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101 - 110 of 155 results for: ARTSTUDI

ARTSTUDI 239: Intermedia Workshop (MUSIC 155, MUSIC 255)

Students develop and produce intermedia works. Musical and visual approaches to the conceptualisation and shaping of time-based art. Exploration of sound and image relationship. Study of a wide spectrum of audiovisual practices including experimental animation, video art, dance, performance, non-narrative forms, interactive art and installation art. Focus on works that use music/sound and image as equal partners. Limited enrollment. Prerequisites: consent of instructors, and one of FILMPROD 114, ARTSTUDI 131, 138, 167, 177, 179, or MUSIC 123, or equivalent. May be repeated for credit
Terms: Spr | Units: 4 | UG Reqs: WAY-CE, WAY-A-II | Repeatable 2 times (up to 8 units total)

ARTSTUDI 240: Drawing II

Intermediate/advanced. Observation, invention, and construction. Development of conceptual and material strategies, with attention to process and purpose. May be repeated for credit. Prerequisite: 140 or consent of instructor. (upper level)
Terms: Win, Spr | Units: 4 | UG Reqs: WAY-CE | Repeatable 2 times (up to 8 units total)

ARTSTUDI 241: Expression in Brush and Ink

In this upper-level drawing class, students learn to use brush and ink as unique expressive means though the study of traditional and contemporary ink paintings, drawing from life as well as free experimentation. Observation, expression and abstraction will be integrated through persistent practice.
Terms: Aut | Units: 4 | UG Reqs: WAY-CE | Repeatable 2 times (up to 8 units total)
Instructors: Xie, X. (PI)

ARTSTUDI 241A: Drawing from Life (ARTSTUDI 141A)

The subject of this course is Life as we know it, and artists at all levels will learn to communicate their questions, concerns, and perspectives on paper. The drawing process empowers students to express themselves in their already unique visual languages, while the objects will be testimonies to their personal, cultural, spiritual, and revolutionary experiences. We begin by developing or refining students' fundamental techniques through indoor and outdoor observational drawing. Our focus shifts toward representational and conceptual strategies for storytelling that reference students¿ archives, popularized content, literature, historical references and more. Through drawing, we discuss and examine a diverse range of contemporary art to address the legacy of visual art. All preparation must be done between class meetings, and all artworks will be made during class to maximize the studio art-making experience.
Last offered: Summer 2021

ARTSTUDI 242: Drawing and Creative Writing

A dynamic mix of guided writing and drawing assignments, and self-driven studio time. We will get dirty with the ABCs of drawing while playing with freeing constraints and looking closely into the visual dimension of words. Through a spirited, daily practice students will learn how to trust and blast open the art that they uniquely make. Students will create their own semiotic games, word-shapes and poem-pictures. Investigating cross-pollinations, intersections and possibilities as points of departure, we will experiment with inventive tensions between visual and written images. We will look at (and write about) art history as artists.
Terms: Spr, Sum | Units: 4 | UG Reqs: WAY-CE | Repeatable 2 times (up to 8 units total)
Instructors: Rossell, D. (PI)

ARTSTUDI 242A: Drawing and Cameras

How do images move, and what does living in the crossfire of so many cameras do to our seeing? What else can we do with drawing, besides becoming perfect cameras? Students respond to their own questions and archives by thinking visually through a series of fun, hands-on exercises that integrate drawing and the experimental use of cameras. Students lift images by redrawing and transforming them using charcoal, ink, color. We learn about diverse voices, including Queer and Latin American artists and thinkers, inviting us to ponder the ways in which they've shifted the mediums of drawing, photography, video. Prerequisite: Drawing 1 or permission of instructor.
Last offered: Spring 2023

ARTSTUDI 243: Anatomy for Artists (SURG 143)

Lectures highlight the intersections and influences between human anatomy and art. Studio sessions provide an opportunity for students to immerse in anatomically inspired studio projects. Drawing, mixed media, and some painting mediums will be used during the studio sessions. Plastic models, dry bones, cadaveric specimens, and live models will be used for the studio sessions. Class time includes art instruction, creation and feedback. May be repeated for credit. Honing individual style is encouraged; both beginning and advanced students are welcome.
Terms: Spr | Units: 3 | UG Reqs: WAY-CE

ARTSTUDI 245: Painting II

Symbolic, narrative, and representational self-portraits. Introduction to the pictorial strategies, painting methods, and psychological imperatives of Dürer, Rembrandt, Cézanne, Kahlo, Beckmann, Schiele, and Munch. Students paint from life, memory, reproductions, and objects of personal significance to create a world in which they describe themselves. May be repeated for credit. Prerequisites: 140, 145, or consent of instructor. (upper level)
Terms: Win, Spr | Units: 4 | UG Reqs: WAY-CE | Repeatable 4 times (up to 16 units total)

ARTSTUDI 246: Individual Work: Drawing and Painting

Prerequisite: student must have taken a course with the instructor and/or completed relevant introductory studio course(s). Instructor consent and completion of the Independent Study Form are required prior to enrollment. All necessary forms are required by the end of Week 2 of each quarter. Please contact the Student Services Specialist in McMurtry 108 for more information. May be repeated for credit.
Terms: Aut, Win, Spr | Units: 1-5 | Repeatable for credit

ARTSTUDI 247: Collage

Collage has influenced painting and drawing practices, as well as film and photography through juxtaposition, scale shifts, and reappropriation of the found image. Although many iconic works in this medium date to the 20th century, this course focuses on collage as a vibrant, contemporary form. Lectures on artists using collage with new vigor. Studio component focused on experimentation and exploration. Student work is encouraged to speak to personal, aesthetic, or political concerns, using findings from magazines, advertisements, internet, and other sources. Working with Photoshop, scans and with print, we will use collage elements to create new and stunning compositions of contemporary life.Prerequisites: 140, 145, or consent of instructor. (upper level). May be repeated for credit
Terms: Aut | Units: 4 | UG Reqs: WAY-CE | Repeatable 2 times (up to 8 units total)
Instructors: Ebtekar, A. (PI)
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