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271 - 280 of 1064 results for: all courses

COMPLIT 154A: Film & Philosophy (ENGLISH 154F, FRENCH 154, ITALIAN 154, PHIL 193C, PHIL 293C)

Issues of authenticity, morality, personal identity, and the value of truth explored through film; philosophical investigation of the filmic medium itself. Screenings to include Blade Runner (Scott), Do The Right Thing (Lee), The Seventh Seal (Bergman), Fight Club (Fincher), La Jetée (Marker), Memento (Nolan), and Eternal Sunshine of the Spotless Mind (Kaufman). Taught in English.
Terms: Win | Units: 3 | UG Reqs: GER:DB-Hum, WAY-A-II

COMPLIT 155A: The Mafia in Society, Film, and Fiction (ITALIAN 155)

The mafia has become a global problem through its infiltration of international business, and its model of organized crime has spread all over the world from its origins in Sicily. At the same time, film and fiction remain fascinated by a romantic, heroic vision of the mafia. Compares both Italian and American fantasies of the Mafia to its history and impact on Italian and global culture. Taught in English.
Terms: Spr | Units: 4 | UG Reqs: GER:DB-Hum, WAY-A-II, WAY-SI
Instructors: Wittman, L. (PI)

COMPLIT 159: Asian American Film and Popular Culture (AMSTUD 115, ASNAMST 115)

Tracing the evolution of Asian American cultural representations from the silent film era through the first generation of Asian American YouTube stars, this course examines the economic, political, and cultural influence of Asian American screen images on U.S. society. Through a focus on both mainstream and independent productions, we discuss the work of Asian American actors, audience members, media producers, consumers, and activists. Possible films and TV shows to be discussed include The Cheat (1915), Shanghai Express (1932), Flower Drum Song (1961), Chan is Missing (1983) Fall of the I Hotel (1983), Who Killed Vincent Chin? (1989), Sa-I-Gu, (1992), Saving Face (2004) Crazy Rich Asians (2018), To All the Boys I've Loved Before (2018), TV episodes of the Mindy Project, and work by early Asian American YouTube stars including Michelle Phan, HappySlip, and KevJumba.
Terms: Spr | Units: 4 | UG Reqs: WAY-A-II, WAY-ED

COMPLIT 161E: Narrative and Narrative Theory (ENGLISH 161)

An introduction to stories and storytelling--that is, to narrative. What is narrative? When is narrative fictional and when non-fictional? How is it done, word by word, sentence by sentence? Must it be in prose? Can it be in pictures? How has storytelling changed over time? Focus on various forms, genres, structures, and characteristics of narrative. nEnglish majors must take this class for 5 units.
Terms: Aut, Win, Spr | Units: 5 | UG Reqs: GER:DB-Hum, WAY-A-II

COMPLIT 178: Metamorphosis and Desire: Spenser, Marlowe, Shakespeare, Milton

A recurring motif in the myths of poetry's origins is a metamorphosis provoked by erotic desire, from the nymph Daphne transformed into a laurel tree as she escapes the god Apollo to the bard Orpheus dismembered by impassioned Maenads. This course explores the entanglement of these themes in Renaissance verse across plays by Shakespeare, epic poetry by Spenser and Milton, and narrative poems by Marlowe, Shakespeare, and their contemporaries in continental Europe. We will situate these works amid critical perspectives on desire, love, and gendered subjectivity in early modernity and against the classical background of Ovid's 'Metamorphoses', whose tales of eroticism and transformation shaped so much of Renaissance literary and artistic production.
Last offered: Winter 2020 | UG Reqs: WAY-A-II

COMPLIT 179: Rumi: Rhythms of Creation (COMPLIT 249)

This course offers a comprehensive introduction to the thought, poetics, and legacy of one of the towering figures of Persian letters, Mawlana Jalal al-Din Rumi (1207-1273). After discussing the literary ancestors (Sana'i, `Attar), we will trace the mystico-philosophical foundations of Rumi's thought through close readings of the lyrical (Divan-e Shams) and narrative poems (Mathnavi-ye ma`navi), the prose works (Fihe ma fihe), and the letters. Literary analyses will be followed by an exploration of music as a structuring principle in Rumi's work and the role of sama` (spiritual audition) as a poetic practice. From there, we will look at the ritual and symbolism of the dervish dance, the foundation of the Mevlevi order, the interconnectedness of space (architecture) and poetic form that is exemplified in the Mevlevi dervish lodges, and the literary and philosophical echoes of Rumi in Ottoman culture, above all Seyh Galip's masterpiece Hüsn ü Ask (1782). The course will be complemented by digressions on Rumi in contemporary Persian and Turkish music, including live musical performances. Open to undergraduates and graduates. Taught in English.
Terms: Spr | Units: 3-5 | UG Reqs: WAY-A-II
Instructors: Huber, M. (PI)

COMPLIT 181: Philosophy and Literature (CLASSICS 42, ENGLISH 81, FRENCH 181, GERMAN 181, ILAC 181, ITALIAN 181, PHIL 81, SLAVIC 181)

What, if anything, does reading literature do for our lives? What can literature offer that other forms of writing cannot? Can fictions teach us anything? Can they make people more moral? Why do we take pleasure in tragic stories? This course introduces students to major problems at the intersection of philosophy and literature. It addresses key questions about the value of literature, philosophical puzzles about the nature of fiction and literary language, and ways that philosophy and literature interact. Readings span literature, film, and philosophical theories of art. Authors may include Sophocles, Dickinson, Toni Morrison, Proust, Woolf, Walton, Nietzsche, and Sartre. Students master close reading techniques and philosophical analysis, and write papers combining the two. This is the required gateway course for the Philosophy and Literature major tracks. Majors should register in their home department.
Terms: Aut | Units: 3-5 | UG Reqs: GER:DB-Hum, WAY-A-II

COMPLIT 183: Self-Impersonation: Autobiography, Memoir, Fictional Autobiography (ENGLISH 183E)

This course will examine the intersecting genres of fiction, autobiography, and memoir. Topics will include the literary construction of selfhood and its constituent categories; the role of language in the development of the self; the relational nature of the self (vis-à-vis the family, "society," nation, God); the cultural status of "individuality"; conceptions of childhood; and the role of individual testimony in our understanding of family, religious and cultural identity. In addition to short theoretical works, authors may include: Marguerite Duras; Elena Ferrante; Sam Shepard; Gertrude Stein; Karl Ove Knausgaard; Marcel Proust; Vladimir Nabokov; Primo Levi; Roland Barthes; and J. M. Coetzee.
Terms: Win | Units: 5 | UG Reqs: GER:DB-Hum, WAY-A-II

COMPLIT 184: READING RUMI

Introduction to the work of Mawlana Jalal al-Din Rumi (1207-1273) in the original Persian. Through close readings of the poems and prose texts we will explore the ways in which Rumi's thought informs his poetic language and continues to resonate with us today. Topics to be touched upon in connection with the primary texts include: Islamic philosophy; theories of literature in the Arabo-Persian world; poetic genres in medieval Persian literature; meter, rhyme, and metaphor; and, finally, fundamental questions of translation and translatability. Special emphasis will be placed on understanding Rumi within the historical context. Readings in Persian. Two years of Persian at Stanford or equivalent required. Counts for the Persian track in the MELLAC minor.
Last offered: Spring 2020 | UG Reqs: WAY-A-II

COMPLIT 188: In Search of the Holy Grail: Percival's Quest in Medieval Literature (COMPLIT 388, GERMAN 188, GERMAN 388)

This course focuses on one of the most famous inventions of the Middle Ages: the Holy Grail. The grail - a mysterious vessel with supernatural properties - is first mentioned in Chrétien de Troyes' "Perceval," but the story is soon rewritten by authors who alter the meaning of both the grail and the quest. By reading three different versions, we will explore how they respond differently to major topics in medieval culture and relevant to today: romantic love, family ties, education, moral guilt, and spiritual practice. The texts are: Chrétien de Troyes' "Perceval," Wolfram von Eschenbach's "Parzival," and the anonymous "Queste del Saint Graal." All readings will be available in English.
Last offered: Winter 2020 | UG Reqs: WAY-A-II
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