readings in German.
Terms: Aut | Units: 1-5
Instructors: Huether, M. (PI)

GERMAN 369: Introduction to the Profession of "Literary Studies" for Graduate Students (COMPLIT 369, DLCL 369, FRENCH 369, ITALIAN 369)

A history of literary theory for entering graduate students in national literature departments and comparative literature.
Terms: Aut | Units: 1-2
Instructors: Greene, R. (PI)

GERMAN 397: Graduate Studies Colloquium

Colloquium for graduate students in German Studies. Taught in English. May be repeat for credit
Terms: Aut, Win, Spr | Units: 1 | Repeatable for credit
Instructors: Berman, R. (PI)

GERMAN 399: Individual Work

Repeatable for Credit. Instructor Consent Required.
Terms: Aut, Win, Spr, Sum | Units: 1-12 | Repeatable for credit

GERMAN 802: TGR Dissertation

Terms: Aut, Win, Spr, Sum | Units: 0 | Repeatable for credit
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