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601 - 610 of 1087 results for: all courses

GERMAN 174: The Poem as Medium (GERMAN 374)

Since Marshall McLuhan formulated his theory of "media" as "extensions of ourselves," we've come to understand the history of human communication in terms of its physical carriers, tools, and technologies. From cuneiform, hieroglyphs, and logographic writing systems, to the alphabet, to algorithms; from clay tablets, to papyrus, to LED screens; from scrolls, to books, to the gramophone, to DNA - the medium and the message shape how we store and communicate information. Poetry's place in this history of media has been both elusive and strangely consistent. In media theory, the poem, which Hans Magnus Enzensberger once called an "archaic medium" and Niklas Luhman a "paradoxical form of communication," often serves as an example of the non-ordinary, of opacity, untranslatability, self-mediation, or hypermediacy. We will read (often lesser known) texts by media theorists (McLuhan, Kittler, Flusser, Benjamin, Luhmann, Siegfried J. Schmidt, Hayles) and a selection of pre-media theory texts on the mediality and mediacy of poetry (Lessing, Hegel, Herder Schleiermacher, Hamburger), as well as one poem each week as we explore the relation between medium and message, content and form. Taught in German.
Last offered: Spring 2020 | UG Reqs: WAY-A-II

GERMAN 175: CAPITALS: How Cities Shape Cultures, States, and People (COMPLIT 100, DLCL 100, FRENCH 175, HISTORY 206E, ILAC 175, ITALIAN 175, URBANST 153)

This course takes students on a trip to major capital cities, at different moments in time: Renaissance Florence, Golden Age Madrid, Colonial Mexico City, Enlightenment and Romantic Paris, Existential and Revolutionary St. Petersburg, Roaring Berlin, Modernist Vienna, and bustling Buenos Aires. While exploring each place in a particular historical moment, we will also consider the relations between culture, power, and social life. How does the cultural life of a country intersect with the political activity of a capital? How do large cities shape our everyday experience, our aesthetic preferences, and our sense of history? Why do some cities become cultural capitals? Primary materials for this course will consist of literary, visual, sociological, and historical documents (in translation); authors we will read include Boccaccio, Dante, Sor Juana, Montesquieu, Baudelaire, Gogol, Irmgard Keun, Freud, and Borges. Note: To be eligible for WAYS credit, you must take the course for a Letter Grade.
Terms: Sum | Units: 3-5 | UG Reqs: WAY-A-II, WAY-SI
Instructors: Surwillo, L. (PI)

GERMAN 181: Philosophy and Literature (CLASSICS 42, COMPLIT 181, ENGLISH 81, FRENCH 181, ILAC 181, ITALIAN 181, PHIL 81, SLAVIC 181)

What, if anything, does reading literature do for our lives? What can literature offer that other forms of writing cannot? Can fictions teach us anything? Can they make people more moral? Why do we take pleasure in tragic stories? This course introduces students to major problems at the intersection of philosophy and literature. It addresses key questions about the value of literature, philosophical puzzles about the nature of fiction and literary language, and ways that philosophy and literature interact. Readings span literature, film, and philosophical theories of art. Authors may include Sophocles, Dickinson, Toni Morrison, Proust, Woolf, Walton, Nietzsche, and Sartre. Students master close reading techniques and philosophical analysis, and write papers combining the two. This is the required gateway course for the Philosophy and Literature major tracks. Majors should register in their home department.
Terms: Aut | Units: 3-5 | UG Reqs: GER:DB-Hum, WAY-A-II

GERMAN 188: In Search of the Holy Grail: Percival's Quest in Medieval Literature (COMPLIT 188, COMPLIT 388, GERMAN 388)

This course focuses on one of the most famous inventions of the Middle Ages: the Holy Grail. The grail - a mysterious vessel with supernatural properties - is first mentioned in Chrétien de Troyes' "Perceval," but the story is soon rewritten by authors who alter the meaning of both the grail and the quest. By reading three different versions, we will explore how they respond differently to major topics in medieval culture and relevant to today: romantic love, family ties, education, moral guilt, and spiritual practice. The texts are: Chrétien de Troyes' "Perceval," Wolfram von Eschenbach's "Parzival," and the anonymous "Queste del Saint Graal." All readings will be available in English.
Last offered: Winter 2020 | UG Reqs: WAY-A-II

GERMAN 213: Medieval Germany, 900-1250 (GERMAN 313, HISTORY 213F, HISTORY 313F)

(Undergraduates may sign up for German 213 or History 213F, graduate students should sign up for German 313 or History 313F. This course may be taken for variable units. Check the individual course numbers for unit spreads.) This course will provide a survey of the most important political, historical, and cultural events and trends that took place in the German-speaking lands between 900 and 1250. Important themes include the evolution of imperial ideology and relations with Rome, expansion along the eastern frontier, the crusades, the investiture controversy, the rise of powerful cities and civic identities, monastic reform and intellectual renewal, and the flowering of vernacular literature.nnTo satisfy a Ways requirement, this course must be taken for at least 3 units. In AY 2020-21, a letter grade or "CR" grade satisfies the Ways requirement.
Terms: Spr | Units: 1-5 | UG Reqs: WAY-A-II, WAY-SI

GERMAN 222: Myth and Modernity (COMPLIT 222A, GERMAN 322, JEWISHST 242G, JEWISHST 342)

Masters of German 20th- and 21st-Century literature and philosophy as they present aesthetic innovation and confront the challenges of modern technology, social alienation, manmade catastrophes, and imagine the future. Readings include Nietzsche, Freud, Rilke, Musil, Brecht, Kafka, Doeblin, Benjamin, Juenger, Arendt, Musil, Mann, Adorno, Celan, Grass, Bachmann, Bernhardt, Wolf, and Kluge. Taught in English. Note for German Studies grad students: GERMAN 322 will fulfill the grad core requirement since GERMAN 332 is not being offered this year. NOTE: Enrollment requires Professor Eshel's consent. Please contact him directly at eshel@stanford.edu and answer these 2 questions: "Why do you want to take this course?" and "What do you think you can add to the discussion?" Applications will be considered in the order in which they were received. Enrollment is limited to 20 students.
Last offered: Spring 2020 | UG Reqs: WAY-A-II

GERMAN 253: Hannah Arendt: Facing Totalitarianism (COMPLIT 353B, GERMAN 353, JEWISHST 243A)

Like hardly any other thinker of the modern age, Hannah Arendt's thought offers us timeless insights into the fabric of the modern age, especially regarding the perennial danger of totalitarianism. This course offers an in-depth introduction to Arendt's most important works in their various contexts, as well as a consideration of their reverberations in contemporary philosophy and literature. Readings include Arendt's The Origin of Totalitarianism, The Human Condition, Between Past and Future, Men in Dark Times, On Revolution, Eichmann in Jerusalem, and The Life of the Mind, as well as considerations of Hannah Arendt's work by Max Frisch, Jürgen Habermas, Seyla Benhabib, Judith Butler, Giorgio Agamben, and others. Special attention will be given to Arendt's writings on literature with an emphasis on Kafka, Brecht, Auden, Sartre, and Camus. This course will be synchronously conducted, but will also use an innovative, Stanford-developed, online platform called Poetic Thinking. Poetic Thinking allows students to share both their scholarly and creative work with each other. Based on the newest technology and beautifully designed, it greatly enhances their course experience.
Terms: Aut | Units: 3-5 | UG Reqs: WAY-A-II, WAY-SI

GLOBAL 110: Love in the Time of Cinema (FILMSTUD 137, FILMSTUD 337, GLOBAL 211)

Romantic coupling is at the heart of mainstream film narratives around the world. Through a range of film cultures, we will examine cinematic intimacies and our own mediated understandings of love and conjugality formed in dialog with film and other media. We will consider genres, infrastructures, social activities (for example, the drive-in theater, the movie date, the Bollywood wedding musical, 90s queer cinema), and examine film romance in relation to queerness, migration, old age, disability, and body politics more broadly.
Last offered: Autumn 2019 | UG Reqs: WAY-A-II

GLOBAL 135: Around the World in Ten Films (FILMSTUD 135, FILMSTUD 335)

This is an introductory-level course about the cinema as a global language. We will undertake a comparative study of select historical and contemporary aspects of international cinema, and explore a range of themes pertaining to the social, cultural, and political diversity of the world. A cross-regional thematic emphasis and inter-textual methods of narrative and aesthetic analysis, will ground our discussion of films from Italy, Japan, United States, India, China, France, Brazil, Nigeria, Russia, Iran, Mexico, and a number of other countries. Particular emphasis will be placed on the multi-cultural character and the regional specificities of the cinema as a "universal language" and an inclusive "relational network."nnThere are no prerequisites for this class. It is open to all students; non-majors welcome.
Terms: Spr | Units: 3-4 | UG Reqs: WAY-A-II
Instructors: Levi, P. (PI)

GLOBAL 139: History of Philosophy from Al-Kindi to Averroes (PHIL 101A)

The rise of Islam saw a flourishing of philosophical and scientific activity across Islamic civilizations from Central Asia to Spain. Between the 7th to 13th centuries, many of the major philosophers in the history of philosophy lived in the Muslim world and wrote in Arabic. They saw themselves, just as later philosophers in medieval Europe, as working in part in the same tradition as Plato and Aristotle. This course surveys this important chapter in the history of philosophy, examining the key philosophical problems, analyses, arguments and ideas developed by philosophers such as Al-Kindi, Al-Razi, Al-Farabi, Avicenna, Al-Ghazali and Averroes, as well as their views on the role and aims of philosophy itself. We will look closely at their writings (in English translation) on philosophical topics in mind, metaphysics, epistemology, ethics, and politics.
Terms: Spr | Units: 3-5 | UG Reqs: WAY-A-II
Instructors: Al-Witri, Z. (PI)
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