printer friendly pageMUSIC 37N: Ki ho'alu: The New Renaissance of a Hawaiian Musical Tradition
Preference to freshman. Developed in the Hawaiian Islands during the 1830s,
ki ho'alu, or Hawaiian slack key guitar, is an art form experiencing newfound popularity coinciding with the growth of political activism in Hawaiian culture. The musical, cultural, historical, and political perspectives of Hawaiian music and
ki ho'alu, through hands-on experience, readings, discussion, and workshops. Hawaiian music and history and relationships among performance, cultural expression, community, and identity.
Last offered: Autumn 2016
| UG Reqs: GER:DB-Hum, GER:EC-AmerCul, WAY-A-II, WAY-CE
MUSIC 40: Music History to 1600
Pre- or corequisite: 21.
Terms: Aut
| Units: 4
| UG Reqs: GER:DB-Hum, WAY-A-II
Instructors:
Haag, K. (PI)
;
McLaughlin, E. (TA)
MUSIC 41: Music History 1600-1830
Pre- or corequisite: 22.
Terms: Win
| Units: 4
| UG Reqs: GER:DB-Hum, WAY-A-II
Instructors:
Hadlock, H. (PI)
;
Qu, H. (TA)
MUSIC 42: Music History Since 1830
Pre- or corequisite: 23.
Terms: Spr
| Units: 4
| UG Reqs: GER:DB-Hum, WAY-A-II
Instructors:
Kronengold, C. (PI)
;
McLaughlin, E. (TA)
MUSIC 122A: Counterpoint
Analysis and composition of contrapuntal styles from the Renaissance and Baroque periods. Use of keyboard, ear training, and sight singing underlies all written work. Prerequisites:
MUSIC 23 and
MUSIC 24C; passing piano-proficiency examination; or, consent of instructor.
Terms: Aut
| Units: 4
| UG Reqs: GER:DB-Hum, WAY-A-II
Instructors:
Ulman, E. (PI)
;
Asuroglu, U. (TA)
MUSIC 122B: Analysis of Tonal Music
Complete movements, or entire shorter works of the 18th and 19th centuries, are analyzed in a variety of theoretical approaches. Prerequisites:
MUSIC 23 and
MUSIC 24C; passing piano-proficiency examination; or, consent of instructor.
Terms: Win
| Units: 4
| UG Reqs: GER:DB-Hum, WAY-A-II
Instructors:
Ulman, E. (PI)
;
Vincze, D. (TA)
MUSIC 122C: Introduction to 20th-Century Composition
Contemporary works, with emphasis on music since 1945. Projects in free composition based on 20th-century models. Prerequisites:
MUSIC 23 and
MUSIC 24C; passing piano-proficiency examination; or, consent of instructor.
Terms: Spr
| Units: 4
| UG Reqs: GER:DB-Hum
Instructors:
Ulman, E. (PI)
MUSIC 127A: Instrumentation and Orchestration
Individual instruments, instrumental groups within the orchestra, and combinations of groups. Arrangements from piano to orchestral music. Score analysis with respect to orchestration. Practical exercises using chamber ensembles and school orchestra. Prerequisite: 23.
Terms: Aut
| Units: 3
| UG Reqs: GER:DB-Hum, WAY-CE
Instructors:
Aquilanti, G. (PI)
MUSIC 147J: Studies in Music, Media, and Popular Culture: The Soul Tradition in African American Music (AFRICAAM 19, AMSTUD 147J, CSRE 147J, MUSIC 247J)
The African American tradition of soul music from its origins in blues, gospel, and jazz to its influence on today's r&b, hip hop, and dance music. Style such as rhythm and blues, Motown, Southern soul, funk, Philadelphia soul, disco, Chicago house, Detroit techno, trip hop, and neo-soul. Soul's cultural influence and global reach; its interaction with politics, gender, place, technology, and the economy. Pre-/corequisite (for music majors):
MUSIC 22. (WIM at 4 units only.)
Terms: Aut
| Units: 3-4
| UG Reqs: GER:DB-Hum, GER:EC-AmerCul, WAY-A-II, WAY-ED
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