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"When anyone asks me about the Irish character, I say look at the trees. Maimed, stark and misshapen, but ferociously tenacious." The writer Edna O'Brien's portrait of Irish life encapsulates a history shaped by colonialism, famine, forced migration, and enduring political struggle. This course explores the global story of Ireland, a small land of 4.8 million that since 1800 has produced a diaspora of some 10 million people worldwide. Colonized and colonizers, freedom fighters and slave-owners, the starving and the wealthy, pious and irreverent-- the Irish reveal their past through memoirs, poetry, novels, music, film, and television.

Designed along the lines of the PBS series, "In the Actor's Workshop," students will meet weekly with some of the leading literary biographers writing today. Included this spring will be "New Yorker" staff writer Judith Thurman -- whose biography of Isak Dinesen was made into the film "Out of Africa" -- as well as Shirley Jackson biographer Ruth Franklin, now at work on a book about Anne Frank. Professor Zipperstein will share with the class drafts of the biography of Philip Roth that he is now writing. Critics questioning the value of biography as an historical and literary tool will also be invited to meetings with the class.

Overview of the history of the Holocaust, the genocide of European Jews. Explores its causes, course, consequences, and memory. Addresses the events themselves, as well as the roles of perpetrators and bystanders, dilemmas faced by victims, collaboration of local populations, and the issue of rescue. Considers how the Holocaust was and is remembered and commemorated by victims and participants alike. Uses different kinds of sources: scholarly work, memoirs, diaries, film, and primary documents.

Until recently history has been comparatively quiet about the experience of World War I in the east. Far from being a peripheral theater of war, however, the experiences of war on the Eastern Front were central to shaping the 20th century. Not only was the first shot of the war fired in the east, it was also the site of the most dramatic political revolution. Using scholarly texts, literature and film, this course combines political, military, cultural and social approaches to introduce the causes, conduct and consequences of World War I with a focus on the experiences of soldiers and civilians on the Eastern Front. Topics include: the war of movement, occupation, extreme violence against civilians, the Armenian genocide, population exchanges, the Russian Revolution and civil war, and the disintegration of empires and rise of nation-states.

This course serves as an introduction to Korean culture, society, and history before the modern period. It begins with a discussion of early Korea and controversies over Korean origins; the bulk of the course will be devoted to the Chos'n period (1392-1910), that from the end of medieval Korea to the modern period. Topics to be covered include: Korean national and ethnic origins, the role of religious and intellectual traditions such as Buddhism and Confucianism, popular and indigenous religious practices, the traditional Korean family and social order, state and society during the Chos'n dynasty, vernacular prose literature, Korean's relations with its neighbors in East Asia, and changing conceptions of Korean identity.nThe course will be conducted through the reading and discussion of primary texts in English translation alongside scholarly research. As such, it will emphasize the interpretation of historical sources, which include personal letters, memoirs, and diaries, traditional histories, diplomatic and political documents, along with religious texts and works of art. Scholarly work will help contextualize these materials, while the class discussions will introduce students to existing scholarly debates about the Korean past. Students will be asked also to examine the premodern past with an eye to contemporary reception. The final project for the class is a film study, where a modern Korean film portraying premodern Korea will be analyzed as a case study of how the past works in public historical memory in contemporary Korea, both North and South. An open-ended research paper is also possible, pending instructor approval.

This discussion course examines the evolution of popular culture in the Chinese-speaking world and diaspora from the late imperial era to the present. Analyzing myth, literature, medicine, music, art, film, fashion, and internet culture will help students understand the revolutionary social and political changes that have transformed modern East Asia.

Today we face unprecedented innovations in neuroscience and medicine. While these advances offer new hope, they also challenge medical, legal, and ethical paradigms. We will explore the ethical constructs surrounding topics including brain death, brain-computer interfaces and other adaptive technologies, and organ transplantation. The course material will include clinical and legal cases, scientific literature, film and popular culture, and experiential learning at Stanford Hospital. We will also focus on cultural comparisons between the US and Japan, where brain death is not widely accepted and deceased donor organ donation is rare. Course evaluation will be based on participation, written work, and team projects.

What is gazing in Literature, Photography, and Film? Is there such a thing as a "female gaze"? In this course, we will explore the concept of "the gaze" in Modern and Contemporary Iberian Literature and Visual Culture from a gender perspective and a multimedia approach. We will examine narrative, photographic, and cinematic works produced in Spain and Portugal from the 1930s to today by major authors such as Mercè Rodoreda, Lídia Jorge, "Colita", Icíar Bollaín, or Carlos Saura, among others. We will pay attention to perspective and positionality to explore how women gaze and are gazed as new technologies and ways of seeing evolve. Students will learn to visually analyze cultural artifacts and to compare how different media and forms question notions of gender and (in)visibility. Students will improve their interpretative and communication skills in Spanish. Taught in Spanish. Non-majors may write in English.

Popular film and media have represented Latin America in various ways, including as a geographical region, a homogeneous culture, and a form of racialization. In this course, we will investigate these representations to understand how Latin America, its people, and its diaspora imagine themselves and how others have conceptualized the region. We will pay particular attention to the myths and stereotypes that cinema and television have sustained as well as Latin America's history of colonization to examine the prevalence of anti-blackness, anti-indigeneity, and other forms of erasure and social exclusion. Sources include Disney's Saludos Amigos and Encanto, Pixar's Coco, and the telenovela Yo soy Betty la fea, among others. Taught in English. Students are welcome to complete work in Spanish.