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191 - 200 of 839 results for: all courses

COMPLIT 104: Love, Passion, and Politics in Chinese Film (CHINA 113, CHINA 213)

Focusing on the emotional structure of love and passion in Chinese films, the course will investigate the structures of feelings and moral relations in modern Chinese history from the 1940s till the present. Examining the interplay between private desire, romantic sentiment, family relations, and political passion, we will explore how men and women in China grapple with emotional and social issues in modern transformations. We will consider romantic love, the uplifting of sexuality into political passion, the intertwining of aesthetic experience with politics, nostalgia in the disenchanted modern world, and the tensions between the individual¿s self-realization and the community¿s agenda. Students will learn to ¿read¿ films as a work of art and understand how film works as expression of desire, impulse, emotional connections, and communal bonding during times of crisis. Course work includes a midterm exam (25%) and a final exam (25%), a weekly 250-300 word reflection on the film of the week (10%), participation and oral presentation in class (10%), and a paper of 5-7 pages to be submitted after the midterm week (30%).nnStarting from the second week, film screening will begin 6: 30 pm Monday before classes on Tuesday and Thursday. The course does not encourage private viewing. At least 5 dinners will be provided for movie-screening events.
Last offered: Winter 2016 | UG Reqs: GER:DB-Hum

COMPLIT 110: Introduction to Comparative Queer Literary Studies (COMPLIT 310, FEMGEN 110X, FEMGEN 310X)

Introduction to the comparative literary study of important gay, lesbian, queer, bisexual, and transgender writers and their changing social, political, and cultural contexts from the 1880s to today: Oscar Wilde, Rachilde, Radclyffe Hall, Djuna Barnes, James Baldwin, Jean Genet, Audre Lorde, Cherrie Moraga, Jeanette Winterson, Alison Bechdel and others, discussed in the context of 20th-century feminist and queer literary and social theories of gender and sexuality.
Terms: Spr | Units: 3-5 | UG Reqs: GER:DB-Hum, GER:EC-Gender, WAY-A-II, WAY-ED

COMPLIT 112: Oscar Wilde and the French Decadents (COMPLIT 312, FRENCH 112, FRENCH 312)

Close reading of Oscar Wilde's work together with major texts and authors of 19th-century French Decadence, including Symbolism, l'art pour l'art, and early Modernism. Points of contact between Wilde and avant-garde Paris salons; provocative, creative intersections between (homo)erotic and aesthetic styles, transgression; literary and cultural developments from Baudelaire to Mallarmé, Huysmans, Flaubert, Rachilde, Lorrain, and Proust compared with Wilde¿s Salomé, Picture of Dorian Gray, and critical writings; relevant historical and philosophical contexts. All readings in English; all student levels welcome.
Last offered: Winter 2014 | UG Reqs: GER:DB-Hum, WAY-A-II, WAY-ED

COMPLIT 115: Nabokov in the Transnational Context (COMPLIT 315, SLAVIC 156, SLAVIC 356)

Nabokov's techniques of migration and camouflage as he inhabits the literary and historical contexts of St. Petersburg, Berlin, Paris, America, and Switzerland. His early and late stories, last Russian novel "The Gift," "Lolita" (the novel and screenplay), and "Pale Fire." Readings in English. Russian speakers will be encouraged to read Russian texts in original.
Last offered: Winter 2016 | UG Reqs: GER:DB-Hum

COMPLIT 121: Poems, Poetry, Worlds (DLCL 141)

What is poetry? How does it speak in many voices to questions of history, society, and personal experience? Why does it matter? The reading and interpretation of poetry in crosscultural comparison as experience, invention, form, sound, knowledge, and part of the world. The readings address poetry of several cultures (Brazil, Chile, France, Germany, Greece, Italy, Occitania, Peru) in comparative relation to that of the English-speaking world, and in light of classic and recent theories of poetry.
Terms: Aut | Units: 5 | UG Reqs: GER:DB-Hum, WAY-A-II, WAY-ED

COMPLIT 122: Literature as Performance (DLCL 142)

Theater as performance and as literature. Historical tension between text and spectacle, thought and embodiment in western and other traditions since Greek antiquity. Dramas read in tandem with theory, live performances, and audiovisuals.
Terms: Win | Units: 5 | UG Reqs: GER:DB-Hum

COMPLIT 123: The Novel, the Global South (DLCL 143, ENGLISH 184)

Literary inventiveness and social significance of novelistic forms from the Great Depression to the present. The seminar will focus on texts by William Faulkner, Gabriel Garcia Marquez, Toni Morrison, and Junot Diaz.
Terms: Spr | Units: 5 | UG Reqs: GER:DB-Hum, WAY-A-II, WAY-ED

COMPLIT 125: Past Desire Made Present: The Traditions of Erotic Poetry in Medieval Iran and Europe

Aims to make present and accessible, to our early 21st-century experience, convergences and differences between medieval Persian and medieval European love poetry. Poetry will be dealt with as a discursive and institutional means through which it is possible to make present and tangible that which is absent -- both in space and time. If we accept that medieval Persian and European love poetry conjured up moods of homo- and heteroerotic desire for contemporary audiences, then this desire can also become present for us today through a close reading of those same texts.
Last offered: Autumn 2012 | UG Reqs: GER:DB-Hum

COMPLIT 125A: The Gothic Novel

The Gothic novel and its relatives from its invention by Walpole in The Castle of Otranto of 1764. Readings include: Northanger Abbey, The Italian, The Monk, Frankenstein, Jane Eyre, Great Expectations, and Dracula. What defines the Gothic as it evolves from one specific novel to a mode that makes its way into a range of fictional types?
Last offered: Spring 2010 | UG Reqs: GER:DB-Hum

COMPLIT 129A: Contemporary Persian Poetry: Encounter of a Thousand-Year-Old Classical Tradition with Modernity

The primacy of poetic expression in Persian culture in the transition from tradition to modernity. Major 20th-century poets in relation to historical events and social change. Authors include: Nima Yushij, Ahmad Shamloo, Sohrab Sepehri, Mehdi Akhavan Sales, Forough Farrokhzad, Nader Naderpour, Fereydoun Moshiri, Esma'il Kho'i, and Afghan and Tajik poets.
| UG Reqs: GER:DB-Hum
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