printer friendly pageMUSIC 186A: Music and Religious Experience in the Contemporary World (MUSIC 286A, RELIGST 156, RELIGST 256)
Explores the central role of music in the performance and experience of religion, positioning music not as an adjunct to silent rituals and liturgy, but as the catalyst and carrier of religious experience, indeed as religious experience itself. Topics include: trance, spirit possession, heightened religious experience, sacred sound and chant, shamanism, politics, and identity. Musical traditions include: Zimbabwean mbira music, African-American church music, Southeast Asian Buddhist ritual music, South Asian Hindu and Islamic devotional music, shamanistic music of Southeast Asia.
Terms: Spr
| Units: 3-5
| UG Reqs: WAY-A-II, WAY-EDP
MUSIC 208C: Architecture, Acoustics and Ritual in Byzantium (ARTHIST 208C, ARTHIST 408C, CLASSART 108, CLASSART 208, MUSIC 408C, REES 208C, REES 408C, RELIGST 208C, RELIGST 308C)
Onassis Seminar "Icons of Sound: Architecture, Acoustics and Ritual in Byzantium". This year-long seminar explores the creation and operations of sacred space in Byzantium by focusing on the intersection of architecture, acoustics, music, and ritual. Through the support of the Onassis Foundation (USA), nine leading scholars in the field share their research and conduct the discussion of their pre-circulated papers. The goal is to develop a new interpretive framework for the study of religious experience and assemble the research tools needed for work in this interdisciplinary field.
Terms: Aut, Win, Spr
| Units: 1-3
| UG Reqs: WAY-A-II
| Repeatable
3 times
(up to 9 units total)
Instructors:
Pentcheva, B. (PI)
MUSIC 220B: Compositional Algorithms, Psychoacoustics, and Computational Music
The use of high-level programming language as a compositional aid in creating musical structures. Advanced study of sound synthesis techniques. Simulation of a reverberant space and control of the position of sound within the space. See
http://ccrma.stanford.edu/. Prerequisite: 220A.
Terms: Win
| Units: 2-4
| UG Reqs: WAY-A-II
Instructors:
Wang, G. (PI)
;
Michon, R. (TA)
NATIVEAM 143A: American Indian Mythology, Legend, and Lore
(English majors and others taking 5 units, register for 143A.)Readings from American Indian literatures, old and new. Stories, songs, and rituals from the 19th century, including the Navajo Night Chant. Tricksters and trickster stories; war, healing, and hunting songs; Aztec songs from the 16th century. Readings from modern poets and novelists including N. Scott Momaday, Louise Erdrich, and Leslie Marmon Silko, and the classic autobiography, "Black Elk Speaks."
Last offered: Autumn 2012
| UG Reqs: GER:DB-Hum, GER:EC-AmerCul, WAY-A-II, WAY-EDP
OSPBEIJ 7: Sex, Gender, and Power in Modern China
How sex, gender, and power are entwined in the Chinese experience of modernity. Interdisciplinary approach to how gender and sexuality have emerged as a privileged modality of modern identity and an important site of social and political struggles in 20th-century China and beyond. Topics include: cross-dressing, marriage resistance, free love, women¿s mobilization in revolution and war, state feminism, postsocialist celebrations of the body, and the emergent queer movement. Readings range from feminist theory to historiography, ethnography, memoir, biography, short story, play, essay, and film. Prior coursework in Chinese history or literature is recommended but not necessary. In English.
Terms: Aut
| Units: 3-5
| UG Reqs: GER:DB-Hum, GER:EC-Gender, WAY-A-II, WAY-EDP
Instructors:
Lee, H. (PI)
OSPBEIJ 8: Marvelous Creatures: Animals and Humans in Chinese Literature and Society
What do pervasive animal imageries and metaphors tell us about the Chinese and how they relate to the world, be it natural or supernatural, and to their neighbors, be they ethnic minorities or foreigners? How do animals define the frontiers of humanity and mediate notions of civilization and Chineseness? How do culture, institution, and political economy shape concepts of human rights and animal rights? What does it mean to be human in the pluralistic and planetary 21st century? Course materials include scholarly treatises, novels, short stories, and films that feature an array of animalkind from late imperial times to the contemporary era.
Terms: Aut
| Units: 3-4
| UG Reqs: GER:DB-Hum, GER:EC-GlobalCom, WAY-A-II, WAY-ER
Instructors:
Lee, H. (PI)
OSPBER 60: Cityscape as History: Architecture and Urban Design in Berlin
Diversity of Berlin's architecture and urban design resulting from its historical background. Architect Ludwig Mies van der Rohe and his artistic ancestors. Role of the cultural exchange between Germany and the U.S. Changing nature of the city from the 19th century to the present.
Terms: Aut
| Units: 5
| UG Reqs: GER:DB-Hum, WAY-A-II
Instructors:
Pabsch, M. (PI)
OSPBER 66: Theory from the Bleachers: Reading German Sports and Culture
German culture past and present through the lens of sports. Intellectual, societal, and historical-political contexts. Comparisons to Britain, France, and the U.S. The concepts of
Körperkultur, Leistung, Show, Verein, and
Haltung. Fair play, the relation of team and individual, production and deconstruction of sports heroes and heroines, and sports nationalism. Sources include sports narrations and images, attendance at sports events, and English and German texts. Taught in German.
Terms: Win
| Units: 3
| UG Reqs: GER:DB-SocSci, WAY-A-II
Instructors:
Junghanns, W. (PI)
OSPBER 101A: Contemporary Theater
Texts of plays supplemented by theoretical texts or reviews. Weekly theater visits, a tour of backstage facilities, and discussions with actors, directors, or other theater professionals. In German. Prerequisite: completion of
GERLANG 3 or equivalent.
Terms: Aut, Spr
| Units: 5
| UG Reqs: GER:DB-Hum, WAY-A-II
Instructors:
Kramer, K. (PI)
OSPFLOR 34: The Virgin Mother, Goddess of Beauty, Grand Duchess, and the Lady: Women in Florentine Art
Influence and position of women in the history of Florence as revealed in its art. Sculptural, pictorial, and architectural sources from a social, historical, and art historical point of view. Themes: the virgin mother (middle ages); the goddess of beauty (Botticelli to mannerism); the grand duchess (late Renaissance, Baroque); the lady, the woman (19th-20th centuries).
Terms: Aut
| Units: 4
| UG Reqs: GER:DB-Hum, GER:EC-Gender, WAY-A-II, WAY-EDP
Instructors:
Verdon, T. (PI)
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