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51 - 60 of 75 results for: AFRICAAM

AFRICAAM 226: Mixed-Race Politics and Culture (AMSTUD 152K, CSRE 152K, ENGLISH 152K)

Today, almost one-third of Americans identify with a racial/ethnic minority group, and more than 9 million Americans identify with multiple races. What are the implications of such diversity for American politics and culture? This course approaches issues of race from an interdisciplinary perspective, employing research in the social sciences and humanities to assess how race shapes perceptions of identity as well as political behavior in 21st-century U.S. Issues surrounding the role of multiculturalism, immigration, acculturation, racial representation, and racial prejudice in American society. Topics include the political and social formation of race; racial representation in the media, arts, and popular culture; the rise and decline of the "one-drop rule" and its effect on political and cultural attachments; the politicization of census categories and the rise of the multiracial movement.
Terms: Spr | Units: 5 | UG Reqs: GER:DB-Hum, WAY-A-II, WAY-EDP
Instructors: Elam, M. (PI)

AFRICAAM 229: Literature and Global Health (AFRICAST 229, COMPLIT 229, CSRE 129B, FRENCH 229, HUMBIO 175L, MED 234)

This course examines the ways writers in literature and medicine have used the narrative form to explore the ethics of care in what has been called the developing world. We will begin with an introduction to global health ethics as a field rooted in philosophy and policy that address questions raised by practice in resource-constrained communities abroad. We will then spend the quarter understanding the way literature may deepen and even alter those questions. For instance: how have writers used scenes of practice in Africa, the Caribbean or South Asia to think through ideas of mercy, charity, beneficence and justice? How differently do they imagine such scenes when examining issues of autonomy, paternalism and language? To what extent, then, do novels and memoirs serve as sites of ethical inquiry? And how has literary study revealed the complexities of narrating care for underserved communities, and therefore presented close reading as a mode of ethics for global health? Readings will include prose fiction by Albert Camus, Joseph Conrad, Amitav Ghosh and Susan Sontag as well as physician memoirs featuring Frantz Fanon, Albert Schweitzer, Abraham Verghese and Paul Farmer.
Terms: Spr | Units: 3-5 | UG Reqs: WAY-ER, GER:DB-Hum, WAY-A-II, GER:EC-GlobalCom
Instructors: Ikoku, A. (PI)

AFRICAAM 245: Understanding Racial and Ethnic Identity Development (CSRE 245, EDUC 245)

African American, Native American, Mexican American, and Asian American racial and ethnic identity development; the influence of social, political and psychological forces in shaping the experience of people of color in the U.S. The importance of race in relationship to social identity variables including gender, class, and occupational, generational, and regional identifications. Bi- and multiracial identity status, and types of white racial consciousness.
Terms: Win | Units: 3-5

AFRICAAM 267E: Martin Luther King, Jr. - His Life, Ideas, and Legacy (AMSTUD 267E, HISTORY 267E)

Using the unique documentary resources and publications of Stanford's King Research and Education Institute, this course will provide a general introduction to King's life, visionary ideas, and historical significance. In addition to lectures and discussions, the course will include presentations of documentaries such as Eyes on the Prize. Students will be expected to read the required texts, participate in class discussions, and submit a research paper or an audio-visual project developed in consultation with the professor.
Terms: Win | Units: 4-5
Instructors: Carson, C. (PI)

AFRICAAM 290: Ferguson in a Global Frame: Human Rights and the Arts (COMPLIT 290, CSRE 290)

This course introduces students to fundamental concepts of international human rights and uses these concepts to frame problems of inequality, marginality, exclusion and injustice that are chronic across the globe¿including the United States. Focusing on Ferguson as a point of inflection, this course will consider police repression of political protest in a comparative context. The course will also use the lens of fundamental human rights to explore a state¿s failure to investigate and prosecute, and its failure to protect its citizens from violations committed by agents or from non-state agents. In each thematic unit, we will examine the United States in a comparative lens, and will consider how we understand, frame, mourn and contest the violations of rights in literature, the visual arts, and in social and political action. We will continuously examine the role of the arts in disseminating, shaping and deepening our understanding of multiple dimensions of human rights violations. At the same time, we will consider how these cultural products reflect on, illuminate, contest or problematize advocacy texts and sources of international law. We will examine texts from the United States, Brazil, South Africa, among other countries, as well as documents from international and regional human rights bodies.
Terms: Win | Units: 3-5

AFRICAAM 32: The 5th Element: Hip Hop Knowledge, Pedagogy, and Social Justice (AMSTUD 32, CSRE 32A, EDUC 32X, EDUC 432X, TAPS 32)

This course-series brings together leading scholars with critically-acclaimed artists, local teachers, youth, and community organizations to consider the complex relationships between culture, knowledge, pedagogy and social justice. Participants will examine the cultural meaning of knowledge as "the 5th element" of Hip Hop Culture (in addition to MCing, DJing, graffiti, and dance) and how educators and cultural workers have leveraged this knowledge for social justice. Overall, participants will gain a strong theoretical knowledge of culturally relevant and culturally sustaining pedagogies and learn to apply this knowledge by engaging with guest artists, teachers, youth, and community youth arts organizations.

AFRICAAM 33: From Moments to Movements: New Media, Narrative, and 21st Century Activism

In this course, taught by leading cultural critic, dream hampton, we'll look at 21st century activism as influenced by both new media and an emphasis on narrative, critically investigating the opportunities and limitations created by #hashtag activism. We'll examine the work and talk to the organizers who are developing new strategies for on and offline activism. In real time, students will track, engage and create metric analytics of certain online activism trends, looking closely at those whose impact and success is measurable. Students will have the opportunity to participate in a day long, youth lead activist training. We will read classic twentieth century media: texts, posters, pamphlets and papers with an emphasis on the intersection of the political and cultural. Students will produce their own low fi zine or help a student organization of their choice develop their online presence.
Instructors: Hampton, D. (PI)

AFRICAAM 40SI: Possessive Investment in Whiteness

An approachable but nuanced way of developing a notion of the construction and maintenance of whiteness in the United States. By focusing on George Lipsitz's book, the class works to challenge and refine the ideas of white privilege and race in the history and contemporary United States. By focusing on the single text, with some outside supplementary material, the course does not contend that Lipsitz is providing the only truth, but the class looks to complicate his notions and expand them with personal and outside understandings. May be repeated for credit.
| Repeatable 2 times (up to 4 units total)

AFRICAAM 64C: From Freedom to Freedom Now!: African American History, 1865-1965

(Same as HISTORY 164C. History majors and others taking 5 units, register for 164C.) Explores the working lives, social worlds, political ideologies and cultural expressions of African Americans from emancipation to the early civil rights era. Topics include: the transition from slavery to freedom, family life, work, culture, leisure patterns, resistance, migration and social activism. Draws largely on primary sources including autobiographies, memoirs, letters, personal journals, newspaper articles, pamphlets, speeches, literature, film and music.
| UG Reqs: GER:DB-SocSci, GER:EC-AmerCul

AFRICAAM 75E: Black Cinema

How filmmakers represent historical and cultural issues in Black cinema.
| Repeatable 3 times (up to 6 units total)
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