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CEE 32D: Construction: The Writing of Architecture

This seminar focuses on the construction of architectural writing. The class will analyze this idea through four topics: formal analysis, manifesto, translation, and preservation. The seminar is divided into two-week modules with each of these four concepts functioning as organizing principles. nnThe first week of each module will involve familiarizing the seminar with both the terms and rhetorical tactics of the given theme by reading and analyzing specific texts and completing a short written analysis (1-2 pages). The second week will expand upon this foundation and involve further analysis in addition to each student writing a short paper (3-4 pages) drawing on the examples discussed and their own experiences in the discipline. The goal of the seminar is for each student to be able to analyze how an architectural writing is constructed and to develop his/her skills in the construction of his/her own writing.
Terms: Spr | Units: 4 | UG Reqs: WAY-A-II
Instructors: Beischer, T. (PI)

CEE 32G: Architecture Since 1900 (ARTHIST 142)

Art 142 is an introduction to the history of architecture since 1900 and how it has shaped and been shaped by its cultural contexts. The class also investigates the essential relationship between built form and theory during this period.
Last offered: Winter 2021 | UG Reqs: GER:DB-Hum, WAY-A-II

CEE 32Q: Place: Making Space Now

This seminar argues that architeccts are ultimately "placemakers," and questions what that means in the contemporary world. Part I investigates the meaning of the word "place." Additional background for understanding contemporary place making will include a critique of the history of modern place-making through an examination of modern form. Part II examines two traditional notions of place by scale: from "home" to "the city." What elements give these conceptions of space a sense of place? To answer this question, themes such as memory, mapping, and boundary, among others, will be investigated. part III presents challenges to the traditional notions of place discussed in Part II. Topics addressed include: What does it mean to be "out of place"? What sense of place does a nomad have, and how is this represented? What are the "non-places" and how can architects design for these spaces? Part IV addresses the need to re-conceptualize contemporary space. The role of digital and cyber techno more »
This seminar argues that architeccts are ultimately "placemakers," and questions what that means in the contemporary world. Part I investigates the meaning of the word "place." Additional background for understanding contemporary place making will include a critique of the history of modern place-making through an examination of modern form. Part II examines two traditional notions of place by scale: from "home" to "the city." What elements give these conceptions of space a sense of place? To answer this question, themes such as memory, mapping, and boundary, among others, will be investigated. part III presents challenges to the traditional notions of place discussed in Part II. Topics addressed include: What does it mean to be "out of place"? What sense of place does a nomad have, and how is this represented? What are the "non-places" and how can architects design for these spaces? Part IV addresses the need to re-conceptualize contemporary space. The role of digital and cyber technologies, the construction of locality in a global world, and the in-between places that result from a world in flux are topics discussed in this section of the seminar. nLearning goals: Specific goals include clsoe reading of texts, understanding of philosophical thinking and writing, argument under uncertainty, and developed concepts of place, space and architecture.
Last offered: Spring 2020 | UG Reqs: WAY-A-II

CEE 32R: American Architecture (AMSTUD 143A, ARTHIST 143A, ARTHIST 343A)

A historically based understanding of what defines American architecture. What makes American architecture American, beginning with indigenous structures of pre-Columbian America. Materials, structure, and form in the changing American context. How these ideas are being transformed in today's globalized world.
Terms: Win | Units: 4 | UG Reqs: GER:DB-Hum, WAY-A-II
Instructors: Beischer, T. (PI)

CEE 147: Building Heaven and Hell (RELIGST 147)

How did early Jews and Christians imagine space? How did they construct heaven and hell through their written texts? Can we take their written images of the earthly and heavenly Jerusalem and her temple, such as those found in Ezekiel, the Book of Revelation and the Apocalypse of Paul and transform them into three-dimensional space? We are going to try! We will send materials to your home so that you can literally build these images from foam board and hot glue. A number of themes will emerge through the course: the interpretive move in rendering a once real space as a literary icon, the relationship between text and imagined space, the connection between space and ritual, the development of apocalyptic visions, and the centrality of Jerusalem in Jewish and Christian thought. Learn more about the course here: https://youtu.be/J9q8CCQ9NkA
Terms: Spr | Units: 4 | UG Reqs: WAY-A-II
Instructors: Copeland, K. (PI)

CHILATST 128: Spanish Literature and Language through Comics (ILAC 128)

The course, an exploration of the graphic narrative medium in Spanish, is open to intermediate and advanced Spanish speakers. We'll analyze vignettes, sections, or chapters from both auteur and pop-culture series. These may include: Mortadelo y Filemón and Arrugas (Spain), Mafalda and El eternauta (Argentina), Ídolo and Condorito (Chile), Los once and Caminos condenados (Colombia), Vampiros en La Habana (Cuba), Virus tropical (Ecuador/ Colombia), Vivos se los llevaron (Mexico), as well as Spy vs. Spy and My Favorite Thing is Monsters (ChicanX/LatinX). Secondary sources include McCloud and Dorfman and Mattelart. The through line will be representations and instantiations of power struggles in this deceivingly naive form. Visual narratological aspects and the specificity of the medium will also be discussed at length. Language learners must enroll in the cognate course SPANLANG 128 "Concurrent Writing Support."
Last offered: Spring 2021 | UG Reqs: WAY-A-II, WAY-ED

CHILATST 140: Migration in 21st Century Latin American Film (ILAC 140)

Focus on how images and narratives of migration are depicted in recent Latin American film. It compares migration as it takes place within Latin America to migration from Latin America to Europe and to the U.S. We will analyze these films, and their making, in the global context of an ever-growing tension between "inside" and "outside"; we consider how these films represent or explore precariousness and exclusion; visibility and invisibility; racial and gender dynamics; national and social boundaries; new subjectivities and cultural practices. Films include: Bolivia, Copacabana, La teta asustada, Norteado, Sin nombre, Migración, Ulises, among others. Films in Spanish, with English subtitles. Discussions and assignments in Spanish.
Terms: Aut | Units: 3-5 | UG Reqs: GER:DB-Hum, WAY-A-II, WAY-ED

CHILATST 162: Latin/x America in Motion: An Introduction to Dance Studies (CSRE 162D, DANCE 162L, TAPS 162L, TAPS 262L)

This course introduces students to the field of Dance Studies by examining the histories of Latin American and Caribbean dances and their relationship to developing notions of race and nation in the Americas. We will study the historical emergence and transformation of ¿indigeneity,¿ ¿blackness,¿ ¿whiteness,¿ and ¿Latin/@/x¿ and consider how dance practices interacted with these identifications. No prior experience with Dance or Latin America and the Caribbean necessary.
Last offered: Autumn 2018 | UG Reqs: WAY-A-II, WAY-ED

CHILATST 195: U.S. Latinx Art (ARTHIST 194, CSRE 195)

This course surveys art made by Latinas/os/xs who have lived and worked in the United States since the 1700s, including Chicanos, Nuyoricans, and other Black, Brown, and Indigenous artists. While exploring the diversity of Latinx art, students will consider artists' relationships to identity, race, ethnicity, gender, and sexuality. Students will also study how artists have responded to and challenged discrimination, institutional exclusion, and national debates through their work. Attendance on the first day of class is a requirement for enrollment.
Last offered: Winter 2021 | UG Reqs: WAY-A-II, WAY-ED

CHINA 21: Humanities Core: Love and Betrayal in Asia (HUMCORE 21, JAPAN 21, KOREA 21)

Why are lovers in storybooks East and West always star-crossed? Why do love and death seem to go together? For every Romeo and Juliet, there are dozens of doomed lovers in the Asian literary repertoires, from Genji's string of embittered mistresses, to the Butterfly lovers in early modern China, to the voices of desire in Koryo love songs, to the devoted adolescent cousins in Dream of the Red Chamber, to the media stars of Korean romantic drama, now wildly popular throughout Asia. In this course, we explore how the love story has evolved over centuries of East Asian history, asking along the way what we can learn about Chinese, Japanese, and Korean views of family and community, gender and sexuality, truth and deception, trust and betrayal, ritual and emotion, and freedom and solidarity from canonical and non-canonical works in East Asian literatures. N.B. This is the second of three courses in the East Asian track. These courses offer an unparalleled opportunity to study East Asian history and culture, past and present. Take all three to experience a year-long intellectual community dedicated to exploring how ideas have shaped our world and future.
Last offered: Winter 2020 | UG Reqs: WAY-A-II
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