ARTSTUDI 275: Photography II: Digital
Students continue to use DLSR cameras, with an ongoing emphasis on operating manual settings (focus, aperture, shutter speed, ISO, color temp/ white balance). They are taught intermediate-level digital printing (in color) using large-format printers. They continue to work with Lightroom as a file management system and are introduced to Photoshop. Students gain a deeper insight into and stronger grasp of practices in contemporary digital photography, with a continuing focus on the importance of photo editing/selection and sequencing, as well as questions around the conceptual and practical implications and limits of photographic images. Prerequisite:
ARTSTUDI 171 or equivalent. May be repeat for credit
Last offered: Spring 2020
| UG Reqs: WAY-CE
| Repeatable
2 times
(up to 8 units total)
ARTSTUDI 276: The Photographic Book
This course explores the historical development and artistic potential of photography books. Students will learn about book structures, signatures, binding styles, printing methods and publication platforms (from conventional print to web-based). They will focus on how to group and sequence photographic images to produce a coherent, thematically organized body of work, and examine the creative possibilities of integrating image and text. Students will have access to numerous campus resources to do research and develop ideas, including the extensive photo book collections of the Bowes Art & Architecture Library and the Cantor Museum. They will have to execute a photographic project of their own design and produce a hand-made book. Prerequisite:
ARTSTUDI 170,
ARTSTUDI 171, or equivalent.
Last offered: Autumn 2018
ARTSTUDI 277: Intermediate Photography Seminar
Students engage in professional photographic practices that prepare them to apply and expand upon the skills, methods and techniques they have learned in previous courses. They explore different themes in photography and take an in-depth look at the creative process of artists whose visions are based on the development of projects and bodies of work over an extended period of time. Students learn to refine their aesthetic over time by developing three such projects of their own, which involve significant independent work and active participation in critiques, with the goal of becoming adept at presenting their ideas and building a portfolio to show their work in a professional context. Students provide their own photographic equipment, will be provided with software and introduced to tools of support that will help them to more effectively execute their projects. This course may be repeated for credit.nnPrerequisite: Students should have taken at least three 200 level Intermediate Photography Topics Classes prior to enrolling in this Seminar or equivalent.
Terms: Aut, Spr
| Units: 4
| Repeatable
2 times
(up to 8 units total)
ARTSTUDI 277A: Video Art II
Video, criticism, and contemporary media theory investigating the time image. Students create experimental video works, addressing the integration of video with traditional art media such as sculpture and painting. Non-linearity made possible by Internet and DVD-based video. No prerequisite required.
Last offered: Spring 2017
ARTSTUDI 278: Photography II: Black and White
Students are introduced to and provided with medium-format film cameras, which they learn to use with an ongoing emphasis on operating manual settings (focus, aperture, shutter speed). Students are introduced to metering for film using hand-held light meters in a further study of light. They hone their printing skills and learn finer printing techniques using fiber-based paper. They also explore the full range of black and film stocks and get to experiment with alternative techniques like pinhole photography, photograms and Holga cameras. Students gain a deeper insight into and stronger grasp of practices in contemporary black and white photography, with a continuing focus on the importance of photo editing/selection and sequencing, as well as questions around the conceptual and practical implications and limits of photographic images. Prerequisite:
ARTSTUDI 170 or equivalent.
Last offered: Spring 2020
| Repeatable
2 times
(up to 8 units total)
ARTSTUDI 279: Photo III B/W
TBD
| Repeatable
2 times
(up to 8 units total)
ARTSTUDI 284: Art and Biology
The relationship between biology and art. Rather than how art has assisted the biological sciences as in medical illustration, focus is on how biology has influenced art making practice. New technologies and experimental directions, historical shifts in artists' relationship to the living world, the effects of research methods on the development of theory, and changing conceptions of biology and life. Projects address these themes and others that emerge from class discussions and presentations. (upper level)
Last offered: Winter 2018
ARTSTUDI 286: Intermediate Photography: Portraiture
This course explores contemporary practices of portrait photography, examining its history and discourse on representations of race, gender, class, and sexuality. We look at the complexities of portraiture in terms of skill sets and processes, aesthetics and styles, ideology and identity, while engaging with such dualities as private/public, professional/amateur, and traditional/innovative. At a time when pictures are being produced and disseminated in unprecedented proliferation, we look into the pursuit of constructing meaning beyond pose and persona. This is an intermediate course in photography, with an ongoing emphasis on operating manual camera settings (focus, aperture, shutter speed, ISO, color temp/ white balance). Students continue to work with Lightroom as a file management system, are introduced to Photoshop, and focus on the importance of photo editing/selection and sequencing. Prerequisite:
ARTSTUDI 170 or
ARTSTUDI 171 or
ARTSTUDI 173E or equivalent.
Terms: Win
| Units: 4
| UG Reqs: WAY-CE
Instructors:
Hellu, J. (PI)
ARTSTUDI 287: Animation II
This course expands upon techniques and storytelling methods learned in Animation I. We continue to survey the field of independent animation primarily through short films and other social digital platforms. As our media consumption is increasingly comprised of videos ranging from a few seconds to 'longer' formats such as 10 minutes, the ability to generate and manipulate sound, image, and time for personal expression is more relevant than ever. This interdisciplinary knowledge is to be expanded upon over a lifetime in settings such as the artists studio and applied fields such as AR/VR and user interfaces. Projects will concentrate on visual style (abstract to representational), storytelling, and personal expression. Emphasis will be placed on storyboarding to produce cohesive visual statements. Experimentation strongly encouraged. This is NOT an Anime class.
Terms: Sum
| Units: 4
| Repeatable
2 times
(up to 8 units total)
Instructors:
Miyazaki, M. (PI)
ARTSTUDI 288: Intermediate Photography: Documentary
The documentary image has constituted a keystone of the photographic medium since the earliest days of its existence. In this class, we approach documentary photography from a contemporary perspective and in a context of active engagement with the world we inhabit. What do the ethics and aesthetics of documenting reality involve in an era when the instant representation of ourselves and our environment has become routine daily procedure? How can today's visual documentarian meet the challenge of creating work that meaningfully and critically relates to the complex global issues and struggles defining the current historical moment? This is an intermediate course in photography, with an ongoing emphasis on operating manual camera settings (focus, aperture, shutter speed, ISO, color temp/ white balance). Students continue to work with Lightroom as a file management system, are introduced to Photoshop, and focus on the importance of photo editing/selection and sequencing. Prerequisite:
ARTSTUDI 170 or
ARTSTUDI 171 or
ARTSTUDI 173E or equivalent.
Terms: Win
| Units: 4
| UG Reqs: WAY-CE
Instructors:
Lee, D. (PI)
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