MUSIC 42: Music History Since 1830
Pre- or corequisite: 23.
Terms: Spr
| Units: 4
| UG Reqs: GER:DB-Hum, WAY-A-II
Instructors:
Kronengold, C. (PI)
;
Kinney, M. (TA)
MUSIC 122A: Counterpoint
Analysis and composition of contrapuntal styles from the Renaissance and Baroque periods. Use of keyboard, ear training, and sight singing underlies all written work. Prerequisites:
MUSIC 23 and
MUSIC 24C; passing piano-proficiency examination; or, consent of instructor.
Terms: Spr
| Units: 4
| UG Reqs: GER:DB-Hum, WAY-A-II
Instructors:
Ory, B. (PI)
MUSIC 122B: Analysis of Tonal Music
Complete movements, or entire shorter works of the 18th and 19th centuries, are analyzed in a variety of theoretical approaches. Prerequisites:
MUSIC 23 and
MUSIC 24C; passing piano-proficiency examination; or, consent of instructor.
Terms: Win
| Units: 4
| UG Reqs: GER:DB-Hum, WAY-A-II
Instructors:
Ulman, E. (PI)
;
Lortie, C. (TA)
MUSIC 122C: Introduction to 20th-Century Composition
Contemporary works, with emphasis on music since 1945. Projects in free composition based on 20th-century models. Prerequisites:
MUSIC 23 and
MUSIC 24C; passing piano-proficiency examination; or, consent of instructor.
Terms: Aut
| Units: 4
| UG Reqs: GER:DB-Hum
Instructors:
Ulman, E. (PI)
;
Vince, D. (TA)
MUSIC 127A: Instrumentation and Orchestration
Individual instruments, instrumental groups within the orchestra, and combinations of groups. Arrangements from piano to orchestral music. Score analysis with respect to orchestration. Practical exercises using chamber ensembles and school orchestra. Prerequisite: 23.
Terms: Aut
| Units: 3
| UG Reqs: GER:DB-Hum, WAY-CE
Instructors:
Aquilanti, G. (PI)
MUSIC 146J: Studies in Ethnomusicology: Listening to the Local: Music Ethnography of the Bay Area (ANTHRO 146J, CSRE 146J, MUSIC 246J)
An introduction to music ethnography through student research on musical life in the Bay Area. Focus is on the intersections of music, social life, and cultural practice by engaging with people as they perform music and culture in situ. Techniques taught include participant-observation, interviewing and oral history, writing field-notes, recording, transcription, analysis, and ethnographic writing. Pre-/co-requisite (for music majors):
MUSIC 22. (WIM at 4 units only.)
Terms: Spr
| Units: 3-5
| UG Reqs: GER:DB-Hum, GER:EC-AmerCul, WAY-A-II, WAY-EDP
Instructors:
Christensen, K. (TA)
MUSIC 147K: Studies in Music, Media, and Popular Culture: Music and Urban Film (CSRE 147D, MUSIC 247K)
How music and sound work in urban cinema. What happens when music's capacity to transform everyday reality combines with the realism of urban films? Provides an introduction to traditional theories of film music and film sound; considers how new technologies and practices have changed the roles of music in film. Readings discuss film music, realistic cinema, urban musical practices and urban culture. Viewing includes action/adventure, Hindi film, documentary, film noir, hip hop film, the musical, and borderline cases by Jean-Luc Godard, Spike Lee, Wong Kar-Wai and Tsai Ming-Liang. Pre- or corequisite (for music majors):
MUSIC 22. (WIM at 4 unit level only.)
Terms: Aut
| Units: 3-4
| UG Reqs: GER:DB-Hum, GER:EC-GlobalCom, WAY-A-II, WAY-EDP
Instructors:
Kronengold, C. (PI)
;
Kinney, M. (TA)
MUSIC 154A: Sound Art I (ARTSTUDI 131)
Acoustic, digital and analog approaches to sound art. Familiarization with techniques of listening, recording, digital processing and production. Required listening and readings in the history and contemporary practice of sound art. (lower level)
Terms: Aut
| Units: 4
| UG Reqs: GER:DB-Hum, WAY-CE
Instructors:
DeMarinis, P. (PI)
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