printer friendly pageMUSIC 277: Advanced Percussion
May be repeated for credit a total of 14 times. Admission is by audition only. There is a fee for this class. Please visit
http://music.stanford.edu/Academics/LessonSignups.html for class fees and audition information. All participants must enroll. Zero unit enrollment option available with instructor permission. See website: (
http://music.stanford.edu) for policy and procedure.
Terms: Aut, Win, Spr
| Units: 1-3
| Repeatable
15 times
(up to 45 units total)
Instructors:
Mach, L. (PI)
MUSIC 277A: Advanced Drum Set
May be repeated for credit a total of 15 times. There is a fee for this class. Please visit
http://music.stanford.edu/Academics/LessonSignups.html for class fees and audition information. All participants must enroll. Zero unit enrollment option available with instructor permission. See website: (
http://music.stanford.edu) for policy and procedure.
Terms: Aut, Win, Spr
| Units: 1-3
| Repeatable
14 times
(up to 42 units total)
Instructors:
Rokeach, D. (PI)
MUSIC 280: TA Training Course
Required for doctoral students serving as teaching assistants. Orientation to resources at Stanford, guest presentations on the principles of common teaching activities, supervised teaching experience. Students who entered in the Autumn should take 280 in the Spring prior to the Autumn they begin teaching.
Terms: Spr
| Units: 1
Instructors:
Haag, K. (PI)
;
Herndon, J. (PI)
MUSIC 300B: Renaissance Notation
Western notation of the Middle Ages and Renaissance: principles, purposes, and transcription.
Terms: Win
| Units: 3-4
Instructors:
Rodin, J. (PI)
MUSIC 302: Research in Musicology
Directed reading and research. May be repeated for credit a total of 14 times.
Terms: Aut, Win, Spr, Sum
| Units: 1-5
| Repeatable
14 times
(up to 70 units total)
Instructors:
Barth, G. (PI)
;
Berger, K. (PI)
;
Gill, D. (PI)
;
Grey, T. (PI)
;
Hadlock, H. (PI)
;
Hinton, S. (PI)
;
Kronengold, C. (PI)
;
Mahrt, W. (PI)
;
Rodin, J. (PI)
;
Schultz, A. (PI)
MUSIC 305D: Analysis from a Compositional Perspective
Introduction to analysis, examining diverse examples in part chosen from, otherwise supplementing and illuminating, the graduate composers' qualifying exam list; consideration of aesthetic premises and motivations, and of implications for contemporary compositional practice.
Terms: Aut
| Units: 4
Instructors:
Ulman, E. (PI)
MUSIC 310: Research Seminar in Musicology
For graduate students. Topics vary each quarter. May be repeated for credit a total of 8 times.
Terms: Aut, Spr
| Units: 3-5
| Repeatable
9 times
(up to 45 units total)
Instructors:
Hadlock, H. (PI)
;
Rodin, J. (PI)
MUSIC 312A: Aesthetics and Criticism of Music, Ancients and Moderns: Plato to Nietzsche
For graduate students. Primary texts focusing on the nature, purposes, and uses of music and other arts.
Terms: Aut
| Units: 3-4
Instructors:
Berger, K. (PI)
MUSIC 312B: Aesthetics and Criticism of Music, Contemporaries: Heidegger to Today
For graduate students. Primary texts focusing on the nature, purposes, and uses of music and other arts.
Terms: Win
| Units: 3-4
Instructors:
Berger, K. (PI)
MUSIC 318: Advanced Acoustics
Current topics. May be repeated for credit.
Terms: Spr
| Units: 1-5
| Repeatable
for credit
Instructors:
Rossing, T. (PI)
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