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1 - 10 of 13 results for: ARTSTUDI

ARTSTUDI 21AX: Bay Area Arts Immersion

Students explore the arts in San Francisco, the East Bay, the North Bay, the Peninsula, and the South Bay with Kevin B. Chen. The Bay Area Arts Immersion combines field trips with on-campus workshops.
Terms: Sum | Units: 2

ARTSTUDI 141A: Drawing from Life (ARTSTUDI 241A)

The subject of this course is Life as we know it, and artists at all levels will learn to communicate their questions, concerns, and perspectives on paper. The drawing process empowers students to express themselves in their already unique visual languages, while the objects will be testimonies to their personal, cultural, spiritual, and revolutionary experiences. We begin by developing or refining students' fundamental techniques through indoor and outdoor observational drawing. Our focus shifts toward representational and conceptual strategies for storytelling that reference students¿ archives, popularized content, literature, historical references and more. Through drawing, we discuss and examine a diverse range of contemporary art to address the legacy of visual art. All preparation must be done between class meetings, and all artworks will be made during class to maximize the studio art-making experience.
Terms: Sum | Units: 2-4

ARTSTUDI 145: Painting I

Introduction to techniques, materials, and vocabulary in oil painting. Still life, landscape, and figure used as subject matter. Emphasis is on painting and drawing from life. (lower level)
Terms: Aut, Win, Spr, Sum | Units: 4 | UG Reqs: WAY-CE, WAY-CE, WAY-CE

ARTSTUDI 155: Social Sculpture (TAPS 155)

This course investigates the immediacy of the body as material and sculpture in order to investigate private and social spaces. Actions are often used to understand or question the function and psychological aspects of a space and are documented for the perpetuation of these ideas. Throughout the quarter we will investigate the body as material and develop site specific performances enacted for: Private/Domestic and Public Space; Constructed Space & Physical Space; ecological systems; and generate both Individual & Collaborative based Actions, Interventions, & Events."
Terms: Sum | Units: 4 | UG Reqs: WAY-CE
Instructors: Yanez, V. (PI)

ARTSTUDI 241A: Drawing from Life (ARTSTUDI 141A)

The subject of this course is Life as we know it, and artists at all levels will learn to communicate their questions, concerns, and perspectives on paper. The drawing process empowers students to express themselves in their already unique visual languages, while the objects will be testimonies to their personal, cultural, spiritual, and revolutionary experiences. We begin by developing or refining students' fundamental techniques through indoor and outdoor observational drawing. Our focus shifts toward representational and conceptual strategies for storytelling that reference students¿ archives, popularized content, literature, historical references and more. Through drawing, we discuss and examine a diverse range of contemporary art to address the legacy of visual art. All preparation must be done between class meetings, and all artworks will be made during class to maximize the studio art-making experience.
Terms: Sum | Units: 2-4

ARTSTUDI 242: Drawing and Creative Writing

This class integrates drawing and the written word through a mix of hands-on drawing studio time and writing workshops. We will create drawings that integrate text and create texts inspired by drawings. We will also study and take inspiration from literature and art that plays with images and the written word. In the process, we will come up with experiments for what to do with images and words, for how to poach them, cross-pollinate them, orchestrate them, distill them, resist them or unflatten them.nPrerequisite: Drawing 1 or permission of instructor
Terms: Spr, Sum | Units: 4
Instructors: Rossell, D. (PI)

ARTSTUDI 247: Collage

Collage has influenced painting and drawing practices, as well as film and photography through juxtaposition, scale shifts, and reappropriation of the found image. Although many iconic works in this medium date to the 20th century, this course focuses on collage as a vibrant, contemporary form. nnLectures on artists using collage with new vigor. Studio component focused on experimentation and exploration. Student work is encouraged to speak to personal, aesthetic, or political concerns, using findings from magazines, advertisements, internet, and other sources. Working with Photoshop, scans and with print, we will use collage elements to create new and stunning compositions of contemporary life.nnPrerequisites: 140, 145, or consent of instructor. (upper level). May be repeated for credit
Terms: Sum | Units: 4 | UG Reqs: WAY-CE | Repeatable 2 times (up to 8 units total)
Instructors: Ebtekar, A. (PI)

ARTSTUDI 287: Animation II

This course expands upon techniques and storytelling methods learned in Animation I. We continue to survey the field of independent animation primarily through short films and other social digital platforms. As our media consumption is increasingly comprised of videos ranging from a few seconds to 'longer' formats such as 10 minutes, the ability to generate and manipulate sound, image, and time for personal expression is more relevant than ever. This interdisciplinary knowledge is to be expanded upon over a lifetime in settings such as the artist¿s studio and applied fields such as AR/VR and user interfaces. Projects will concentrate on visual style (abstract to representational), storytelling, and personal expression. Emphasis will be placed on storyboarding to produce cohesive visual statements. Experimentation strongly encouraged. This is NOT an Anime class.
Terms: Sum | Units: 4 | Repeatable 2 times (up to 8 units total)
Instructors: Miyazaki, M. (PI)

ARTSTUDI 290: Curricular Practical Training

CPT course required for international students completing degree.
Terms: Aut, Win, Spr, Sum | Units: 1-3 | Repeatable for credit
Instructors: Wight, G. (PI)

ARTSTUDI 295: Visual Arts Internship

Professional experience in a field related to the Visual Arts for six to ten weeks. Internships may include work for galleries, museums, art centers, and art publications. Students arrange the internship, provide a confirmation letter from the hosting institution, and must receive consent from the faculty coordinator to enroll in units. To supplement the internship students maintain a journal. Evaluations from the student and the supervisor, together with the journal, are submitted at the end of the internship. Restricted to declared majors and minors. May be repeated for credit.
Terms: Win, Spr, Sum | Units: 1-5 | Repeatable 3 times (up to 15 units total)
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