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1 - 4 of 4 results for: FILMPROD ; Currently searching summer courses. You can expand your search to include all quarters

FILMPROD 12AX: Narrative Filmmaking: From Script to Screen

Narrative Filmmaking: From Script to Screen is a hybrid writing/production course that guides students through the process of completing a 2-3 minute narrative film. Students will write scripts for short fiction films, and then, by filming them, learn to apply the fundamentals of digital video production. Initial classwork will include visual writing exercises, DSLR cinematography instruction, script work, and basic fiction film production. Students will continue on in groups of three to develop, film, edit, and critique 2-3 minute narrative films based on a shared class theme or narrative premise. This course is truly INTENSIVE and requires a significant amount of work (including nights and weekends) outside of class and daily deadlines for submission of creative work.
Terms: Sum | Units: 2 | UG Reqs: WAY-CE
Instructors: Tobin, A. (PI)

FILMPROD 13AX: Immersive Cinema

In this exploratory workshop, students will use a variety of tools (Audio recorders/360 cameras/Photogrammetry/Volumetric Capture/XR/Unity Programming) to tell immersive, interactive, and spatial stories. The aim of the projects will be to find forgotten and bring these lesser known stories of the past into the present ¿ including but not limited to Stanford's relationship to Indigenous communities, the formation of the Program in African and Afro-American Studies, the founding of Casa Zapata in 1972.
Students will use the conceptual framework of documentary media to inform their work, while also pushing toward new artistic languages and experimenting in the still-emerging form of XR storytelling. Over the course of the Arts Intensive, students will work in teams to create a series of short immersive pieces with an emphasis on experimentation. The course is time intensive: requiring some nights and weekends dedicated to production.n
Example assignments:
Immersive Spatial Audio "Sonic History of Place" Choose a place on campus with a specific history. With a mix of archival sound recordings, sound effects/foley, and newly recorded sounds, create an interactive audio texture that evokes and tells the history of that place via sound textures only. (note: use of a narrator summarizing (parts of) the story is not allowed.)
Augmented Installation "Make history visible" Choose a place on campus with a specific history. Using Unity programming or Adobe Aero, 3D objects, VR Painting, and sound elements, create an interactive virtual installation that evokes the history of that place on campus.
Terms: Sum | Units: 2 | UG Reqs: WAY-CE
Instructors: Meltzer, J. (PI)

FILMPROD 101: Screen Writing I: Visual Writing

A writing workshop that is an exploration of visual storytelling. Beginning with visual literacy, the class progresses from basic cinematic techniques through scene exercises to revisions and ultimately to connecting scenes in order to build sequences of script pages. Open to all majors; may substitute for ENGL 190F prerequisite for FP104.
Terms: Sum | Units: 5 | UG Reqs: WAY-CE

FILMPROD 801: TGR Project

Terms: Aut, Win, Spr, Sum | Units: 0 | Repeatable for credit
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