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371 - 380 of 698 results for: all courses

GERMAN 222: German Literature 3: Myth and Modernity (COMPLIT 222A, GERMAN 322)

Masters of German 20th- and 21st-Century literature and philosophy as they present aesthetic innovation and confront the challenges of modern technology, social alienation, manmade catastrophes, and imagine the future. Readings include Nietzsche, Freud, Rilke, Musil, Brecht, Kafka, Doeblin, Benjamin, Juenger, Arendt, Musil, Mann, Adorno, Celan, Grass, Bachmann, Bernhardt, Wolf, and Kluge. Taught in English. Undergraduates enroll in 222 for 5 units, graduate students enroll in 322 for 8 units.
Terms: Spr | Units: 5-8 | UG Reqs: WAY-A-II | Grading: Letter or Credit/No Credit
Instructors: Eshel, A. (PI)

GERMAN 246: Hegel's Phenomenology of Spirit

Hegel's groundbreaking work models the mind's efforts to understand itself and tells a historically rich story of the evolution of social forms of life. The book begins with basic sensory awareness and ends with the recognition that thought is not finite and constrained by an inert reality but absolutely free, the only source of authority for modern subjects. Topics include the question of whether the human standpoint is inherently limited and fixed, the role of history, knowledge and agency, political conflict and power, rationality and religion, the ancient and the modern world.
Terms: Win | Units: 3-5 | UG Reqs: WAY-A-II | Grading: Letter or Credit/No Credit
Instructors: Dornbach, M. (PI)

GERMAN 262: The Total Work of Art (TAPS 262S)

Frequently associated with the work of Richard Wagner, The Total Work of Art (or Gesamtkunstwerk) is a genre that aims to synthesize a range of artistic forms into an organic unity, a unity that both models and helps to forge an ideal state. This seminar will examine the history of the Gesamtkunstwerk from its roots in German Romanticism to the present day, focusing on the genre's relations with technology and mass culture across a wide range of media. Creations we will consider include Wagner's Festival Theatre at Bayreuth, Walter Gropius' plans for a Totaltheater, Bertolt Brecht and Kurt Weill's radio-oratorio The Lindbergh Flight, Leni Riefenstahl's Triumph of the Will, Walt Disney's theme parks, Andy Warhol's Exploding Plastic Inevitable, and Bill Gates' "home of the future." Taught in English.
Terms: not given this year | Units: 5 | UG Reqs: WAY-A-II | Grading: Letter or Credit/No Credit

GERMAN 271: Futurity: Why the Past Matters (COMPLIT 271A)

Drawing on literature, the arts, political discourse, museums, and new media, this course asks why and how we take interest in the watershed events of the modern era; how does contemporary culture engages with modern, made-made disasters such as the World Wars or 9/11? Readings and viewings include the literature of G. Grass, W. G. Sebald, Ian McEwan, Toni Morrison and Cormac McCarthy; the cinema of Kathryn Bigelow and Steven Spielberg; speeches by Barak Obama; and the theoretical writing of Walter Benjamin, Hayden White, Fredric Jameson, among others. Taught in English.
Terms: Win | Units: 3-5 | UG Reqs: WAY-A-II | Grading: Letter or Credit/No Credit

GLOBAL 250: Bollywood and Beyond: An Introduction to Indian Film (COMPLIT 247, FILMSTUD 250B)

A broad engagement with Indian cinema: its relationship with Indian politics, history, and economics; its key thematic concerns and forms; and its adaptation of and response to global cinematic themes, genres, and audiences. Locating the films within key critical and theoretical debates and scholarship on Indian and world cinemas. Goal is to open up what is often seen as a dauntingly complex region, especially for those who are interested in but unfamiliar with its histories and cultural forms.
Terms: Spr | Units: 3-4 | UG Reqs: GER:EC-GlobalCom, WAY-A-II, WAY-ED | Grading: Letter (ABCD/NP)

HISTORY 30N: Eighteen-Year-Olds Go to War: Global Experiences of World War I

Exactly one hundred years ago, eighteen-year-olds like you went to war, imagining a romantic, life-changing experience. They found instead an apocalyptic nightmare, senseless mass death, unending stalemate, mud, rats, and endless trauma. In this course we will revisit the journeys of young men and women who lived through the First World War in Europe, India, the Middle East, and Africa. We will explore the causes, unfolding, legacy, and memory of the war, using diaries, letters, memoirs, novels, poetry, films, and works of historical analysis. Witness the birth of the modern world.
Terms: Aut | Units: 4 | UG Reqs: WAY-A-II, WAY-SI | Grading: Letter or Credit/No Credit
Instructors: Satia, P. (PI)

HISTORY 50A: Colonial and Revolutionary America

(Same as HISTORY 150A. History majors and others taking 5 units, register for 150A.) Survey of the origins of American society and polity in the 17th and 18th centuries. Topics: the migration of Europeans and Africans and the impact on native populations; the emergence of racial slavery and of regional, provincial, Protestant cultures; and the political origins and constitutional consequences of the American Revolution.
Terms: Aut, last offered Autumn 2014 | Units: 3 | UG Reqs: GER:DB-SocSci, GER:EC-AmerCul, WAY-A-II, WAY-SI | Grading: Letter or Credit/No Credit
Instructors: duRivage, J. (PI)

HISTORY 54: American Intellectual and Cultural History to the Civil War

(Same as HISTORY 154. History majors and others taking 5 units, register for 154.) How Americans considered problems such as slavery, imperialism, and sectionalism. Topics include: the political legacies of revolution; biological ideas of race; the Second Great Awakening; science before Darwin; reform movements and utopianism; the rise of abolitionism and proslavery thought; phrenology and theories of human sexuality; and varieties of feminism. Sources include texts and images.
Terms: Win | Units: 3 | UG Reqs: GER:DB-Hum, GER:EC-AmerCul, WAY-A-II, WAY-SI | Grading: Letter (ABCD/NP)
Instructors: duRivage, J. (PI)

HISTORY 54N: African American Women's Lives (AFRICAAM 54N, AMSTUD 54N, CSRE 54N, FEMGEN 54N)

Preference to freshmen. The everyday lives of African American women in 19th- and 20th-century America in comparative context of histories of European, Hispanic, Asian, and Native American women. Primary sources including personal journals, memoirs, music, literature, and film, and historical texts. Topics include slavery and emancipation, labor and leisure, consumer culture, social activism, changing gender roles, and the politics of sexuality.
Terms: not given this year | Units: 3-4 | UG Reqs: GER:DB-Hum, GER:EC-Gender, WAY-A-II, WAY-ED | Grading: Letter (ABCD/NP)

HISTORY 63N: The Feminist Critique: The History and Politics of Gender Equality (AMSTUD 63N, CSRE 63N, FEMGEN 63N)

This course explores the emergence of concepts of gender equality in world history. It asks how gender inequality relates to racial, ethnicity, and sexual identities, how men engage with feminism, whether gender equality is purely a western cultural tradition, and much more. We approach the long history of ideas about gender and equality by reading primary historical documents from around the world, moving from the 15th century to the present. Topics include education, the body, sexuality, violence, labor, and politics.
Terms: Win | Units: 3-4 | UG Reqs: WAY-A-II, WAY-SI | Grading: Letter (ABCD/NP)
Instructors: Freedman, E. (PI)
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