MUSIC 15N: The Aesthetics of Data
Focus on visual and auditory display of data, specifically, the importance of aesthetic principles in effective data display, and the creative potential of scientific, biological, environmental and other data as inspiration for artistic expression.
Terms: Aut
| Units: 3
| UG Reqs: GER:DB-Hum, WAY-CE
Instructors:
Berger, J. (PI)
MUSIC 17N: The Operas of Mozart
Preference to freshmen. Four of Mozart's mature operas, the earliest works in the operatic repertoire never to go out of fashion. What accounts for this extraordinary staying power? Focus on the history of their composition, performance, and reception, and their changing significance from Mozart's time to the present.
Terms: Win
| Units: 3
| UG Reqs: GER:DB-Hum, WAY-A-II
Instructors:
Berger, K. (PI)
MUSIC 17Q: Perspectives in North American Taiko
Preference to sophomores. Taiko, or Japanese drum, is a newcomer to the American music scene. Emergence of the first N. American taiko groups coincided with increased Japanese American activism, and to some it is symbolic of Japanese American identity. N. American taiko is associated with Japanese American Buddhism. Musical, cultural, historical, and political perspectives of taiko. Hands-on drumming. Japanese music and Japanese American history, and relations among performance, cultural expression, community, and identity.
Terms: Spr
| Units: 4
| UG Reqs: GER:EC-AmerCul, GER:DB-Hum, WAY-CE, WAY-EDP
Instructors:
Sano, S. (PI)
;
Uyechi, L. (PI)
MUSIC 18A: Jazz History: Ragtime to Bebop, 1900-1940 (AFRICAAM 18A)
From the beginning of jazz to the war years.
Terms: Win
| Units: 3
| UG Reqs: GER:DB-Hum, GER:EC-AmerCul, WAY-A-II
Instructors:
Berry, F. (PI)
MUSIC 18B: Jazz History: Bebop to Present, 1940-Present (AFRICAAM 18B)
Modern jazz styles from Bebop to the current scene. Emphasis is on the significant artists of each style.
Terms: Spr
| Units: 3
| UG Reqs: WAY-A-II, GER:DB-Hum, GER:EC-AmerCul
Instructors:
Berry, F. (PI)
MUSIC 19A: Introduction to Music Theory
For non-music majors and Music majors or minors unable to pass the proficiency test for entry to
MUSIC 21. The fundamentals of music theory and notation, basic sight reading, sight singing, ear training, keyboard harmony; melodic, rhythmic, and harmonic dictation. Skill oriented, using piano and voice as basic tools to develop listening and reading skills.
Terms: Aut
| Units: 3
| UG Reqs: GER:DB-Hum, WAY-A-II, WAY-CE
MUSIC 19B: Intermediate Music Theory
This course is an introduction to music theory geared toward students who have basic literacy skills (i.e. fundamental notation, identifying major and minor scales, keys, etc). Using musical materials from repertoire selected from campus and area concerts, and incorporating the opportunity to attend these concerts, the course will introduce elements of harmony, melody, form, orchestration and arrangement. The course is an appropriate successor to
Music 19A. Students who successfully complete
Music 19B can go on directly to
Music 21.
Terms: Spr
| Units: 3
| UG Reqs: GER:DB-Hum, WAY-CE, WAY-A-II
Instructors:
Berger, T. (PI)
;
Naranjo Rivadeneyra, I. (TA)
MUSIC 20A: Jazz Theory (AFRICAAM 20A)
Introduces the language and sounds of jazz through listening, analysis, and compositional exercises. Students apply the fundamentals of music theory to the study of jazz. Prerequisite: 19 or consent of instructor.
Terms: Aut
| Units: 3
| UG Reqs: GER:DB-Hum, WAY-A-II, WAY-CE
Instructors:
Nadel, J. (PI)
MUSIC 20B: Advanced Jazz Theory
Approaches to improvisation through listening and transcribing, and developing familiarity with important contributors to this music. Topics: scale theory, altered dominants, and substitute harmony. Prerequisite: 20A or consent of instructor.
Terms: Win
| Units: 3
| UG Reqs: GER:DB-Hum, WAY-A-II, WAY-CE
Instructors:
Nadel, J. (PI)
MUSIC 21: Elements of Music I
Preference to majors. Introduction to tonal theory. Practice and analysis. Diatonic harmony focusing on melodic and harmonic organization, functional relationships, voice-leading, and tonal structures. Students must concurrently enroll in an Ear-training and musicianship lab (
MUSIC 24a, 24b, or 24c as appropriate). Music majors must take 4 courses in ear training, and pass an ear training exit exam in their Junior year. Enrollment limited to 40. Prerequisites: (1) Piano Proficiency Exam (must be passed within the first two weeks of the term) or
MUSIC 12A (may be taken concurrently); (2) Passing grade on a basic musical skills proficiency examination on the first day of class or
MUSIC 19.
Terms: Aut, Win
| Units: 3
| UG Reqs: GER:DB-Hum, WAY-A-II, WAY-CE
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