2016-2017 2017-2018 2018-2019 2019-2020 2020-2021
Browse
by subject...
    Schedule
view...
 
  COVID-19 Scheduling Updates!
See Stanford's HealthAlerts website for latest updates concerning COVID-19 and academic policies.

761 - 770 of 843 results for: all courses

RELIGST 264: Hindu Tantra (RELIGST 364)

What is Tantra? Tantric forms of ritual and philosophy have been integral to the practice of Hinduism for most of its history. Tantra has provided initiates with a spiritual technology for embodying the divine and transcending the cycle of rebirth; on a social and political level, Tantra has mediated the institutions of Hindu kingship and appealed to a diverse population of initiates. This course covers a number of influential and well-documented Hindu tantric traditions, exploring several prominent features of Tantric religion as they develop historically, including: tantric ritual practice (core technologies of the subtle body, mantras, ma, alas, etc., along with the more notorious elements of sex and transgression), theology and philosophical speculation, as well as Tantra's relationship to the outside world and state power.
Last offered: Autumn 2018 | UG Reqs: WAY-A-II, WAY-ED

RELIGST 281: Asian Religions in America; Asian American Religions (AMSTUD 281, ASNAMST 281, RELIGST 381)

This course will analyze both the reception in America of Asian religions (i.e. of Buddhism in the 19th century), and the development in America of Asian American religious traditions.
Last offered: Winter 2014 | UG Reqs: WAY-ED

SINY 148: Grappling with the Global: Gentrification, Immigration, and Sustainability in New York City

This course will examine the impacts of gentrification, immigration, and global environmental concerns on place-making in New York City, deploying ethnographic fieldwork and first-hand accounts of everyday urban life as tools to document and understand urban change.
Last offered: Spring 2018 | UG Reqs: WAY-ED, WAY-SI

SINY 154: Improvised Music in New York City: 1959-2019

This course will introduce you to the sounds and practices of improvised music and to some of today's key improvising musicians who live and work in New York City.
Last offered: Winter 2019 | UG Reqs: WAY-A-II, WAY-ED

SINY 158: Mapping the Infinite City: Exploring New York's Immigrant Worlds

With field-trips allied to visits from the experts whose work is featured in Nonstop Metropolis¿linguists and demographers, activists and artists, scholars of race and of history¿this course will open our eyes to the splendid feast of the city's immigrant neighborhoods, the ¿gorgeous mosaic,¿ and explore the complex issues involved in immigration and city life. We will investigate the many ways that ¿a sense of place,¿ even in our globalizing age, remains crucial to residents of the city's neighborhoods¿and to all people everywhere.
Last offered: Spring 2019 | UG Reqs: WAY-ED

SINY 166: Just Art? Equity, Immigration and Art in the Global City

This course focuses on relations between art, immigration and equity. Through several case studies, we will learn to think critically about how aesthetics and politics work together. In addition to studying particular works of art, we will travel to several foundations and institutions to learn about their strategies for fostering equity and the arts. How do art, activism and racial justice connect in performances aimed at changing ideas? How do major arts institutions address questions of equity and difference? We will discuss how art can function as a form of aesthetic knowledge in the service of justice. In doing so, we will grapple with the role of the creative arts in mitigating social change and study artists who have sought to intervene in the restrictive covenants of racial, gender and other segregationist or national orders. Our case studies will shift across media, subjects, objects and temporalities. From artists in New York responding to the nuclear bombings of Hiroshima an more »
This course focuses on relations between art, immigration and equity. Through several case studies, we will learn to think critically about how aesthetics and politics work together. In addition to studying particular works of art, we will travel to several foundations and institutions to learn about their strategies for fostering equity and the arts. How do art, activism and racial justice connect in performances aimed at changing ideas? How do major arts institutions address questions of equity and difference? We will discuss how art can function as a form of aesthetic knowledge in the service of justice. In doing so, we will grapple with the role of the creative arts in mitigating social change and study artists who have sought to intervene in the restrictive covenants of racial, gender and other segregationist or national orders. Our case studies will shift across media, subjects, objects and temporalities. From artists in New York responding to the nuclear bombings of Hiroshima and Nagasaki, to the radical work of Yayoi Kusama¿s 1960s performances, to a plays about immigration such as Lynn Nottage¿s Intimate Apparel and Lin Manuel Miranda¿s Hamilton¿the latter a show that exemplifies how art, activism and racial justice come together--the cross-cast musical gave paid opportunities and leading parts to a full cast of performers of color while also recasting the history of immigration in the United States and produced a new form of hip hop. We will read work by James Baldwin and more! We will visit the Tenement Museum as well as the Schomburg museum and archive and meet with current curators and arts professionals from across the city.
Terms: Spr | Units: 4 | UG Reqs: WAY-A-II, WAY-ED

SINY 168: Safe Cities: A Study of Institutional Responses to Gender Based Violence in the Global City

The course proposes a broad theoretical as well as an experiential and immersive introduction to some of the most urgent issues surrounding institutional responses to gender based violence (GBV) and related forms of gender discrimination today.n nThe course is divided into three main sections: a theoretical framework that introduces students to contemporary arguments and ideas around gender equality, violence, women's empowerment, and legal protections offered under international and domestic law; a critical overview of contemporary New York City and State actors' interventions against gender discrimination, such as the Governor's 2019 Women's Justice Agenda, the Mayor's She Built NYC campaign, and the NYC4CEDAW Act Coalition's campaign for a NYC ordinance for the implementation of the UN Convention on the Elimination of All Forms of Discrimination Against Women; and a series of thematic case studies that focus on specific challenges including in the areas of reproductive rights, sexua more »
The course proposes a broad theoretical as well as an experiential and immersive introduction to some of the most urgent issues surrounding institutional responses to gender based violence (GBV) and related forms of gender discrimination today.n nThe course is divided into three main sections: a theoretical framework that introduces students to contemporary arguments and ideas around gender equality, violence, women's empowerment, and legal protections offered under international and domestic law; a critical overview of contemporary New York City and State actors' interventions against gender discrimination, such as the Governor's 2019 Women's Justice Agenda, the Mayor's She Built NYC campaign, and the NYC4CEDAW Act Coalition's campaign for a NYC ordinance for the implementation of the UN Convention on the Elimination of All Forms of Discrimination Against Women; and a series of thematic case studies that focus on specific challenges including in the areas of reproductive rights, sexual assault, sex work, trafficking and the rights of people of diverse sexual orientations and gender identities.n nThe latter section will require engagement with actors that are instrumental in responding to and preventing gender based violence, and may include, Victor Madrigal-Borloz the UN Independent Expert on Protection against Violence and Discrimination based on Sexual Orientation and Gender Identity, Sgt. Greg Accomando of the NYPD Special Victim's Division, Abagail Nelson the Senior Vice President for Programs at Episcopal Relief & Development, and Deborah Hayashi of the North Central Bronx Sexual Assault Response Team. n nThrough these frameworks and studies, the course offers a well-rounded introduction to the complexity of interventions against gender based discrimination in the context of a Global City. The transnational scope of the course is anchored by New York City as an incubator and instigator for innovative interventions against gender inequality, and there will be an emphasis on the cross-pollination that occurs between the City, State and national and international NGO platforms.
Terms: Spr | Units: 4 | UG Reqs: WAY-ED, WAY-SI

SIW 107: Civil Rights Law

This course analyzes the major civil rights laws that Congress has enacted since the 1960s, including Title VII of the Civil Rights Act of 1964, the Voting Rights Act of 1965, the Fair Housing Act, the Public Accommodations ACt, the AGe Discrimination in Employment Act, and the Americans with Disabilities Act. The course provides an in-depth study of the statutory language of each of these laws, examines how courts have interpreted the statutes, and explores the policy arguments in favor and against such laws. The course also reviews the history context surrounding the enactment of these statutes, including an examination of the civil rights movement as a political and social force.
Terms: Aut, Win, Spr | Units: 5 | UG Reqs: GER:EC-AmerCul, WAY-ED

SLAVIC 160: Cultural Hybridity in Central-Eastern Europe (COMPLIT 231B, SLAVIC 360)

Historically shaped by shifting borders and mixing of various cultures and languages, identities in-between have been in abundance in Central-Eastern Europe. This course offers a comprehensive study of the oeuvre of several major Central-European authors of modernity: the Ukrainian-Russian Nikolai Gogol (1809-1852), the Czech-German-Jewish Franz Kafka (1883-1924), the Austrian-Galician-Jewish Leopold von Sacher-Masoch (1836-1895), the Ukrainian-Galician Olha Kobylyans¿ka (1863-1942), the Russian-German Lou Andreas-Salomé (1861-1937), the Jewish-Polish-Galician Bruno Schulz (1892-1942), and the Polish-Argentinean Witold Gombrowicz (1904-1969). Performing their selves in two or more cultures, these writers were engaged in identity games and produced hybrid texts with which they intervened into the major culture as others. In the course, we will apply post-structuralist and post-colonial concepts such as minor language, heterotopia, in-betweenness, mimicry, indeterminacy, exile, displacement, and transnationalism to the study of the writers oeuvres. We will also master the sociolinguistic analysis of such multi-lingual phenomena as self-translation, code-switching, and calquing and examine various versions of the same text to uncover the palimpsest of hybrid identities.
Terms: Win | Units: 3-5 | UG Reqs: WAY-A-II, WAY-ED
Instructors: Ilchuk, Y. (PI)

SLAVIC 183: Jews in the Contemporary World:  The American Jewish Present & Past in Popular Culture,  Film, & TV (CSRE 185B, HISTORY 185B, HISTORY 385C, JEWISHST 185B, REES 185B)

( HISTORY 185B is 5 units; HISTORY 85B IS 3 units.) Who are American Jews as depicted in popular media -- film, television, etc. -- since the Second World War? How are their religion, politics, mores, and practices represented and what ways, if at all, do such portraits reflect historical trends among Jews and society in general? What can be learned from film or tv about Jewish identity, notions of Jewish power and powerlessness, communal cohesiveness and assimilation, sexuality and the wages of intermarriage or race?
Terms: Win | Units: 4-5 | UG Reqs: GER:DB-Hum, GER:EC-GlobalCom, WAY-ED, WAY-SI
Filter Results:
term offered
updating results...
teaching presence
updating results...
number of units
updating results...
time offered
updating results...
days
updating results...
UG Requirements (GERs)
updating results...
component
updating results...
career
updating results...
© Stanford University | Terms of Use | Copyright Complaints