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Due to recent announcements about Autumn Quarter (see the President's update), please expect ongoing changes to the class schedule.

801 - 810 of 1051 results for: all courses

OSPBER 28: German Opera

This course is designed to provide an introduction to opera in general and German opera in particular. The syllabus is linked specifically to productions of German operas currently being presented at Berlin's opera houses. During class we will prepare ourselves for the various performances by discussing each work in detail, looking at the libretto, analyzing the relationship between music and text, listening to recordings, and reading secondary literature. We will also share our post-performance impressions. The principal aim of the course is informed appreciation of the genre of opera.
Last offered: Winter 2020 | UG Reqs: WAY-A-II

OSPBER 60: Cityscape as History: Architecture and Urban Design in Berlin

Diversity of Berlin's architecture and urban design resulting from its historical background. Architect Ludwig Mies van der Rohe and his artistic ancestors. Role of the cultural exchange between Germany and the U.S. Changing nature of the city from the 19th century to the present.
Terms: Aut | Units: 5 | UG Reqs: GER:DB-Hum, WAY-A-II

OSPBER 66: Theory from the Bleachers: Reading German Sports and Culture

German culture past and present through the lens of sports. Intellectual, societal, and historical-political contexts. Comparisons to Britain, France, and the U.S. The concepts of Körperkultur, Leistung, Show, Verein, and Haltung. Fair play, the relation of team and individual, production and deconstruction of sports heroes and heroines, and sports nationalism. Sources include sports narrations and images, attendance at sports events, and English and German texts. Will be taught in German if there are enough students with sufficient knowledge of German.
Last offered: Winter 2020 | UG Reqs: GER:DB-SocSci, WAY-A-II

OSPBER 101A: Contemporary Theater

Texts of plays supplemented by theoretical texts or reviews. Weekly theater visits and discussions with actors, directors, or other theater professionals. In German. Prerequisite: completion of GERLANG 3 or equivalent.
Last offered: Spring 2020 | UG Reqs: GER:DB-Hum, WAY-A-II

OSPCPTWN 16: Sites of Memory

ey sites of memory in post-apartheid South Africa, in both Cape Town and Johannesburg, that are representative of a diverse range of memorialisation in contemporary South Africa. Consideration of the relevant historical context, contemporary conflicting interpretations and contemporary identity contestations. What is the historical context of the site? By whom is the site remembered and memorialised? How is the site memorialised? What are the diverse interpretations and contestations about the site in terms of contemporary identities and memorialisation in the new South Africa?
Terms: Win, Spr | Units: 3 | UG Reqs: WAY-A-II

OSPCPTWN 78: Postcolonial Modernist Art Movements in Africa

Introduction to the complexities and contradictions of 'modernity' and 'modernism(s)' in postcolonial Africa. With a focus on ideology-driven interdisciplinary artistic movements in Senegal, Nigeria, Sudan, Congo, Egypt, Ethiopia and South Africa, examine various schools of thought that were part of modern consciousness that characterised the independence decades. Role that art centres, workshops, collectives and mission schools played in histories of European expansion and colonialism. Debates regarding notions of 'appropriation,' 'natural synthesis' and 'assimilation' interpreted in the context of postcolonial theory. Different modes of production and methodological approaches.
Last offered: Summer 2019 | UG Reqs: WAY-A-II, WAY-ED

OSPFLOR 11: Film, Food and the Italian Identity

Food in Italian cinema staged as an allegory of Italy¿s social, political and cultural milieu. Intersections between food, history and culture as they are reflected in and shaped by Italian cinema from the early 1900s until today. Topics include: farmer's tradition during Fascism; lack of food during WWII and its aftermath; the Economic Miracle; food and the Americanization of Italy; La Dolce Vita; the Italian family; ethnicity, globalization and the re-discovery of regional culinary identity in contemporary Italy. Impact of cinema in both reflecting and defining the relationship between food and culture.
Terms: Aut | Units: 4 | UG Reqs: GER:DB-Hum, GER:EC-GlobalCom, WAY-A-II

OSPFLOR 29: The People Amid the Monuments

From both chronological and thematic approaches, examine the efforts of English-speaking writers (and, latterly, film-makers) to get to grips with Italy and the Italians. Beginning in the England of Queen Elizabeth and ending at the present day, cover a variety of themes such as Italy's historical role as a haven for the LGBT community and the modern interest in neglected southern Italy. Illustrative multimedia content with visits to sites of relevance in Florence.
Terms: Spr | Units: 3 | UG Reqs: WAY-A-II, WAY-ED

OSPFLOR 34: The Virgin Mother, Goddess of Beauty, Grand Duchess, and the Lady: Women in Florentine Art

Influence and position of women in the history of Florence as revealed in its art. Sculptural, pictorial, and architectural sources from a social, historical, and art historical point of view. Themes: the virgin mother (middle ages); the goddess of beauty (Botticelli to mannerism); the grand duchess (late Renaissance, Baroque); the lady, the woman (19th-20th centuries).
Last offered: Autumn 2019 | UG Reqs: GER:DB-Hum, GER:EC-Gender, WAY-A-II

OSPFLOR 48: Sharing Beauty in Florence: Collectors, Collections and the Shaping of the Western Museum Tradition

The city's art and theories of how art should be presented. The history and typology of world-class collections. Social, economic, political, and aesthetic issues in museum planning and management. Collections include the Medici, English and American collectors of the Victorian era, and modern corporate and public patrons.
Terms: Win | Units: 4 | UG Reqs: GER:DB-Hum, WAY-A-II
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