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1 - 8 of 8 results for: FEMGEN

FEMGEN 10SC: LGBT History and Culture in the Bay Area

Since at least World War II, the San Francisco Bay Area has served as a center for LGBTQ life in the United States. It emerged early as a place where queer people could congregate and interact more freely, but it also was frequently at the vanguard when it came to organizing around issues of gender and sexuality. At the same time, as some queer communities of the Bay Area have done extremely well, others have continued to have to struggle for their rights, their place and their say. This course explores the genesis and legacy of different queer communities and explores their impact on Bay Area culture. Topics discussed will include the Beats, lesbian separatism, the response to AIDS, the relationship between different LGBTQ communities and the police, trans activism, prostitution and sex worker rights. The course combines literature, art and poetry of seven decades with historical documents, as well as local visits and walking tours. The last third of the course allows students to pursue archival or oral history research projects, as students unearth their own stories of queer San Francisco.
Terms: Sum | Units: 2
Instructors: Daub, A. (PI)

FEMGEN 94Q: The Future is Feminine (ENGLISH 94Q)

Gender is one of the great social issues of our time. What does it mean to be female or feminine? How has femininity been defined, performed, punished, or celebrated? Writers are some of our most serious and eloquent investigators of these questions, and in this class we'll read many of our greatest writers on the subject of femininity, as embodied by both men and women, children and adults, protagonists and antagonists. From Virginia Woolf to Ernest Hemingway, from Beloved to Gone Girl (and even "RuPaul's Drag Race"), we'll ask how the feminine is rendered and contested. We'll do so in order to develop a history and a vocabulary of femininity so that we may, in this important time, write our own way in to the conversation. This is first and foremost a creative writing class, and our goals will be to consider in our own work the importance of the feminine across the entire spectrum of gender, sex, and identity. We will also study how we write about femininity, using other writers as mo more »
Gender is one of the great social issues of our time. What does it mean to be female or feminine? How has femininity been defined, performed, punished, or celebrated? Writers are some of our most serious and eloquent investigators of these questions, and in this class we'll read many of our greatest writers on the subject of femininity, as embodied by both men and women, children and adults, protagonists and antagonists. From Virginia Woolf to Ernest Hemingway, from Beloved to Gone Girl (and even "RuPaul's Drag Race"), we'll ask how the feminine is rendered and contested. We'll do so in order to develop a history and a vocabulary of femininity so that we may, in this important time, write our own way in to the conversation. This is first and foremost a creative writing class, and our goals will be to consider in our own work the importance of the feminine across the entire spectrum of gender, sex, and identity. We will also study how we write about femininity, using other writers as models and inspiration. As we engage with these other writers, we will think broadly and bravely, and explore the expressive opportunities inherent in writing. We will explore our own creative practices through readings, prompted exercises, improv, games, collaboration, workshop, and revision, all with an eye toward writing the feminine future.
Terms: Win, Sum | Units: 3 | UG Reqs: WAY-A-II, WAY-CE
Instructors: Pufahl, S. (PI)

FEMGEN 105: Honors Work

For honors students who are doing independent work with faculty advisors.
Terms: Aut, Win, Spr, Sum | Units: 1-15 | Repeatable for credit

FEMGEN 108: Internship in Feminist Studies

Terms: Aut, Win, Spr, Sum | Units: 1-5 | Repeatable 3 times (up to 15 units total)

FEMGEN 124A: Do I Sound...? Identity, Technology, and Voice in Performance and Media (CSRE 124)

Do I sound: Black? American? Feminine? Queer? Human? In this course we will explore the relationship between identity and technology through the voice - spoken, sung, screamed, and written. We will examine case studies spanning genres (film, popular music, opera, and social media performance) and the globe (France, India, Italy, Japan, and the United States). Grounding these case studies, we will also read theory from the fields of Performance Studies, Film Studies, Critical Musicology, Technology Studies, and Linguistics.
Terms: Sum | Units: 4-5

FEMGEN 147: Feminism and Technology

How can a feminist lens help us understand technology? What can technology teach us about gender? This course explores the mutual shaping of gender and technology using an intersectional feminist approach. We will draw on theories from feminist science and technology studies (STS) to examine contemporary and historical case studies with attention to how race, sexuality, disability, and class impact the relationship between gender and technology. Topics include the history of computing, digital labor and the gig economy, big data and surveillance, bias and algorithms, reproductive technologies, videogames, and social media.
Terms: Aut, Sum | Units: 4-5 | UG Reqs: WAY-EDP, WAY-SI

FEMGEN 195: Directed Reading

May be repeated for credit. (Staff)
Terms: Aut, Win, Spr, Sum | Units: 1-15 | Repeatable for credit

FEMGEN 312G: Advanced Workshop in Pitching and Publishing for Popular Media (ENGLISH 318A)

Terms: Sum | Units: 1
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