2019-2020 2020-2021 2021-2022 2022-2023 2023-2024
Browse
by subject...
    Schedule
view...
 

331 - 340 of 359 results for: MUSIC

MUSIC 310: Research Seminar in Musicology

For graduate students. Topics vary each quarter. May be repeated for credit a total of 8 times.
Terms: Aut, Win, Spr | Units: 3-5 | Repeatable 9 times (up to 45 units total)

MUSIC 319: Research Seminar on Computational Models of Sound Perception

All aspects of auditory perception, often with emphasis on computational models. Topics: music perception, signal processing, auditory models, pitch perception, speech, binaural hearing, auditory scene analysis, basic psychoacoustics, and neurophysiology. See http://ccrma.stanford.edu/courses/. May be repeated for credit a total of 14 times.
Terms: Aut, Win, Spr, Sum | Units: 1-3 | Repeatable 15 times (up to 45 units total)
Instructors: Slaney, M. (PI)

MUSIC 320: Introduction to Audio Signal Processing

A first-course in signal processing with applications in computer music and audio for students comfortable with high-school algebra, calculus, complex variables, and beginning linear algebra. The lectures cover fundamentals of audio signal processing such as sinusoids, spectra, Fourier transforms, Laplace transform, z transform, linear time-invariant filters, digitizing systems, transfer-function analysis, and basic Fourier analysis in the continuous and discrete-time cases. Python is used for in-class demonstrations and homework/lab assignments. The labs focus on practical applications of the theory, with emphasis on working with waveforms and spectra, ''getting sound'', and developing proficiency in the Python language. See http://ccrma.stanford.edu/courses/320/.
Terms: Aut | Units: 2-4

MUSIC 320C: Audio DSP Projects in Faust and C++

Course focuses on developing an audio signal-processing plugin or stand-alone application in C++. Prior experience is assumed with programming in Matlab/Octave and C/C++, and signal processing theory on the level of Music 320. Class time is devoted to presenting use of the Faust programming language for generating C++, the JUCE framework for creating audio plugins or stand-alone applications, related theory and projects, project progress reports, and project final presentations.
Terms: Win, Spr | Units: 1-10
Instructors: Smith, J. (PI)

MUSIC 320D: Tutorial on Audio Signal Processing for Musicians

A tutorial section aimed at students who would like a review of prerequisite material for the Center for Computer Research in Music and Acoustics (CCRMA) audio signal processing (ASP) series of classes. The tutorial can be taken prior to or concurrently with Music 320. Sessions will be structured towards the specific needs of attendees.
Last offered: Spring 2023 | Repeatable 10 times (up to 10 units total)

MUSIC 320E: Self-Paced Coursework, Projects, and/or Research in Music/Audio Signal Processing

Independent coursework, projects, and/or research in music/audioapplications of signal processing. Prerequisite: 320.
Terms: Aut, Win, Spr | Units: 1-10 | Repeatable 6 times (up to 60 units total)
Instructors: Smith, J. (PI)

MUSIC 321: Readings in Music Theory

Directed reading and research. May be repeated for credit a total of 15 times.
Terms: Aut, Win, Spr, Sum | Units: 1-5 | Repeatable 15 times (up to 75 units total)

MUSIC 322: Music/Audio Signal Processing Research Overviews

Introduction to music/audio signal-processing research. Research papers and presentations are discussed in weekly meetings. Students active in related research are invited to present overviews. Emphasis is on currently active topics and their fundamental underpinnings.
Last offered: Autumn 2022 | Repeatable 6 times (up to 6 units total)

MUSIC 323: Doctoral Seminar in Composition

Illustrated discussions of compositional issues and techniques. Presentation of relevant topics, including students' own compositional practice. May be repeated for credit a total of 14 times.
Terms: Aut, Win, Spr | Units: 3-4 | Repeatable 15 times (up to 60 units total)

MUSIC 324: Graduate Composition Forum

Community forum for all graduate student composers. Discussion of completed and in-progress work by students, faculty, and visiting composers. Repertoire listening sessions. Planning of upcoming Department events. Special area exam topic presentations, final doctoral project presentations, and review of portfolios. Many sessions are open to the public.May be repeated for credit
Terms: Aut, Win, Spr | Units: 1 | Repeatable 18 times (up to 18 units total)
Filter Results:
term offered
updating results...
teaching presence
updating results...
number of units
updating results...
time offered
updating results...
days
updating results...
UG Requirements (GERs)
updating results...
component
updating results...
career
updating results...
© Stanford University | Terms of Use | Copyright Complaints